Mark Beard (born 1956 in Salt Lake City) [1] is an American artist. [2] [3] In addition to being a noted stage set designer., [4] Beard works in prints, paint, and as a sculptor. His portraits, nudes, bronzes, and handicrafted books have been exhibited all over the world.
Beard resides in a studio in Hell's Kitchen that he bought with his partner, James Manfredi. [2]
Between 1986 and 1997, he designed more than 20 theatrical sets in New York City, London, Cologne, Vienna, and Frankfurt. [5]
Beard is noted for his objection to the fact that while artists may pass through different stages or periods, success comes from branding the artist with one particular style. Beard therefore has developed a number of distinct artistic personalities, each with a detailed biography and portrait photograph, to enable himself to work in a variety of styles and mediums. [6]
His different artistic personalities include: [5] [7]
Each of these artists works in a different style. For example, Streeruwitz is expressionist and more somber, while Coulter's style is postmodern art.
Featured works by Beard acting as Bruce Sargeant (such as large paintings, friezes and a bronze sculpture) have been installed since 2005 in Abercrombie & Fitch's flagship stores in New York, Los Angeles, London, Milan, Paris, Brussels, Amsterdam, Copenhagen, Munich and in Tokyo. [2]
Beard's works are found in notable museum collections, including the Museum of Fine Arts, Boston, the Wadsworth Atheneum, the Whitney Museum of American Art, the Metropolitan Museum of Art, the Museum of Modern Art, New York, the Staatliche Graphische Sammlung München, Albertina, as well as in Princeton, Harvard, and Yale universities amongst others. [4] [ better source needed ]
Gustav Klimt was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, and his works are marked by a frank eroticism. Amongst his figurative works, which include allegories and portraits, he painted landscapes. Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art and its methods.
Kazimir Severinovich Malevich was a Russian avant-garde artist and art theorist, whose pioneering work and writing influenced the development of abstract art in the 20th century. He was born in Kiev, to an ethnic Polish family. His concept of Suprematism sought to develop a form of expression that moved as far as possible from the world of natural forms (objectivity) and subject matter in order to access "the supremacy of pure feeling" and spirituality. Malevich is also sometimes considered to be part of the Ukrainian avant-garde that was shaped by Ukrainian-born artists who worked first in Ukraine and later over a geographical span between Europe and America.
Friedrich Stowasser, better known by his pseudonym Friedensreich Regentag Dunkelbunt Hundertwasser, was an Austrian visual artist and architect who also worked in the field of environmental protection.
Jasper Johns is an American painter, sculptor, draftsman, and printmaker. Considered a central figure in the development of American postwar art, he has been variously associated with abstract expressionism, Neo-Dada, and pop art movements. Johns was born in Augusta, Georgia, and raised in South Carolina. He graduated as valedictorian from Edmunds High School in 1947 and briefly studied art at the University of South Carolina before moving to New York City and enrolling at Parsons School of Design. His education was interrupted by military service during the Korean War. After returning to New York in 1953, he worked at Marboro Books and began associations with key figures in the art world, including Robert Rauschenberg, with whom he had a romantic relationship until 1961. The two were also close collaborators, and Rauschenberg became a profound artistic influence.
Edgar Degas was a French Impressionist artist famous for his pastel drawings and oil paintings.
Julius Mordecai Pincas, known as Pascin, Jules Pascin, also known as the "Prince of Montparnasse", was a Bulgarian artist of the School of Paris, known for his paintings and drawings. He later became an American citizen. His most frequent subject was women, depicted in casual poses, usually nude or partly dressed.
Hans von Aachen was a German painter who was one of the leading representatives of Northern Mannerism.
The Vienna Secession is an art movement, closely related to Art Nouveau, that was formed in 1897 by a group of Austrian painters, graphic artists, sculptors and architects, including Josef Hoffman, Koloman Moser, Otto Wagner and Gustav Klimt. They resigned from the Association of Austrian Artists in protest against its support for more traditional artistic styles. Their most influential architectural work was the Secession exhibitions hall designed by Joseph Maria Olbrich as a venue for expositions of the group. Their official magazine was called Ver Sacrum, which published highly stylised and influential works of graphic art. In 1905 the group itself split, when some of the most prominent members, including Klimt, Wagner, and Hoffmann, resigned in a dispute over priorities, but it continued to function, and still functions today, from its headquarters in the Secession Building. In its current form, the Secession exhibition gallery is independently led and managed by artists.
Edwin Parker "Cy" Twombly Jr. was an American painter, sculptor and photographer.
John Anthony Baldessari was an American conceptual artist known for his work featuring found photography and appropriated images. He lived and worked in Santa Monica and Venice, California.
Günther Förg was a German painter, graphic designer, sculptor and photographer. His abstract style was influenced by American abstract painting.
The New National Theatre, Tokyo (NNTT) is Japan's first and foremost national centre for the performing arts, including opera, ballet, contemporary dance and drama. It is located in the Shinjuku area of Tokyo. Since 1997 more than 650 productions were staged. There are about 300 performances per season with approximately 200,000 theatergoers. The centre has been praised for its architecture and state-of-the-art modern theatre facilities, which are considered among the best in the world. In 2007, the NNTT was branded with the advertising slogan: Opera Palace, Tokyo.
Soshana Afroyim was an Austrian painter of the Modernism period. Soshana was a full-time artist and traveled frequently, exhibiting her work internationally. During her journeys, she portrayed many well known personalities and her art developed in different directions. Her early period artwork was largely naturalistic in nature, showing landscapes and portraits. Later her style developed towards abstract art, strongly influenced by Asian calligraphy.
Franz West was an Austrian artist.
The Actor is an oil-on-canvas painting by Spanish painter Pablo Picasso, created from 1904 to 1905. The painting dates from the artist's Rose Period. It is housed in the collection of the Metropolitan Museum of Art in New York City.
Bartholomäus Bruyn (1493–1555), usually called Barthel Bruyn or Barthel Bruyn the Elder, was a German Renaissance painter active in Cologne. He painted altarpieces and portraits, and was Cologne's foremost portrait painter of his day.
Lajos Tihanyi was a Hungarian painter and lithographer who achieved international renown working outside his country, primarily in Paris, France. After emigrating in 1919, he never returned to Hungary, even on a visit.
Giulio Paolini is an Italian artist associated with both Arte Povera and Conceptual Art.
Bruce Obomeyoma Onobrakpeya is a Nigerian printmaker, painter and sculptor. He has exhibited at the Tate Modern in London, the National Museum of African Art of the Smithsonian Institution in Washington, D.C., and the Malmö Konsthall in Malmö, Sweden. The National Gallery of Modern Art, Lagos has an exhibit of colourful abstract canvases by Onobrakpeya and his works can be found at the Virtual Museum of Modern Nigerian Art, although no exhibitions were showing as of October 2017.
Blackface in contemporary art covers issues from stage make-up used to make non-black performers appear black, to non-black creators using black personas. Blackface is generally considered an anachronistically racist performance practice, despite or because of which it has been widely used in contemporary art. Contemporary art in this context is understood as art produced from the second half of the 20th century until today. In recent years some black artists and artists of color have engaged in blackface as a form of deconstruction and critique.
| International | |
|---|---|
| National | |
| Artists | |
| Other | |
