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The Mariinsky Theatre Orchestra or just the Mariinsky Orchestra (formerly known as the Kirov Orchestra) is located in the Mariinsky Theatre in St. Petersburg, Russia. The orchestra was founded in 1783 during the reign of Catherine the Great, it was known before the revolution as the Russian Imperial Opera Orchestra. The orchestra is one of the oldest musical institutions in Russia.
In 1935 Joseph Stalin changed its name (and that of the Ballet) to the Kirov, after Sergei Kirov, the first secretary of the Communist Party in Leningrad, whose 1934 murder by his regime Stalin was attempting to whitewash. [1] After the collapse of the Soviet Union, the name was changed to its current one in 1992.
The current artistic and general director of the Mariinsky Theatre is the conductor Valery Gergiev. Under Gergiev, the Mariinsky Orchestra has become one of the leading symphony orchestras in Russia.
The Mariinsky Ballet is the resident classical ballet company of the Mariinsky Theatre in Saint Petersburg, Russia.
The Bolshoi Theatre is a historic opera house in Moscow, Russia, originally designed by architect Joseph Bové. Before the October Revolution it was a part of the Imperial Theatres of the Russian Empire along with Maly Theatre in Moscow and a few theatres in Saint Petersburg.
Valery Abisalovich Gergiev is a Russian conductor and opera company director. He is currently general director and artistic director of the Mariinsky Theatre and of the Bolshoi Theatre and artistic director of the White Nights Festival in St. Petersburg. He was formerly chief conductor of the Rotterdam Philharmonic Orchestra and of the Munich Philharmonic.
The Mariinsky Theatre is a historic opera house in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music theatre of late 19th-century Russia, where many of the stage masterpieces of Tchaikovsky, Mussorgsky, and Rimsky-Korsakov received their premieres. Through most of the Soviet era, it was known as the Kirov Theatre. Today, the Mariinsky Theatre is home to the Mariinsky Ballet, Mariinsky Opera and Mariinsky Orchestra. Since Yuri Temirkanov's retirement in 1988, the conductor Valery Gergiev has served as the theatre's general director.
Romeo and Juliet, Op. 64, is a ballet by Sergei Prokofiev based on William Shakespeare's play Romeo and Juliet. First composed in 1935, it was substantially revised for its Soviet premiere in early 1940. Prokofiev made from the ballet three orchestral suites and a suite for solo piano.
Ossetia is a region located on both sides of the Greater Caucasus Mountains. The folk music of Ossetia began to be collected and recorded in the late 19th and early 20th century. After the Revolution of 1917, professional music appeared in Ossetia and in the following decades, a number of symphonies, ballets, operas and other institutions were formed. There is an Ossetian State Philharmonic. The first Ossetian opera was Kosta, by Christopher Pliev.
Konstantin Mikhaylovich Sergeyev was a Russian danseur, artistic director and choreographer for the Kirov Theatre. When the Kirov Ballet returned to Leningrad from Perm Sergeyev became the head choreographer of the company. His first major work was to restage Prokofiev's Cinderella, which is still performed in the present day.
Le Corsaire is a ballet typically presented in three acts, with a libretto originally created by Jules-Henri Vernoy de Saint-Georges loosely based on the poem The Corsair by Lord Byron. Originally choreographed by Joseph Mazilier to the music of Adolphe Adam and other composers, it was first presented by the ballet of the Théâtre Impérial de l’Opéra in Paris on 23 January 1856. All modern productions of Le Corsaire are derived from the revivals staged by the Ballet Master Marius Petipa for the Imperial Ballet of St. Petersburg throughout the mid to late 19th century.
Kirov may refer to:
La Bayadère is an 1877 ballet, originally staged in four acts and seven tableaux by the French choreographer Marius Petipa to music by Ludwig Minkus and libretto by Sergei Khudekov. The ballet was staged for the benefit performance of the Russian Prima ballerina Ekaterina Vazem, who created the principal role of Nikiya. La Bayadère was first presented by the Imperial Ballet at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia, on 4 February [O.S. 23 January] 1877. From the first performance the ballet was hailed by contemporary critics and audiences as one of the choreographer Petipa's masterpieces, particularly the scene of act II The Kingdom of the Shades, which is one of the most celebrated pieces in all of classical ballet.
Moscow Ballet has toured the United States and Canada during the holiday season since 1993 and is exclusively represented by Talmi Entertainment Inc for these tours. There are 70 to 80 Russian-trained classical dancers on the annual North American tour who fly in from the former republic of Russia. Stanislav Vlasov, a former principal artist of the Bolshoi Ballet, was the first artistic director on the North American tour in 1993. Vlasov's debut in the United States was at Carnegie Hall in 1957.
The Vaganova Academy of Russian Ballet is a school of classical ballet in St Petersburg, Russia. Established in 1738 during the reign of Empress Anna, the academy was known as the Imperial Ballet School until the Soviet era, when, after a brief hiatus, the school was re-established as the Leningrad State Choreographic Institute. In 1957, the school was renamed in honor of the pedagogue Agrippina Vaganova, who cultivated the method of classical ballet training that has been taught there since the late 1920s. Many of the world's leading ballet schools have adopted elements of the Vaganova method into their own training.
La Vivandière is a ballet in one act with choreography by Arthur Saint-Léon and Fanny Cerrito, and music by Cesare Pugni.
The Maid of Pskov, also known as Ivan the Terrible, is an 1872 opera originally in three acts by Nikolai Rimsky-Korsakov. The libretto is by the composer, after the play by Lev Mei.
Inna Borisovna Zubkovskaya was a Soviet and Russian ballerina. She was trained at the Bolshoi Theatre and graduated in 1941. She immediately joined the Kirov Ballet where she remained until her retirement in 1970. According to Meisner, "her flawless technique, allied to a sensitive reticence, fitted the Mariinsky's elegant purity and they invited her to join". She was half-Jewish with an exceptional, dark-eyed beauty - earning the nickname the Black Pearl. She then became a teacher of the company until her death. She married twice: first to Nikolai Zubkovsky - whose name she kept for the stage - before divorcing him and marrying Svyatoslav Kuznetsov. Both her husbands were dancers. and her daughter, Katerina, and her son, Nikolai, both became dancers in the Mariinsky.
The Carriage is a comic opera in one act written by Vyacheslav Kruglik. The opera uses a Russian libretto by Vera Kupriyanova and the composer which is based upon the story of the eponymous story by Nikolai Gogol.
Irina Ivanovna Golub is a Russian-born ballerina, formerly with the Mariinsky Ballet, once known as the Kirov Ballet.
Vasili Ivanovich Vainonen, also spelled Vasily (1901-1964), was a russian choreographer, mainly for the Kirov Ballet, now known as the Mariinsky Ballet, with which he worked from 1930 to 1938.
Leonid Veniaminovich Yakobson, whose last name is sometimes spelled Jacobson, was a Jewish ballet choreographer from Russia. He was the founder of the Yacobson Ballet.
Mikhail Tatarnikov is a Russian conductor who is known for his production of The Enchantress at the Theater an der Wien as well as The Gambler at the Opéra de Monte-Carlo. He was principal conductor and music director of the Mikhailovsky Theatre in 2012–2018. Represented by TACT Artists Management.