Mariana Montes (born on Monday, 5 March 1979, Buenos Aires, Argentina) is an Argentine tango dancer and teacher.
Since 1998, she has been pairing with Sebastián Arce and have travelled the world teaching and performing. [1] [2] As of 2011, they have visited more than 140 cities in 35 countries. Along with Sebastián, they created a dance performance Piazzoleando they choreographed and danced in the dance performance Exodo Tangueado. She also appeared in the 2010 documentary Ad occhi chiusi by Simonetta Rossi.
She lives in Cagliari where she teaches tango in regular classes.
Carlos Gardel was a French-born Argentine singer, songwriter, composer and actor, and the most prominent figure in the history of tango. He was one of the most influential interpreters of world popular music in the first half of the 20th century. Gardel is the most famous popular tango singer of all time and is recognized throughout the world. Described variously as a baritone or tenor because of his wide vocal range, he was known for his rich voice and dramatic phrasing. Together with lyricist and long-time collaborator Alfredo Le Pera, Gardel wrote several classic tangos.
Tango is a partner dance and social dance that originated in the 1880s along the Río de la Plata, the natural border between Argentina and Uruguay. The tango was born in the impoverished port areas of these countries from a combination of Argentine Milonga, Spanish-Cuban Habanera, and Uruguayan Candombe celebrations. It was frequently practiced in the brothels and bars of ports, where business owners employed bands to entertain their patrons. It then spread to the rest of the world. Many variations of this dance currently exist around the world.
Tango is a style of music in 2
4 or 4
4 time that originated among European and African immigrant populations of Argentina and Uruguay. It is traditionally played on a solo guitar, guitar duo, or an ensemble, known as the orquesta típica, which includes at least two violins, flute, piano, double bass, and at least two bandoneóns. Sometimes guitars and a clarinet join the ensemble. Tango may be purely instrumental or may include a vocalist. Tango music and dance have become popular throughout the world.
Nuevo tango is both a form of music in which new elements are incorporated into traditional tango music, and an evolution of tango dance that began to develop in the 1980s.
Francisco Canaro, also known by the nickname Pirincho, was a Uruguayan violinist and tango orchestra leader.
Argentine tango is a musical genre and accompanying social dance originating at the end of the 19th century in the suburbs of Buenos Aires. It typically has a 2
4 or 4
4 rhythmic time signature, and two or three parts repeating in patterns such as ABAB or ABCAC. Its lyrics are marked by nostalgia, sadness, and laments for lost love. The typical orchestra has several melodic instruments and is given a distinctive air by the bandoneon. It has continued to grow in popularity and spread internationally, adding modern elements without replacing the older ones. Among its leading figures are the singer and songwriter Carlos Gardel and composers/performers Francisco Canaro, Juan D'Arienzo, Carlos Di Sarli, Osvaldo Pugliese, Elvira Santamaría, and Ástor Piazzolla.
Lidia Borda is an Argentine tango singer.
Agustin Bardi was an Argentine Tango pianist, violinist, and composer.
Pedro Florindo Sassone was an Argentine violinist and composer, leader of his eponymous orchestra, which played tango music, from the 1940s up to the 1970s.
Julio de Caro was an Argentine composer, musician, and conductor prominent in the Tango genre.
Nicole Nau is a German dancer of Tango Argentino and Argentine folklore living in Argentina and Germany.
Queer Tango is to dance Argentine tango without regard to the traditional heteronormative roles of the dancers, and often to exchange the leader and follower roles. Therefore, it is related to open role or same-sex tango. The queer tango movement permits not only an access to tango for the LBGTQIAA+ community, but also supports female leaders and male followers, regardless of sexual orientation.
Cambalache is an Argentine slang-language tango song written in 1934 by Enrique Santos Discépolo for the movie The Soul of the Accordion, released the following year. It is explicitly critical of 20th-century corruption and, having been written during the Infamous Decade, was banned by a succession of dictatorial governments before censorship was relaxed under General Juan Peron.
María Nieves Rego is an Argentine tango dancer and choreographer who starred with her long time dance partner Juan Carlos Copes in the 1983 musical Tango Argentino.
Mónica Navarro is a Tango singer and actress from Buenos Aires, Argentina. She resides in Montevideo, Uruguay. Her album Calle was nominated Latin Grammy Awards of 2014 for Best Tango Album.
Ricardo Francisco Malerba was a bandoneon player, composer and bandleader in Argentina during the golden age of tango.
Maria del Carmen Rodriguez de Rivarola, better known by her artistic name Maria Rivarola is an outstanding professional dancer, social dancer, and choreographer of the Argentine Tango. She is known for performing a specific style of Argentine Tango known as Milonguero Tango. She is also known worldwide for being a cast member of the show Tango Argentino, released in 1983, which resulted in her nomination, along with the rest of the dancers, for the Tony Award in 1986 for Best Choreography. Since her youth, Carlos Rivarola has been her dance partner. Together, they present themselves artistically as Maria and Carlos Rivarola. Maria was one of the founders of the Association of Teachers, Dancers, and Choreographers of the Argentine Tango (ATDCAT) in 2001.
Café de Hansen, Antiguo Hansen, Lo de Hansen, Restaurant del Parque 3 de Febrero or Tarana was a café in Buenos Aires, Argentina, and was one of the birthplaces of tango. Because of its monumental impact on the development and dissemination of the music, Café Hansen is often referenced in some of the most popular tango songs in Argentina.
Tango Argentino is a musical stage production about the history and many varieties of Argentine tango. It was created and directed by Hector Orezzoli and Claudio Segovia, and premiered at the Festival d'Automne in Paris in 1983 and on Broadway in New York in 1985. The Mel Howard production became a world-wide success with numerous tours culminating with a Broadway revival in 1999–2000. It set off a world-wide resurgence of tango, both as a social dance and as a musical genre. Tango Argentino recreates on stage the history of tango from its beginnings in 19th-century Buenos Aires through the tango's golden age of the 1940s and 50s up to Piazzolla's tangos. Most of the dancers in the show did their own choreography.