Marie de Villermont (1848–1925), countess of Hennequin, was a Belgian artist, writer and feminist.
Marie Emma Éloïse Françoise de Villermont was born at Saint-Josse-ten-Noode on 16 August 1848, the eldest of nine children of the industrialist Antoine-Charles de Villermont and his second wife, Marie-Adélaïde Licot.
Saint-Josse-ten-Noode or Sint-Joost-ten-Node is one of the nineteen municipalities located in the Brussels-Capital Region of Belgium. It is bordered by the City of Brussels and Schaerbeek.
Training as a painter, Villermont was a member of the Cercle des femmes peintres from 1888. Besides painting, she dedicated herself to writing for such periodicals as La Revue générale and La femme belge (which she also supported financially from 1913 to 1925). She was not only a contributor but also co-editor of La Revue Mauve, an up-market magazine about social and cultural issues published in Brussels from 1897 to 1899. A series of her essays on feminism was later published as the book Le Mouvement féministe: Ses causes, son avenir, solution chrétienne (1900).
In the early twentieth century, Villermont wrote a number of books, including biographies of Veronica Giuliani and Isabella Clara Eugenia.
Saint Veronica Giuliani, O.S.C. Cap., was an Italian Capuchin Poor Clares nun and mystic. She was canonized by Pope Gregory XVI in 1839.
Isabella Clara Eugenia was sovereign of the Spanish Netherlands in the Low Countries and the north of modern France, together with her husband Albert VII, Archduke of Austria. In some sources, she is referred to as Clara Isabella Eugenia. By birth, she was an infanta of Spain and Portugal.
Her efforts to better the circumstances of women were not limited to writing. In 1903 she founded the first union of farming women at Ermeton-sur-Biert, leading to the establishment of the Cercle de Fermières at Namur in 1909. [1]
Ermeton-sur-Biert is a village in the Walloon province of Namur, Belgium, which since 1977 has been a subdivision of the municipality of Mettet.
At the beginning of the First World War she ran a dressing station at her castle, until it was requisitioned by the Germans.
She died at Ermeton-sur-Biert (Namur) on 8 January 1925.
In 1914 the Académie française awarded Villermont a Montyon Prize for her L'Infante Isabelle (1912). [2]
Godefroid Kurth (1847–1916) was a celebrated Belgian historian and pioneering Christian democrat. He is known for his histories of the city of Liège in the Middle Ages and of Belgium, his Catholic account of the formation of modern Europe in Les Origines de la civilisation moderne, and his defence of the medieval guild system.
Baroness Suzanne Lilar was a Flemish Belgian essayist, novelist, and playwright writing in French. She was the wife of the Belgian Minister of Justice Albert Lilar and mother of the writer Françoise Mallet-Joris and the art historian Marie Fredericq-Lilar.
Isabelle Laure Gatti de Gamond was a Belgian educationalist, feminist, and politician.
Marie Popelin was a Belgian lawyer and early feminist political campaigner. Popelin worked with Isabelle Gatti de Gamond in the development of women's education and, in 1888, became the first Belgian woman to receive a doctorate in law. After her accession to the bar was refused, Popelin went on to have an active career as the leader of Belgian League for Women's Rights. She died in 1913 without ever gaining admission to the bar.
Zoé Charlotte de Gamond was a Belgian educator and feminist who wrote under the pseudonym Marie de G***.
Jean-Baptiste Henri de Trousset, lord of Valincour or Valincourt was a French admiral and man of letters. He was a friend of chancellor d'Aguesseau, Racine and Boileau.
Auguste Armand Ghislain Marie Joseph Nompar de Caumont de La Force, 12th Duke of La Force, was a French duke and historian. Specialising in the 17th century, his work allowed him to reconstruct events in which his ancestors had taken part. He was elected a member of the Académie française on 19 November 1925.
Marguerite Aimee Rosine Coppin born in Brussels, was a Belgian novelist and poet.
Virginie Bovie (1821–1888), full name Joséphine-Louise-Virginie Bovie, was a Belgian painter and arts patron. In 1870, she was described as "well known", but she has fallen into neglect in the 20th and early 21st centuries and only seven of her more than 200 works have been located.
Henri Joseph Thomas (1878-1972) was a Belgian genre, portrait and still life painter, sculptor and etcher from the Belgian School, Brussels, Belgium.
Marie de Romrée de Vichenet was a Belgian writer.
Berthe Constance Ursule Art was a Belgian still life painter.
Ermeton Abbey is a monastery of Benedictine nuns in a medieval castle in the Belgian village of Ermeton-sur-Biert.
Alix Apolline Louise d'Anethan was a Belgian painter.
Amable Tastu, real name Sabine Casimire Amable Voïart, was a 19th-century French femme de lettres.
Raymond Escholier, real name Raymond-Antoine-Marie-Emmanuel Escolier, was a French journalist, novelist and art critic. He was curator of the Maison de Victor Hugo and of the Petit Palais.
Pierre Bourgeade was a French man of letters, playwright, poet, writer, director, journalist, literary critic and photographer. A descendant of Jean Racine, he was also the brother-in-law of the writer Paule Constant.
Louise van den Plas was a Belgian suffragist and the founder of the first Christian feminist movement in Belgium.
Marie Parent (1853–1934) was a Belgian journal editor, temperance activist, feminist and suffragist. She founded the Alliance des femmes contre les abus de l'alcool in 1905 and the Ligue belge des femmes rationalistes in 1920. For over 20 years, she headed and edited the Journal des Mères, for which she received the Adelson Castiau award from the Royal Academy of Belgium and a gold medal at the 1910 Brussels International Exhibition.