Maria Cristina Didero | |
|---|---|
 | |
| Alma mater | |
| Occupation | Curator, writer, filmmaker |
| Employer |
|
| Works | Superdesign: Italian radical design 1965-75, Superdesign: Italian radical design 1965-75, We the others |
Maria Cristina Didero is an Italian curator, historian, author, and design scholar. [1] She is curatorial director for Design Miami. [2] Didero is quoted as saying that, "design is all about people, not about chairs." [3] [4]
Didero grew up in Rimini. She attended and graduated from the University of Bologna, from which she received a degree in literature and philosophy. [5] [6] [7] She lives and works in Milan, where she moved in 1999. [8] She is an expert in Italian design with a focus on the Radical period. [9] [8]
Her curatorial work has involved close collaboration with contemporary designers including Daniel Arsham, the Campana brothers, Richard Hutten, Philippe Malouin, Oki Sato, Bethan Laura Wood, and Michael Young. [10] [11] She has curated exhibitions such as Nendo: The Space in Between and The Conversation Show at the Design Museum Holon, Israel; [12] [13] [8] Al(l) Projects with Aluminum (featuring the British designer Michael Young) at the Centre d'Innovation et de Design [14] at Grand-Hornu in Belgium, [15] [16] [17] and FUN HOUSE by Snarkitecture at the National Building Museum in Washington, D.C., [13] Take a Seat at the Galleria D’Arte Moderna in Turin; [18] [19] as well as exhibitions at the Museum für Kunst und Gewerbe Hamburg (MK&G), [20] [21] and the Museum of Applied Arts in Dresden. [22] [23] She has also been a guest curator and expert consultant for exhibitions staged by commercial galleries such as SuperDesign at the R & Company gallery in New York. [24] [25] [26] [27]
She worked at Vitra Design Museum for 14 years, after which she became the executive director of the Fondazione Bisazza . [10] [7] She has also worked as a design consultant with companies and organisations such as DesignSingapore Council, Vitra, Fritz Hansen, Lexus, Fendi, Louis Vuitton, and Valextra. [28] [1] She as also served on design panels, mentorship programmes, and juries for awards such as Experimenta Design, Design Anthology, the Dezeen awards, the Lexus Design Award, and the Compasso d'Oro. [29] [30] [31]
In 2022 she was appointed curatorial director for Design Miami. [32] [33] She and fellow curator Annalisa Rosso created a digital virtual exposition platform called Perfettooo which is a venue for designers "to conceive a dream project to be realised in a mutable ideal space, shaped around their needs and therefore perfectly tailored for their collections." [34] [35]
She co-curated (with Richard Hutten) an exhibition for Milan Design Week 2023 called Droog30: Design or Non-design at the Triennale di Milano. [36] [1] Also in 2023, she and Tony Chambers collaborated with the Singapore Design Council for the exhibition Future Impact; [37] and an exhibition about the work of the Greek designers On Entropy (sisters Niki and Zoe Moskofoglou) called A Future for the Past. [38] [39]
In 2024 she curated the inaugural Tohoku edition of the Craft x Tech initiative, first exhibited at Kudan House in Tokyo. [40] [41] [1] The initiative pairs international artists and designers with Japanese master craftspeople and "aims to fuse Japan’s traditional crafts heritage with progressive technology, with the goal of helping endangered artisan techniques survive and thrive in modern times." [42] [43]
Reflecting on the "Golden Age" theme of her Art Basel / Design Miami curatorial debut, she is quoted as saying, "It’s aspirational, a wish and a direct invitation for us to communally consider how we could live more harmoniously with each other and Planet Earth. At the core of the theme is the idea that periods of crisis are followed by periods of great revival and progress. I hope that it taps into an optimism within the society at large. The answers to our current challenges lie in innovation within the arts, design, and, technology and respect for people’s work and lives." [10]
Didero is a prolific writer who has covered topics ranging from disability and resilience; the Radical Italian design movement; contemporary design practice and sustainability; to "how an object comes to be and the creators behind these as storytellers, instead of just the object itself". [3] She has written for Domus magazine [13] and was editor-at-large at ICON Design from 2018 to 2020 [44] She has been the Italian editor for Wallpaper magazine since 2021. [45] [46] [47]
She is the host of a podcast called "Design Forward", which is published by the Salone del Mobile in Milan. [48]
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Mario Bellini is an Italian architect and designer. After graduating from the Polytechnic University of Milan in 1959, Bellini pursued a career as an architect, exhibition designer, product designer, and furniture designer during the Italian economic boom of the late 20th century. Bellini has received several accolades in a variety of design fields, including eight Compasso d'Oro awards and the Gold Medal for Lifetime Achievement by the Triennale di Milano. In 2019, the Italian President of the Chamber of Deputies, Roberto Fico, awarded Bellini a career medal in recognition of his contributions to Italian architecture and design.
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