Finnish mythology is a commonly applied description of the folklore of Finnish paganism, of which a modern revival is practiced by a small percentage of the Finnish people. It has many features shared with Estonian and other Finnic mythologies, but also shares some similarities with neighbouring Baltic, Slavic and, to a lesser extent, Norse mythologies.
Tuonela is the realm of the dead or the Underworld in Finnish mythology. Tuonela, Tuoni, Manala, Vainajala and Mana are used synonymously. Similar realms appear in most Finnic cultural traditions, including among Karelian, Ingrian, and Estonian beliefs. In Estonian mythology, the realm is called Toonela or Manala. Tuonela can also refer to a grave or a graveyard.
The Mari are a Finno-Ugric people, who have traditionally lived along the Volga and Kama rivers in Russia. Almost half of Maris today live in the Mari El republic, with significant populations in the Bashkortostan and Tatarstan republics. In the past, the Mari have also been known as the Cheremisa or the Cheremis people in Russian and the Çirmeş in Tatar.
Lemminkäinen or Lemminki is a prominent figure in Finnish mythology. He is one of the heroes of the Kalevala, where his character is a composite of several separate heroes of oral poetry. He is usually depicted as young and good-looking, with wavy red hair.
Finnic paganism is the indigenous pagan religion in Finland, Karelia, Ingria and Estonia prior to Christianisation. It was a polytheistic religion, worshipping a number of different deities. The principal god was the god of thunder and the sky, Ukko; other important gods included Jumo (Jumala), Ahti, and Tapio. Jumala was a sky god; today, the word "Jumala" refers to all gods in general. Ahti was a god of the sea, waters and fish. Tapio was the god of forests and hunting.
Estonian mythology is a complex of myths belonging to the Estonian folk heritage and literary mythology. Information about the pre-Christian and medieval Estonian mythology is scattered in historical chronicles, travellers' accounts and in ecclesiastical registers. Systematic recordings of Estonian folklore started in the 19th century. Pre-Christian Estonian deities may have included a god known as Jumal or Taevataat in Estonian, corresponding to Jumala in Finnish, and Jumo in Mari.
Comparative mythology is the comparison of myths from different cultures in an attempt to identify shared themes and characteristics. Comparative mythology has served a variety of academic purposes. For example, scholars have used the relationships between different myths to trace the development of religions and cultures, to propose common origins for myths from different cultures, and to support various psychoanalytical theories.
The Norse mythology, preserved ancient Icelandic texts such as the Poetic Edda, the Prose Edda, and other lays and sagas, was little known outside Scandinavia until the 19th century. With the widespread publication of Norse myths and legends at this time, references to the Norse gods and heroes spread into European literary culture, especially in Scandinavia, Germany, and Britain. In the later 20th century, references to Norse mythology became common in science fiction and fantasy literature, role-playing games, and eventually other cultural products such as Japanese animation. Storytelling was an important aspect of Norse mythology and centuries later, with the rediscovery of the myth, Norse mythology once again relies on the impacts of storytelling to spread its agenda.
Hittite mythology and Hittite religion were the religious beliefs and practices of the Hittites, who created an empire centered in what is now Turkey from c. 1600–1180 BC.
As polytheistic religions evolve, there is a tendency for one deity to achieve preeminence as king of the gods. This tendency can parallel the growth of hierarchical systems of political power in which a monarch eventually comes to assume ultimate authority for human affairs. Other gods come to serve in a Divine Council or pantheon; such subsidiary courtier-deities are usually linked by family ties from the union of a single husband or wife, or else from an androgynous divinity who is responsible for the creation.
Snakes are a common occurrence in myths for a multitude of cultures. The Hopi people of North America viewed snakes as symbols of healing, transformation, and fertility. Snakes in Mexican folk culture tell about the fear of the snake to the pregnant women where the snake attacks the umbilical cord. The Great Goddess often had snakes as her familiars—sometimes twining around her sacred staff, as in ancient Crete—and they were worshipped as guardians of her mysteries of birth and regeneration. Although not entirely a snake, the plumed serpent, Quetzalcoatl, in Mesoamerican culture, particularly Mayan and Aztec, held a multitude of roles as a deity. He was viewed as a twin entity which embodied that of god and man and equally man and serpent, yet was closely associated with fertility. In ancient Aztec mythology, Quetzalcoatl was the son of the fertility earth goddess, Cihuacoatl, and cloud serpent and hunting god, Maxicoat. His roles took the form of everything from bringer of morning winds and bright daylight for healthy crops, to a sea god capable of bringing on great floods. As shown in the images there are images of the sky serpent with its tail in its mouth, it is believed to be a reverence to the sun, for which Quetzalcoatl was also closely linked.
Hungarian mythology includes the myths, legends, folk tales, fairy tales and gods of the Hungarians, also known as the Magyarok.
Sumerian religion was the religion practiced by the people of Sumer, the first literate civilization of ancient Mesopotamia. The Sumerians regarded their divinities as responsible for all matters pertaining to the natural and social orders.
Greek mythology is the body of myths originally told by the ancient Greeks, and a genre of ancient Greek folklore, today absorbed alongside Roman mythology into the broader designation of classical mythology. These stories concern the ancient Greek religion's view of the origin and nature of the world; the lives and activities of deities, heroes, and mythological creatures; and the origins and significance of the ancient Greeks' cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself.
Geb was the Egyptian god of the earth and a mythological member of the Ennead of Heliopolis. He could also be considered a father of snakes. It was believed in ancient Egypt that Geb's laughter created earthquakes and that he allowed crops to grow.
Dorvyzhy is the Udmurt literary national epic. It was originally compiled and written in Russian by Mikhail Khudiakov in the 1920s with the title Песнь об удмуртских батырах. The original was based on the folklore works of N. Pervuhin, G. Potanin, B. Gavrilov, B. Munkácsi, Kuzebay Gerd and Aleksandr Spitsyn. The structure of the Finnish epic Kalevala was influential in its creation. The epic was later translated into Udmurt in 2004 and given its Udmurt title Дорвыжы by V. M. Vanyushev and then Finnish in 2009 with a Kalevala metre structure by Esa-Jussi Salminen and Jorma Vakkuri. In 2012 the epic was published in Hungarian translation by Dyekiss Virág and Elena V. Rodionova.
The mythology of Indonesia is very diverse, the Indonesian people consisting of hundreds of ethnic groups, each with their own myths and legends that explain the origin of their people, the tales of their ancestors and the demons or deities in their belief systems. The tendency to syncretize by overlying older traditions with newer foreign ideas has occurred. For example, the older ancestral mythology might be merged with foreign mythology, such as Hindu, Islam, or Christian biblical mythology.
Uralic neopaganism encompasses contemporary movements which have been reviving or revitalising the ethnic religions of the various peoples who speak Uralic languages. The movement has taken place since the 1980s and 1990s, after the collapse of the Soviet Union and alongside the ethnonational and cultural reawakening of the Finnic peoples of Russia, the Estonians and the Finns. In fact, Neopagan movements in Finland and Estonia have much older roots, dating from the early 20th century.
Mesopotamian mythology refers to the myths, religious texts, and other literature that comes from the region of ancient Mesopotamia which is a historical region of Western Asia, situated within the Tigris–Euphrates river system that occupies the area of present-day Iraq. In particular the societies of Sumer, Akkad, and Assyria, all of which existed shortly after 3000 BCE and were mostly gone by 400 CE. These works were primarily preserved on stone or clay tablets and were written in cuneiform by scribes. Several lengthy pieces have survived erosion and time, some of which are considered the oldest stories in the world, and have given historians insight into Mesopotamian ideology and cosmology.
The ancient Mesopotamian underworld, most often known in Sumerian as Kur, Irkalla, Kukku, Arali, or Kigal and in Akkadian as Erṣetu, although it had many names in both languages, was a dark, dreary cavern located deep below the ground, where inhabitants were believed to continue "a transpositional version of life on earth". The only food or drink was dry dust, but family members of the deceased would pour sacred mineral libations from the earth for them to drink. In the Sumerian underworld, it was initially believed that there was no final judgement of the deceased and the dead were neither punished nor rewarded for their deeds in life.
