Margaretha van Bancken | |
---|---|
Born | 1628 |
Died | 1694 |
Nationality | Dutch |
Margaretha van Bancken (Amsterdam 1628 - Haarlem 1694) was a Dutch publisher from Haarlem.
She was the daughter of Dirck van Bancken and Anna Noppen. [1] She married the city printer on 19 April 1661, Abraham Casteleyn . [2] Their son, Gerard Casteleyn continued their work as publishers in the centrally located house "In de Blije Druck" on the main square Grote Markt, Haarlem. Most of their printing commissions came from the city hall across the square, but they also ran the newspaper called Opregte Haarlemsche Courant . The painter Jan de Bray painted their double portrait sitting with clasped hands under a bust of Laurens Janszoon Coster, the Haarlem inventor of the printing press.
After her husband died she married Frederik van Vliet on 15 Sept. 1682 but continued to print works under her own name. [1]
Laurens Janszoon Coster, or Laurens Jansz Koster, is the purported inventor of a printing press from Haarlem. He allegedly invented printing simultaneously with Johannes Gutenberg and was regarded by some in the Netherlands well into the 20th century as having invented printing first.
Willem Claesz. Heda was a Dutch Golden Age artist from the city of Haarlem devoted exclusively to the painting of still life. He is known for his innovation of the late breakfast genre of still life painting.
The Hoofdwacht is a historically important rijksmonument. It was built in the 13th century and it is considered the oldest building in Haarlem, Netherlands. It has served as a printshop for Coornhert, as a temporary council meeting location across from City Hall and even as a jail. It is located on the Grote Markt across from the St. Bavochurch.
Geertgen tot Sint Jans, also known as Geertgen van Haarlem, Gerrit van Haarlem, Gerrit Gerritsz, Gheertgen, Geerrit, Gheerrit, or any other diminutive form of Gerald, was an Early Netherlandish painter from the northern Low Countries in the Holy Roman Empire. No contemporary documentation of his life has been traced, and the earliest published account of his life and work is from 1604, in Karel van Mander's Schilder-boeck.
Jan de Bray was a Dutch Golden Age painter. He lived and worked in Haarlem until the age of 60, when he went bankrupt and moved to Amsterdam.
Jan van de Velde the younger was a Dutch Golden Age painter and engraver of animal, landscape and still-life subjects. He was the son of Jan van de Velde the Elder and the father of the still life painter Jan Jansz van de Velde.
Museum van de Geest, was created in 2020 when museum Het Dolhuys, the national museum for psychiatry in Haarlem, Netherlands, which was founded in 2005 in the newly renovated former old age home known as Schoterburcht, located just across the Schotersingel from the Staten Bolwerk park, merged with the Outsider Art Museum from Amsterdam.
Theodorus Schrevelius was a Dutch Golden Age writer and poet.
Charles Cornelisz. de Hooch, was a Dutch Golden Age landscape painter and etcher.
Hendrik van Borssum Buisman, was a 20th-century painter from the Northern Netherlands who became the keeper of the print room or art cabinet at Teylers Museum in 1913.
Abraham de Vries was a Dutch Mennonite minister, author on literature and member of several societies.
Paulus van Beresteyn, was a Dutch lawyer in Haarlem, known best today for his portrait painted by Frans Hals in 1619.
Conradus Vietor (1588–1657) was a Dutch Lutheran minister who is most famous today for his portrait painted by Frans Hals.
Aletta Hanemans (1606–1653), was a Dutch brewer. She became the brewer of the Hoeffijser in Haarlem. She is best known today for her marriage portrait by Frans Hals, painted when she married the brewer, magistrate, and later mayor of Haarlem, Jacob Pietersz Olycan in 1624.
Maria Hoofman (1776–1845), was a 19th-century art collector from the Northern Netherlands.
Haerlempjes refer to a specific genre of landscape painting that includes a view of Haarlem. It is used most often to refer to Jacob van Ruisdael's panoramic views of the city, but the term is derived from mentions in Haarlem archives as a type of painting included in household inventories. The diminutive suffix "pje" would denote a small, cabinet-sized painting, but even the largest landscapes may be referred to as Haerlempjes today.
Portrait of Abraham Casteleyn and his Wife, Margaretha van Bancken (1663) is an oil on canvas painting by the Dutch painter Jan de Bray; it is an example of Dutch Golden Age painting and is now in the Rijksmuseum.
Barbara Ogier was a Flemish playwright of De Olijftak, a chamber of rhetoric in Antwerp. Her motto was "Deugd voeght yder".
The Grote Markt is the central square of Aalst, East Flanders, Belgium. The Aldermen's House, the Town Hall, the Beurs van Amsterdam, Herberg Graaf van Egmont and the Belfry/Schepenhuis are located there.