Margery Lewis (Smith) was an American photographer active from the 1940s to the 1970s.
Margery Lewis' long-term relationship with photojournalist W. Eugene Smith overshadows her own career as a photographer in her own right. [1] Their relationship began, and their son Kevin Eugene Smith was born (in 1954), while Smith was still married to his wife Carmen, with whom he had four children.
Lewis changed her name to Smith in the 1960s, but continued to use Lewis in picture credits. [2]
Lewis was a portraitist of celebrities, especially musicians, artists and writers, including Leopold Stokowski, [3] painter Paul Burlin and poet Carolyn Stoloff (both appearing in the March, 1963 issue of Horizon magazine), Elliott Carter, [4] Norman Granz, [5] and Aaron Copeland.
She continued to photograph into the 1970s. [6]
Lewis’ photographs were included in two exhibitions at the Museum of Modern Art both assembled by the Museum’s curator of photography Edward Steichen; Always the Young Strangers, February 26–April 1, 1953, and, from 1955, the world-touring The Family of Man , [7] seen by 9 million visitors, in which one of her 1954 photographs of couples at a high school dance, commissioned by Seventeen , was featured.
She produced images and articles for popular mid-century photography magazines. [8] [9]
Edward Jean Steichen was a Luxembourgish American photographer, painter, and curator, renowned as one of the most prolific and influential figures in the history of photography.
The Family of Man was an ambitious exhibition of 503 photographs from 68 countries curated by Edward Steichen, the director of the New York City Museum of Modern Art's (MoMA) Department of Photography. According to Steichen, the exhibition represented the "culmination of his career." The title was taken from a line in a Carl Sandburg poem.
Antoinette Frissell Bacon, known as Toni Frissell, was an American photographer, known for her fashion photography, World War II photographs, and portraits of famous Americans, Europeans, children, and women from all walks of life.
Emmy Eugenie Andriesse was a Dutch photographer best known for her work with the Underground Camera group during World War II.
Dorothy Norman was an American photographer, writer, editor, arts patron and advocate for social change.
Wayne Forest Miller was an American photographer known for his series of photographs The Way of Life of the Northern Negro. Active as a photographer from 1942 until 1975, he was a contributor to Magnum Photos beginning in 1958.
Otto Hagel (1909–1973) was a German-born American photographer and filmmaker. He and his wife Hansel Mieth were part of the school of socially conscious documentary photo-journalists that included Dorothea Lange, Imogen Cunningham, Peter Stackpole and Robert Capa. In the early 1930s, Hagel was a member of the San Francisco Film and Photo League.
Herbert Gehr (1910–1983) was a Jewish German-American photographer and television director who was associated with Life magazine.
Leon Levinstein (1910–1988) was an American street photographer best known for his work documenting everyday street life in New York City from the 1950s through the 1980s. In 1975 Levinstein was awarded a Guggenheim Fellowship from the John Simon Guggenheim Memorial Foundation.
Humanist Photography, also known as the School of Humanist Photography, manifests the Enlightenment philosophical system in social documentary practice based on a perception of social change. It emerged in the mid-twentieth-century and is associated most strongly with Europe, particularly France, where the upheavals of the two world wars originated, though it was a worldwide movement. It can be distinguished from photojournalism, with which it forms a sub-class of reportage, as it is concerned more broadly with everyday human experience, to witness mannerisms and customs, than with newsworthy events, though practitioners are conscious of conveying particular conditions and social trends, often, but not exclusively, concentrating on the underclasses or those disadvantaged by conflict, economic hardship or prejudice. Humanist photography "affirms the idea of a universal underlying human nature". Jean Claude Gautrand describes humanist photography as:
a lyrical trend, warm, fervent, and responsive to the sufferings of humanity [which] began to assert itself during the 1950s in Europe, particularly in France ... photographers dreamed of a world of mutual succour and compassion, encapsulated ideally in a solicitous vision.
Carl Perutz (1921-1981) was a New York photographer who was active from the 1930s through the 1970s covering a wide range of subject matter and in the genres of street photography, photojournalism, portraiture, fashion and advertising.
May Mirin (1900-1997) was an American photographer who documented life in Mexico.
William Vandivert was an American photographer, co-founder in 1947 of the agency Magnum Photos.
Eiju Otaki was a Japanese photographer and photojournalist active in the 1950s.
Ewing Krainin was an American magazine, advertising and travel photographer active 1940s-1970s.
Bob Schwalberg was an American photojournalist and writer on photographic technique and equipment.
John Bertolino was an American photojournalist who photographed in Italy and the United States and was active in the 1950s and 1960s.
Lisa Larsen (1925-1959) was a pioneering woman photojournalist.
Ian Smith (c.1921—c.1987) was a Scottish photographer who was on the staff of LIFE magazine in 1944.
Ted Castle (1918–2000) was an American photojournalist and member of Magnum agency.
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