Mario Prayer (1887-1959) was an Italian painter, mainly of frescoes for churches or large halls. He collaborated closely with his brother, Guido, in many projects.
He was born in Turin to Roberto Prayer Galletti, a photographer from Venice and Giovanna Boccaccini, also from Venice. Despite being without the use of his right hand, along with his brother Guido, he trained first at the Accademia di Belle Arti di Venezia and then at the Academy of Fine Arts of Lyon.
Both brothers were called in 1915 to paint for the Superintendent of Fine Arts of Apulia and Calabria, and the brothers mainly worked in Apulia and Basilicata, including Bari and Brindisi. He painted works for the Fascist authorities. [1] His style shows the influences of Art Nouveau orStilo Liberty. [2] He died in Rome.
In 1924, he had a girl named Liliana Prayer, in Bare, Italy. She died in 2002.
Among his works, mainly in fresco are: [3]
Annibale Carracci was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades.
Guido Reni was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci.
Pinturicchio, or Pintoricchio, also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. He acquired his nickname because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries.
Alessandro Bonvicino, more commonly known as Moretto, or in Italian Il Moretto da Brescia, was an Italian Renaissance painter from Brescia, where he also mostly worked. His dated works span the period from 1524 to 1554, but he was already described as a master in 1516. He was mainly a painter of altarpieces that tend towards sedateness, mostly for churches in and around Brescia, but also in Bergamo, Milan, Verona and Asola; many remain in the churches they were painted for. Most are on canvas, but a number even of large ones are on wood panel. Only a handful of drawings survive.
Giovanni Battista Michelini (1604–1655) was an Italian painter of the Baroque period, active mainly in Foligno and Rome. He was born in Foligno, but became a pupil of Guido Reni. He painted mainly religious and mythological subjects.
Pellegrino Tibaldi, also known as Pellegrino di Tibaldo de Pellegrini, was an Italian mannerist architect, sculptor, and mural painter.
Ridolfo di Domenico Bigordi, better known as Ridolfo Ghirlandaio was an Italian Renaissance painter active mainly in Florence. He was the son of Domenico Ghirlandaio.
Santa Maria in Vallicella, also called Chiesa Nuova, is a church in Rome, Italy, which today faces onto the main thoroughfare of the Corso Vittorio Emanuele and the corner of Via della Chiesa Nuova. It is the principal church of the Oratorians, a religious congregation of secular priests, founded by St Philip Neri in 1561 at a time in the 16th century when the Counter Reformation saw the emergence of a number of new religious organisations such as the Society of Jesus (Jesuits), the Theatines and the Barnabites.
Cristoforo Roncalli was an Italian mannerist painter. He was one of the three painters known as Pomarancio or Il Pomarancio.
Francesco Trevisani was an Italian painter, active in the period called either early Rococo or late Baroque (barochetto).
Alessandro Maganza (1556–1630) was an Italian painter of the Mannerist style, born and active in Vicenza, as well as in Venice.
Aurelio Lomi was an Italian painter of the late-Renaissance and early-Baroque periods, active mainly in his native town of Pisa, Tuscany.
Astolfo Petrazzi (1583–1665) was an Italian painter of the Baroque period, active mainly in his hometown of Siena, but also Spoleto and Rome. He was a pupil of mainly Francesco Vanni, but also worked under Ventura Salimbeni and Pietro Sorri. He died in Siena.
Pietro Aldi (1852–1888) was an academic Italian painter known for his subjects on romantic themes.
Taranto railway station is the main station serving the city and comune of Taranto, in the region of Apulia, southern Italy. Opened in 1868, it forms a junction between three main lines, from Bari, Brindisi and Reggio di Calabria, respectively. It is also a terminus of a secondary line, the Bari–Martina Franca–Taranto railway.
Foggia railway station serves the city and comune of Foggia, in the region of Apulia, Southern Italy. Opened in 1864, it forms part of the Adriatic Railway (Ancona–Lecce), and is the terminus of the Naples–Foggia railway. It is also a junction for several other, secondary lines, namely the Foggia–Manfredonia, Lucera–Foggia and Foggia–Potenza railways.
Francesco Nasini was an Italian painter of the Baroque period, active mainly in towns outside of Siena, Italy.
Sebastiano Folli (1568–1621) was an Italian painter of the late Renaissance period. He was a scholar of Alessandro Casolano, and a native of Siena. He distinguished himself by several frescoes in the churches at Siena, particularly the cupola of Santa Marta, and some subjects from the Life of St. Sebastian, in the church of that saint, painted in competition with Rutilio Manetti, to whose pictures they are in no way inferior. He visited Rome, and was employed in some considerable works for the Cardinal de' Medici, afterwards Leo XI. He died in 1621.
Alessandro Zenatello was a modern Italian painter; his mature output included landscapes influenced by Macchiaioli styles and abstract paintings.
The following is a timeline of the history of the city of Brindisi in the Apulia region of Italy.