Marina Kifferstein (born July 19, 1989) is a violinist, composer, improviser, and educator based in New York City. She is a member of contemporary classical quintet TAK ensemble, The Rhythm Method string quartet, and electronic noise project xbucket. [1]
Born and raised in Manhattan, Kifferstein attended New York City's School for Strings and went on to major in both violin performance and English as part of Oberlin College and Conservatory's double degree program, where she studied with violinist Milan Vitek. She continued her studies at Manhattan School of Music's Contemporary Performance Program, studying with Laurie Smukler and Curtis Macomber. [2] She is currently pursuing a doctorate of Musical Arts at the Graduate Center, CUNY.
In 2013 Kifferstein co-founded TAK ensemble, [3] a contemporary quintet based in New York City, where she also co-founded The Rhythm Method, an experimental string quartet, in 2014. [4] She is a frequent guest with ensembles such as the International Contemporary Ensemble, [5] Talea Ensemble, [6] Wet Ink Ensemble, [7] Da Capo Chamber Players, and the Ensemble of Lucerne Festival Alumni.
As a writer, Kifferstein has contributed to I Care If You Listen [8] , Wet Ink Ensemble's Wet Ink Archive, [9] and Q2 Music. [10]
Kifferstein teaches at the United Nations International School [11] and is on faculty at The Composers Conference summer festival. [12]
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part. However, by convention, it usually does not include solo instrument performances.
The Arditti Quartet is a string quartet founded in 1974 and led by the British violinist Irvine Arditti. The quartet is a globally recognized promoter of contemporary classical music and has a reputation for having a very wide repertoire. They first became known taking into their repertoire technically challenging pieces. Over the years, there have been personnel changes but Irvine Arditti is still at the helm, leading the group. The repertoire of the group is mostly music from the last 50 years with a strong emphasis on living composers. Their aim from the beginning has been to collaborate with composers during the rehearsal process. However, unlike some other groups, it is loyal to music of a classical vein and avoids cross-genre music. The Quartet has performed in major concert halls and cultural festivals all over the world and has the longest discography of any group of its type. In 1999, it won the Ernst von Siemens Music Prize for lifetime achievement, being the first and only group to date to receive this award.
Joan Tower is a Grammy-winning contemporary American composer, concert pianist and conductor. Lauded by The New Yorker as "one of the most successful woman composers of all time", her bold and energetic compositions have been performed in concert halls around the world. After gaining recognition for her first orchestral composition, Sequoia (1981), a tone poem which structurally depicts a giant tree from trunk to needles, she has gone on to compose a variety of instrumental works including Fanfare for the Uncommon Woman, which is something of a response to Aaron Copland's Fanfare for the Common Man, the Island Prelude, five string quartets, and an assortment of other tone poems. Tower was pianist and founding member of the Naumburg Award-winning Da Capo Chamber Players, which commissioned and premiered many of her early works, including her widely performed Petroushskates.
Leroy Jenkins was an American composer and violinist/violist.
Alice Anne LeBaron is a United States composer and harpist.
Vijay Iyer is an American composer, pianist, bandleader, producer and writer based in New York City. The New York Times has called him a "social conscience, multimedia collaborator, system builder, rhapsodist, historical thinker and multicultural gateway". Iyer received a 2013 MacArthur Fellowship, a Doris Duke Performing Artist Award, a United States Artists Fellowship, a Grammy nomination, and the Alpert Award in the Arts. He was voted Jazz Artist of the Year in the DownBeat magazine international critics' polls in 2012, 2015, 2016, and 2018. In 2014, he received a lifetime appointment as the Franklin D. and Florence Rosenblatt Professor of the Arts at Harvard University, where he was jointly appointed in the Department of Music and the Department of African and African American Studies.
Dan Welcher is an American composer, conductor, and music educator.
Matthew John Hindson AM is an Australian composer.
Margaret Brouwer is an American composer and composition teacher. She founded the Blue Streak Ensemble chamber music group.
Fernando Otero is a Grammy-award-winning Argentine pianist, vocalist, and composer.
Jennifer Choi is a Korean-American violinist based in New York City. Choi graduated from the Juilliard School and the Oberlin Conservatory of Music and has performed in a variety of settings including solo violin, chamber music, and creative improvisation and performed with the Oregon Symphony, the Portland Columbia Symphony, the Vancouver Symphony Orchestra, the Portland Youth Philharmonic, and the String Orchestra of New York City (SONYC) among others.
Miguel del Águila is an Uruguayan-born, American composer of contemporary classical music.
Andreas Makris was a Greek-American composer and violinist, born in Kilkis, Greece, on March 7, 1930. He was a Composer-in-Residence for many years at the National Symphony Orchestra in Washington DC, working with conductors such as Howard Mitchell, Mstislav Rostropovich, Antal Dorati, and Leonard Slatkin. He composed around 100 works for orchestra, chamber ensembles, and solo instruments, including the Aegean Festival Overture, which, transcribed for concert band by Major Albert Bader of the USAF Band, became a popular piece with US bands. Grants and awards he received include the Damroch Grant, National Endowment for the Arts Grant, the Martha Baird Rockefeller Award, ASCAP Award, the Fulbright Scholarship, and citations from the Greek Government.
Anna Clyne is an English composer, now resident in New York City, US. She has worked in both acoustic music and electro-acoustic music.
Elliott Miles McKinley is an American composer, improviser, and teacher. He is currently Associate Professor of Music Composition and Theory at Roger Williams University in Rhode Island, and director of the Alba Music Festival Composition Program in Italy. His father is the late American composer and jazz pianist William Thomas McKinley, who gave Elliott the middle name Miles in honor of Miles Davis.
Gene Pritsker is a Russian-born composer, guitarist, rapper and record producer living in New York City. He moved to the United States with his family in 1978 and lived in Sheepshead Bay, Brooklyn. He attended the Manhattan School of Music from 1990 to 1994 where he studied composition with Giampaolo Bracali.
Jaehyuck Choi is a South Korean composer and conductor of classical music, based in New York and Seoul.
Emmanuelle Waeckerlé is an experimental musician, multidisciplinary artist and composer based in London. Her text scores, publications, and performances explore the materiality and musicality of language while proposing playful encounters with our "interior or exterior landscape and each other."
TAK ensemble is a contemporary chamber ensemble based in New York City consisting of flute, clarinet, violin, percussion, and soprano voice.
The Art of Improvisation is a live album by violinist / composer Leroy Jenkins. It was recorded in October 2004 at an AACM concert in New York City, and was released by Mutable Music in 2005. On the album, Jenkins is joined by the members of his world music improvisation group, Driftwood: Min Xiao-Fen on pipa, Denman Maroney on piano, and Rich O'Donnell on percussion.