Mark L. Lester | |
---|---|
Born | Cleveland, Ohio, U.S. | November 26, 1946
Occupation(s) | Film director, film producer, screenwriter |
Notable work |
Mark L. Lester (born November 26, 1946) is an American film director, screenwriter, and producer. [1] He is known as a prolific director of cult films, including the disco musical Roller Boogie (1979), the vigilante thriller film Class of 1984 (1982), the Stephen King adaptation Firestarter (1984), the Arnold Schwarzenegger action film Commando (1985), the action-comedy Armed and Dangerous (1986), starring John Candy, Eugene Levy, and Meg Ryan and the buddy movie Showdown in Little Tokyo , starring Dolph Lundgren and Brandon Lee.
After his debut in 1970 with the documentary film Twilight of the Mayas, Lester quickly became a prolific B-movie director/producer/writer, initially making his mark with a trio of road movies designed for the drive-in market: Steel Arena (1973), Truck Stop Women (1974), and Bobbie Jo and the Outlaw (1976). In 1977, he directed the high-concept thriller Stunts, an early outing for New Line Cinema, starring Robert Forster, Joanna Cassidy, and Richard Lynch, with a score composed by Michael Kamen. Two years later, he capitalized on the disco trend with Roller Boogie , starring Linda Blair. The film had a significantly higher budget than his previous films and was the first to be distributed by a major studio, to modest success. While it received negative reviews upon its initial release, it has since gained cult status as a proverbial time capsule of the bygone Disco Era. He then made the exploitation action crime-thriller Class of 1984 , a film revolving around violence in an inner-city school. The Canadian-made production, which featured an early appearance by Michael J. Fox, was controversial at the time of release, but has since gained cult status [ citation needed ].
Lester entered the mainstream in 1984 with the Stephen King adaptation Firestarter , and had his biggest hit the following year with Commando , a big-budget, Joel Silver-produced, Arnold Schwarzenegger action film that grossed over $57 million worldwide. In 1986, he directed and produced his first comedy, Armed and Dangerous , starring John Candy, Eugene Levy and Meg Ryan. In 1986, he formed Original Pictures, replacing his original production company Mark L. Lester Pictures, he had earlier established in the late 1970s, and had five films planned, source from the work of public domain with a $66 million budget. [2] In 1987, he, by way of Mark Lester Films, had signed with upstart film production company Davis Entertainment for production of $5–10 million action films, which Davis produced, Lester directed and independently funded by two independent studios, and 70% of each pictures could be obtained for presale use. [3] In 1990, he directed Class of 1999 , a semi-sequel to Class of 1984 , starring Malcolm McDowell, Pam Grier, and Stacy Keach. In 1991, he directed the cult classic Showdown in Little Tokyo , starring Dolph Lundgren and Brandon Lee.
Lester also founded American World Pictures, an independent production and distribution company. Other films include the thrillers Hitman's Run (1999) and Blowback (2000), and the TV movie Pterodactyl (2005), produced for the Sci Fi Channel. In 2012, he formed a new distribution company called Titan Global Entertainment.
In January 2013, almost 10 years after directing his last picture, Lester helmed the film Poseidon Rex on location in Belize. The production was disrupted briefly when lead actor Corin Nemec was severely injured during a boating accident while the Belizean Coast Guard was transporting the cast to set; [4] Nemec was later replaced by Charmed co-star Brian Krause. [5]
Lester married Dana Dubovsky, with whom he had two children: Jason and Justin. The couple divorced in 2010. Lester also has a daughter from a prior relationship, Janessa (James), who is a musician and singer-songwriter.
Director
Year | Title | Director | Producer | Writer |
---|---|---|---|---|
1971 | Twilight of the Mayas | Yes | Yes | No |
1973 | Steel Arena | Yes | Yes | Yes |
1974 | Truck Stop Women | Yes | Yes | Yes |
1975 | White House Madness | Yes | Yes | No |
1976 | Bobbie Jo and the Outlaw | Yes | Yes | No |
1977 | Stunts | Yes | No | No |
1979 | Roller Boogie | Yes | No | No |
1982 | Class of 1984 | Yes | Executive | Yes |
1984 | Firestarter | Yes | No | No |
1985 | Commando | Yes | No | No |
1986 | Armed and Dangerous | Yes | No | No |
1990 | Class of 1999 | Yes | Yes | Story |
1991 | Showdown in Little Tokyo | Yes | Yes | No |
1993 | Extreme Justice | Yes | No | No |
1995 | Night of the Running Man | Yes | Yes | No |
1998 | Double Take | Yes | Yes | No |
Misbegotten | Yes | Yes | No | |
1999 | Hitman's Run | Yes | Yes | No |
2000 | Blowback | Yes | Yes | No |
2003 | Lady Jayne: Killer | Yes | Yes | No |
Stealing Candy | Yes | Yes | Story | |
White Rush | Yes | Yes | No | |
2010 | Groupie | Yes | Executive | No |
2013 | Poseidon Rex | Yes | Yes | No |
2014 | Dragons of Camelot | Yes | Yes | No |
Executive producer
| Producer
|
Year | Title | Director | Producer |
---|---|---|---|
1996 | Public Enemies | Yes | Yes |
1997 | The Ex | Yes | Yes |
1999 | The Base | Yes | Yes |
2000 | The Base 2: Guilty as Charged | Yes | Yes |
Year | Title | Director | Producer |
---|---|---|---|
1979 | Gold of the Amazon Women | Yes | No |
2000 | Sacrifice | Yes | Yes |
The Base 2: Guilty as Charged | Yes | Yes | |
2005 | Pterodactyl | Yes | Yes |
2007 | Wraiths of Roanoke | No | Yes |
2011 | Sinbad and the Minotaur | No | Yes |
Jabberwock | No | Yes |
Executive producer
The decade of the 1980s in Western cinema saw the return of studio-driven pictures, coming from the filmmaker-driven New Hollywood era of the 1970s. The period was when the "high concept" picture was created by producer Don Simpson, where films were expected to be easily marketable and understandable. Therefore, they had short cinematic plots that could be summarized in one or two sentences. Since its implementation, this method has become the most popular formula for modern Hollywood blockbusters. At the same time in Eastern cinema, the Hong Kong film industry entered a boom period that significantly elevated its prominence in the international market.
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