Jerry Saltz is an American art critic. Since 2006, he has been senior art critic and columnist for New York magazine. Formerly the senior art critic for The Village Voice, he received the Pulitzer Prize for Criticism in 2018 and was nominated for the award in 2001 and 2006. Saltz served as a visiting critic at School of Visual Arts, Columbia University, Yale University, and The School of the Art Institute of Chicago and the New York Studio Residency Program, and was the sole advisor for the 1995 Whitney Biennial.
Lane Jay Twitchell is a mixed media artist of visionary images. His intricately patterned abstract and semi-representational mixed media works are unmistakable. Twitchell mainly works in paint media, paper cutting, and collage. Cherie K. Woodworth wrote, “What Twitchell does is reinterpret the Western landscape— landscape as kaleidoscope, as a quilt made of paper, as a wide open world refracted in a giant, man-made snowflake. It is the landscape and the heart of the West—its natural grandeur, its history, its modern-day suburbs. Twitchell’s landscape is a labyrinthine desert rose blossoming in the midst of Manhattan.”
William T. Williams is an American painter and educator. He is known for his process-based approach to painting that engages motifs drawn from personal memory and cultural narrative to create non-referential, abstract compositions. He was a Professor of Art at Brooklyn College, City University of New York from 1971 to 2008.
Peter Cain was an artist who is best known for his meticulously executed paintings and drawings of surreal and aberrant versions of automobiles. His style has been said to combine aspects of Surrealism, Photorealism, and the art of James Rosenquist. He is of the same generation of painters who came to prominence in the 1990s such as Elizabeth Peyton, John Currin, Peter Doig, and Karen Kilimnik. He died at age thirty seven of a cerebral hemorrhage having completed sixty-three paintings over the course of his short career. He was represented by the Matthew Marks Gallery in New York during his lifetime.
Irving Sandler was an American art critic, art historian, and educator. He provided numerous first hand accounts of American art, beginning with abstract expressionism in the 1950s. He also managed the Tanager Gallery downtown and co-ordinated the New York Artists Club of the New York School from 1955 to its demise in 1962 as well as documenting numerous conversations at the Cedar Street Tavern and other art venues. Al Held named him, "Our Boswell of the New York scene," and Frank O'Hara immortalized him as the "balayeur des artistes" because of Sandler's constant presence and habit of taking notes at art world events. Sandler saw himself as an impartial observer of this period, as opposed to polemical advocates such as Clement Greenberg and Harold Rosenberg.
Roberta Smith is co-chief art critic of The New York Times and a lecturer on contemporary art. She is the first woman to hold that position.
Jennifer Dalton is an American artist. She received her Master of Fine Arts from Pratt Institute in 1997.
Peregrine Honig is an American artist whose work is concerned with the relationship between pop culture, sexual vulnerability, social anxieties, the ethics of luxury and trends in consumerism. Honig appeared on season one of Bravo’s artist reality television show, Work of Art: The Next Great Artist, which aired from June 9–August 11, 2010, finishing in second place.
Peter Plagens is an American artist, art critic, and novelist based in New York City. He is most widely known for his longstanding contributions to Artforum and Newsweek, and for what critics have called a remarkably consistent, five-decade-long body of abstract formalist painting. Plagens has written three books on art, Bruce Nauman: The True Artist (2014), Moonlight Blues: An Artist's Art Criticism (1986) and Sunshine Muse: Modern Art on the West Coast, 1945-70 (1974), and two novels, The Art Critic (2008) and Time for Robo (1999). He has been awarded major fellowships for both his painting and his writing. Plagens's work has been featured in surveys at the Museum of Modern Art, Los Angeles County Museum of Art (LACMA), Whitney Museum, and PS1, and in solo exhibitions at the Hirshhorn Museum and Las Vegas Art Museum. In 2004, the USC Fisher Gallery organized and held a 30-year traveling retrospective of his work. Critics have contrasted the purely visual dialogue his art creates—often generating more questions than answers—with the directness of his writing; they also contend that the visibility of his bylines as a critic has sometimes overshadowed his artmaking—unduly. Los Angeles Times critic David Pagel described Plagens's painting as a "fusion of high-flying refinement and everyday awkwardness" with an intellectual savvy, disdain for snobbery and ungainliness he likened to Willem de Kooning's work. Reviewing Plagens's 2018 exhibition, New York Times critic Roberta Smith called the show an "eye-teasing sandwich of contrasting formalist strategies," the hard-won result of a decade of focused experimentation.
Thornton Willis is an American abstract painter. He has contributed to the New York School of painting since the late 1960s. Viewed as a member of the Third Generation of American Abstract Expressionists, his work is associated with Abstract Expressionism, Lyrical Abstraction, Process Art, Postminimalism, Bio-morphic Cubism and Color Field painting.
John Dubrow is an American painter.
Daniel Maidman is a painter and art writer who lives in Brooklyn, New York. His art and writing reflect eclectic tastes, with an emphasis on realism.
David Cohen is an American art critic, art historian, curator and publisher. He is the editor of artcritical.com, which he founded in 2001. Cohen is also the organizer and moderator of The Review Panel, an ongoing public discussion forum which he launched in 2004, and has been hosted by the National Academy Museum and School and the Pennsylvania Academy of the Fine Arts. He teaches at Pratt Institute, the Pennsylvania Academy of the Fine Arts, the Fashion Institute of Technology and other institutions.
Gerry Hayes is an American painter who in addition to his paintings, has created installation sculpture and conceptual ideas documented in photography.
Don Joint is an American artist and curator who lives and works in New York City. His work consists of collage, assemblage, painting, works on paper, and photography.
Ron Linden is a California abstract painter, independent curator, and associate professor of art at Los Angeles Harbor College, Wilmington. He lives and works in the San Pedro area of Los Angeles.
Laurie Fendrich is an American artist, writer and educator based in New York City, best known for geometric abstract paintings that balance playfulness and sophistication. Her work has been featured in solo exhibitions in New York, Los Angeles and Chicago, a retrospective at the Williamson Gallery at Scripps College (2010), and group shows at MoMA PS1, the Los Angeles County Museum of Art, and the National Academy of Design, among many venues. She has received reviews in publications including The New York Times, Artforum, Art in America, Arts Magazine, ARTnewsPartisan Review, and New York Magazine. Fendrich has been awarded fellowships from the Guggenheim Foundation (2016), Brown Foundation at the Museum of Fine Arts, Houston, and National Endowment for the Arts (1983–4). She has been an educator for more than four decades, notably at Hofstra University (1989–2014), and a regular essayist for The Chronicle Review at The Chronicle of Higher Education.
Ann Toebbe is an American contemporary artist who has had solo exhibitions at the Museum of Contemporary Art, Chicago, The Saatchi Gallery, Steven Zevitas Gallery, Monya Rowe Gallery, and Tibor de Nagy Gallery. Based in Chicago, she is best known for creating meticulously designed paintings and collages that depict the interiors of domestic life. In 2015, Vulture magazine art critic Jerry Saltz named one of Toebbe's exhibitions one of the year's 10 best. Toebbe has been featured in articles in Artforum, The New York Times, NY Magazine, The Boston Globe, The Chicago Tribune, Art in America, and Hyperallergic, among others.
Doug Harvey is an artist, curator and writer based in Los Angeles. For 15 years he was a freelance arts writer and Lead Art Critic for LA Weekly and during his tenure there was considered “one of the most important voices on art in the city” by editor Tom Christie, "an art critic who is read all over the country, is smart, snappy, original, has an independent open eye, a quick wit, is not boring and never academic" by New York Magazine critic Jerry Saltz, and "a master of the unexpected chain-reaction of thought" by Pulitzer Prize winning LA Times critic Christopher Knight.
Nicol Allan (1931–2019) was an American artist known for his paper collages.
