The Market Museum (1804-1822) of Boston, Massachusetts, was located in Market Square, adjacent to Faneuil Hall. Phillip Woods directed the enterprise. [1] [2] Also called the Boston Museum, it featured displays of "wax figures, pictures, natural and fanciful curiosities -- such as have not been exhibited in this town before" [3] and was "opened for the inspection of the public every day, from 9 o'clock in the morning until 9 in the evening." [4] [5]
Among the highlights advertised: "the Magical Deotric, which represents a variety of elegant views of the most populous cities on the globe;" [6] "Nairne's new patent electrical machine;" [6] "performance of the phantasmagoria, or German ghosts;" [6] "the great elephant Horatio;" [7] "grand cosmorama of Montreal & its environs;" [7] "live alligator;" [8] "a young whale, just brought in from sea;" [9] "live bear;" [10] 80-foot-long "skin of the sea-elephant;" [11] pictorial "likenesses of generals Washington and Green;" [12] "wax figures." [nb 1]
On the premises Woods sometimes sold goods such as "cement" and "electrical machines." [13] [14] He also treated medical problems: "Mr. Woods tenders his services to those ladies or gentlemen who stand in need of medical electricity, and would inform them that he cures the gout, rheumatic complaints, dystentary, toothache, ague, asthma, felon or whitlow, lock-jaw, pally, quincy, ricketts, St. Vitus' Dance, and a variety of other complaints incident to the human body." [12] The museum closed by 1822, when the newly formed New-England Museum acquired its collection. [15] [nb 2]
Edward Hodges Baily was an English sculptor who was born in Downend in Bristol.
Gilbert Charles Stuart was an American painter from Rhode Island Colony who is widely considered one of America's foremost portraitists. His best-known work is an unfinished portrait of George Washington, begun in 1796, which is sometimes referred to as the Athenaeum Portrait. Stuart retained the portrait and used it to paint scores of copies that were commissioned by patrons in America and abroad. The image of George Washington featured in the painting has appeared on the United States one-dollar bill for more than a century and on various postage stamps of the 19th century and early 20th century.
Charles Bulfinch was an early American architect, and has been regarded by many as the first native-born American to practice architecture as a profession.
George Town is a large town in north-east Tasmania, on the eastern bank of the mouth of the Tamar River. The Australian Bureau of Statistics records the George Town Municipal Area had a population of 6,764 as of 30 June 2016.
William Wilkins was an English architect, classical scholar and archaeologist. He designed the National Gallery and University College London, and buildings for several Cambridge colleges.
Josiah Quincy III was a U.S. educator and political figure. He was a member of the U.S. House of Representatives (1805–1813), Mayor of Boston (1823–1828), and President of Harvard University (1829–1845). The historic Quincy Market in downtown Boston is named in his honor.
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James Squire, alternatively known as James Squires, was a First Fleet convict transported to Australia.. Squire is credited with the first successful cultivation of hops in Australia around the start of the 19th century. First officially brewing beer in Australia in 1790; James later founded Australia's first commercial brewery making beer using barley and hops in 1798, although John Boston appears to have opened a brewery making a form of corn beer two years earlier.
George Bullock (c.1777–1818) was a sculptor and furniture-maker working in Liverpool and London.
The Boston Museum may refer to:
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The Linnaean Society of New England (1814–1822) was established in Boston, Massachusetts, to promote natural history. The society organized a natural history museum and also arranged lectures and excursions for its members. In 1817 it became involved in the Gloucester sea serpent debate. Although the society itself did not last, its initial energy and rapid accomplishments helped shape the growing field of natural history in the early years of the United States.
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Doggett's Repository of Arts was an art gallery in Boston, Massachusetts, located at 16 Market Street. Its proprietor, John Doggett, was a gilder and framer with a retail shop near the gallery. The gallery exhibited originals and copies of works by European masters such as Titian, Rembrandt, Watteau, and David, and a few American artists, such as Thomas Sully, Gilbert Stuart, Samuel F.B. Morse, Rembrandt Peale, and William Dunlap. By July 1825, the gallery was converted into retail space for Doggett's frame, mirror and carpet business.
Peter Rouw II was a London-based sculptor specialising in bas-reliefs in marble, often in the form of mural church monuments, and in wax miniature portraits, often of a pink hue on black glass. He designed medals, including one of William Wilberforce, and also made a few marble busts. He exhibited at the Royal Academy of Arts. In 1807 Rouw was appointed modeller of cameos and gems to the Prince Regent.
The British East India Company (EIC) had Whim built for use as a fast dispatch vessel. She was sold in 1802 and became a whaler that a French privateer captured and released, and then a merchant vessel. She is no longer listed after 1822.
Policy was launched at Dartmouth in 1801. She was a whaler that made seven whaling voyages between 1803 and 1824, when she was lost at Tahiti on her eighth. On her second whaling voyage, in 1804, she was able to capture two Dutch vessels. On her fourth voyage the United States Navy captured her, but the British Royal Navy recaptured her.
Lady Barlow was launched as Change at Pegu, or equally Rangoon, in 1803 or 1802, as a country ship, that is she traded east of the Cape of Good Hope. Change was renamed Lady Barlow shortly after her launch. In 1804 Lady Barlow brought cattle to New South Wales, and then took the first cargo from the colony back to England. She was a transport vessel in the 1810 British campaign to take Île Bourbon and Île de France. She was broken up at Calcutta in 1822.
museum, no.6, Market Square
museum, 8 Market Square
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