Mark Beard (born 1956 in Salt Lake City) [1] is an American artist. [2] [3] In addition to being a noted stage set designer., [4] Beard works in prints, paint, and as a sculptor. His portraits, nudes, bronzes, and handicrafted books have been exhibited all over the world.
Beard resides in a studio in Hell's Kitchen that he bought with his partner, James Manfredi. [2]
Between 1986 and 1997, he designed more than 20 theatrical sets in New York City, London, Cologne, Vienna, and Frankfurt. [5]
Beard is noted for his objection to the fact that while artists may pass through different stages or periods, success comes from branding the artist with one particular style. Beard therefore has developed a number of distinct artistic personalities, each with a detailed biography and portrait photograph, to enable himself to work in a variety of styles and mediums. [6]
His different artistic personalities include: [5] [7]
Each of these artists works in a different style. For example, Streeruwitz is expressionist and more somber, while Coulter's style is postmodern art.
Featured works by Beard acting as Bruce Sargeant (such as large paintings, friezes and a bronze sculpture) have been installed since 2005 in Abercrombie & Fitch's flagship stores in New York, Los Angeles, London, Milan, Paris, Brussels, Amsterdam, Copenhagen, Munich and in Tokyo. [2]
Beard's works are found in notable museum collections, including the Museum of Fine Arts, Boston, the Wadsworth Atheneum, the Whitney Museum of American Art, the Metropolitan Museum of Art, the Museum of Modern Art, New York, the Staatliche Graphische Sammlung München, Albertina, as well as in Princeton, Harvard, and Yale universities amongst others. [4] [ better source needed ]
Kazimir Severinovich Malevich was a Russian avant-garde artist and art theorist, whose pioneering work and writing influenced the development of abstract art in the 20th century. He was born in Kiev, modern-day Ukraine, to an ethnic Polish family. His concept of Suprematism sought to develop a form of expression that moved as far as possible from the world of natural forms (objectivity) and subject matter in order to access "the supremacy of pure feeling" and spirituality. Active primarily in Russia, Malevich was a founder of the artists collective UNOVIS and his work has been variously associated with the Russian avant-garde and the Ukrainian avant-garde, and he was a central figure in the history of modern art in Central and Eastern Europe more broadly.
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