Lilla Cabot Perry was an American artist who worked in the American Impressionist style, rendering portraits and landscapes in the free form manner of her mentor, Claude Monet. Perry was an early advocate of the French Impressionist style and contributed to its reception in the United States. Perry's early work was shaped by her exposure to the Boston School of artists and her travels in Europe and Japan. She was also greatly influenced by Ralph Waldo Emerson's philosophies and her friendship with Camille Pissarro. Although it was not until the age of thirty-six that Perry received formal training, her work with artists of the Impressionist, Realist, Symbolist, and German Social Realist movements greatly affected the style of her oeuvre.
Charles Herbert Woodbury, was an American marine painter.
Margaret Fitzhugh Browne was an American painter of portraits, indoor genre scenes, and still lifes.
Anne Whitney was an American sculptor and poet. She made full-length and bust sculptures of prominent political and historical figures, and her works are in major museums in the United States. She received prestigious commissions for monuments. Two statues of Samuel Adams were made by Whitney and are located in Washington, D.C.'s National Statuary Hall Collection and in front of Faneuil Hall in Boston. She also created two monuments to Leif Erikson.
Helen Hyde was an American etcher and engraver. She is best known for her color etching process and woodblock prints reflecting Japanese women and children characterizations.
Bertha Boynton Lum was an American artist known for helping popularize the Japanese and Chinese woodblock print outside of Asia.
Jennie Augusta Brownscombe was an American painter, designer, etcher, commercial artist, and illustrator. Brownscombe studied art for years in the United States and in Paris. She was a founding member, student and teacher at the Art Students League of New York. She made genre paintings, including revolutionary and colonial American history, most notably The First Thanksgiving held at Pilgrim Hall in Plymouth, Massachusetts. She sold the reproduction rights to more than 100 paintings, and images of her work have appeared on prints, calendars and greeting cards. Her works are in many public collections and museums. In 1899 she was described by New York World as "one of America's best artists."
Blanche Lazzell was an American painter, printmaker and designer. Known especially for her white-line woodcuts, she was an early modernist American artist, bringing elements of Cubism and abstraction into her art.
Sonja Blomdahl is an American blown glass artist.
Margaret Ely Webb (1887–1965) was an American illustrator, printmaker, and bookplate artist. She was part of the Arts and Crafts movement of the early 1900s.
Helen Mary Knowlton was an American artist, art instructor and author. She taught in Boston from 1871 until the mid-1910s, when she was in her 70s. Her instructor and later employer, William Morris Hunt, was the subject of a portrait she made and several books; she is considered his principal biographer.
Agnes Weinrich was an American visual artist. In the early twentieth century, she played a critical role in introducing cubist theory to American artists, collectors, and the general public and became one of the first American abstractionists. A life-long proponent of modernist art, she was an active participant in the art communities of Provincetown and New York. Early in her career, she traveled widely in Europe and spent extended periods studying in Paris and Berlin. She also studied art in Chicago, Provincetown, and New York. During most of her career, she worked in a Provincetown studio during the warm months and a Manhattan studio during the cold ones. Weinrich's easel work included oil paintings, watercolors, and pastels. She also made block prints and etchings and drew using pencil and crayon. Her paintings, prints, and drawings appeared in solo and group exhibitions throughout her career and she received favorable critical attention both during her life and after her death.
Mary Brewster Hazelton was an American portrait painter. She attended the School of the Museum of Fine Arts, Boston, where she was later an instructor. Among her other achievements, Hazelton was the first woman to win an award open to both men and women in the United States when she won the Hallgarten Prize from the National Academy of Design in 1896. Her portrait paintings are in the collections of the Massachusetts State House, Harvard University, Peabody Essex Museum, and Wellesley Historical Society. The professional organizations that Hazelton was affiliated with included the Wellesley Society of Artists, of which she was a founding member, and The Guild of Boston Artists, of which she was a charter member. She lived her adult life with her sisters in the Hazelton family home in Wellesley, Massachusetts.
May Gearhart was an American printmaker who was part of an early 20th century circle of Southern California printmakers strongly influenced by the Arts and Crafts movement and Japanese art.
Lucy Scarborough Conant was an American artist, and a costume and set designer.
Ethel Mars was an American woodblock print artist, known for her white-line woodcut prints, also known as Provincetown Prints, and a children's book illustrator. She had a lifelong relationship with fellow artist Maud Hunt Squire, with whom she lived in Paris and Provincetown, Massachusetts.
Mabel Hewit (1903–1984) was an American woodblock print artist, particularly the white-line style of the Provincetown Printers.
Ellen "Nelly" Thayer Fisher was an American botanical illustrator. Fisher exhibited her paintings at the National Academy of Design and other exhibitions. She was an active contributor to the exhibitions of the American Watercolor Society, beginning in 1872. In addition to being shown in galleries and exhibitions, her paintings of flora and fauna were widely reproduced as chromolithographs by Boston publisher Louis Prang.
Beatrice Sophia Steinfeld Levy was an American printmaker and painter, draftsman, and instructor.
Margaret Redmond (1867–1948) was an American stained glass artist. Her work is characteristic of the medieval revival style, inspired by the fourteenth and fifteenth century stained glass of French and English cathedrals. She chose innovative glass materials, vibrant colors and thick leading designs for her windows, favored by the leading stained glass artists of the Arts and Crafts Movement in England. She is best known for her stained glass work from the 1920s to the 1940s, which can be found in churches, museums, homes and libraries from New Jersey to Maine.
