Ferdinand Victor Eugène Delacroix was a French Romantic artist who was regarded as the leader of the French Romantic school.
Maria Felicia Malibran was a Spanish singer who commonly sang both contralto and soprano parts, and was one of the best-known opera singers of the 19th century. Malibran was known for her stormy personality and dramatic intensity, becoming a legendary figure after her death in Manchester, England, at age 28. Contemporary accounts of her voice describe its range, power and flexibility as extraordinary.
Théodore Chassériau was a Dominican-born French Romantic painter noted for his portraits, historical and religious paintings, allegorical murals, and Orientalist images inspired by his travels to Algeria. Early in his career he painted in a Neoclassical style close to that of his teacher Jean-Auguste-Dominique Ingres, but in his later works he was strongly influenced by the Romantic style of Eugène Delacroix. He was a prolific draftsman, and made a suite of prints to illustrate Shakespeare's Othello. The portrait he painted at the age of 15 of Prosper Marilhat makes Chassériau the youngest painter exhibited at the Louvre museum.
Achille Jacques-Jean-Marie Devéria was a French painter and lithographer known for his portraits of famous writers and artists. His younger brother was the Romantic painter Eugène Devéria, and two of his six children were Théodule Devéria and Gabriel Devéria.
Events from the year 1830 in art.
April FitzLyon was an English translator, biographer, and historian.
Paul Huet was a French painter and printmaker born in Paris. He studied under Gros and Guerin. He met the English painter Richard Parkes Bonington in the studio of Gros, where he studied irregularly from 1819 to 1822. Bonington's example influenced Huet to reject neoclassicism and instead paint landscapes based on close observation of nature. The British landscape paintings exhibited in the Salon of 1824 were a revelation to Huet, who said of Constable's work: "It was the first time perhaps that one felt the freshness, that one saw a luxuriant, verdant nature, without blackness, crudity or mannerism." Huet's subsequent work combined emulation of the English style with inspiration derived from Dutch and Flemish old masters such as Rubens, Jacob van Ruisdael, and Meindert Hobbema.
Henri Decaisne was a Belgian historical and portrait painter.
The Duke of Richelieu is an 1818 portrait painting by the British artist Sir Thomas Lawrence of the French Prime Minister Armand Emmanuel de Vignerot du Plessis, 5th Duke of Richelieu. Richelieu was a leading statesman in Restoration France serving twice as premiere during the reign of Louis XVIII, having previously spent many years in exile. It was painted during the Congress of Aix-la-Chapelle.
Portrait of the Duchess of Berry is an 1825 portrait painting by the English artist Sir Thomas Lawrence. It depicts the Italian-born French royal Marie-Caroline, Duchess of Berry, the widowed daughter-in-law of the reigning French monarch Charles X. A few months after the assassination of her husband the Duke of Berry in 1820, she gave birth to a child Henri who seemed to secure the succession for the House of Bourbon.
The Opening of Waterloo Bridge is an 1832 history painting by the British artist John Constable. It depicts the scene on 18 June 1817 when the newly constructed Waterloo Bridge across the River Thames in London was ceremonially opened by the Prince Regent. To distinguish it from other works of the scene by Constable and others, it is known by the longer alternative title Embarkation of George IV from Whitehall: The Opening of Waterloo Bridge, 1817.
The Salon of 1824 was an art exhibition held at the Louvre in Paris between 25 August 1824 and 15 January 1825. It took place during the Restoration Era that followed the downfall of Napoleon's French Empire. At the time one of Europe's premier art exhibitions, the Salon was held roughly biennaly during the period. It was the first to be held since Charles X succeeded to the throne earlier the same year.
Josephine and the Fortune-Teller is an 1837 history painting by the British artist David Wilkie. It depicts a story about the young Joséphine de Beauharnais visiting a fortune teller on her native island of Martinique, who predicts her future in France as the wife of Emperor Napoleon.
Portrait of Madame Reiset is an 1823 portrait painting by the French artist Anne-Louis Girodet de Roussy-Trioson. It depicts Colette-Désirée-Thérèse Godefroy (1782-1850), the wife of Jacques de Reiset, a French government official of the Restoration era. She was the mother of Frédéric Reiset, the art collector and curator at the Louvre. Today it is in the collection of the Metropolitan Museum of Art, in New York.
The Salon of 1831 was an art exhibition held at the Louvre in Paris between June and August 1831. It was the first Salon during the July Monarchy and the first to be held since the Salon of 1827, as a planned exhibition of 1830 was cancelled due to the French Revolution of 1830.
The Colosseum from the Campo Vaccino is an 1822 landscape painting by the English artist Charles Lock Eastlake. It depicts a view of the Colosseum in Rome viewed from the Palatine Hill which along with the Roman Forum was known at the time as the Campo Vaccino, due to its use as an enclosure for cattle brought for the city's markets. The rural surroundings of the Ancient Roman landscape are emphasised in Eastlake's painting. The same year Eastlake also produced another work entitled The Colosseum from the Esquiline.
Portrait of Lady Caroline Montagu is an 1831 portrait painting by the English artist George Hayter depicting the British aristocrat Lady Caroline Montagu. She was the daughter of the Duke of Manchester and the wife of the Tory Member of Parliament John Calcraft. She is portrayed in Byronic style as Haidée from the poem Don Juan by Lord Byron, with her costume combining fashionable British evening dress and a headdress of Neapolitan peasant costume.
Quentin Durward at Liège is an 1828 oil painting by the British-French artist Richard Parkes Bonington. It depicts an episode from the novel Quentin Durward by Walter Scott set during the Wars of Liège in the fifteenth century. Translated into French, the novel enjoyed great popularity. Bonington shows the moment that Durward, a naïve young Scotsman is mistaken by the inhabitants of Liège as part of an advance guard of an army sent by Louis XI of France to assist them in their rising against the Duke of Burgundy. He is paraded in the street between two burghers and hailed almost a saviour by the inhabitants. As in the novel Durward is portrayed as a Don Quixote-type figure.
Crossing the Brook is an 1815 landscape painting by the British artist J.M.W. Turner. It depicts a view towards Plymouth down the Tamar valley. Turner gave the English countryside an Italianate look. He produced it based on sketches he had made during a trip to Devon in 1813.
Moving Day or The Movings is an oil on canvas genre painting by the French artist Louis-Léopold Boilly, from 1822. It is held in the Art Institute of Chicago, having been acquired in 1982.
