Filippino Lippi was an Italian painter working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance.
Filippo Lippi, also known as Lippo Lippi, was an Italian painter of the Quattrocento and a Carmelite priest. He was an early Renaissance master of a painting workshop, who taught many painters. Sandro Botticelli and Francesco di Pesello were among his most distinguished pupils. His son, Filippino Lippi, also studied under him and assisted in some late works.
Events from the year 1503 in art.
Apparition of the Virgin to St. Bernard is an oil painting on panel by the Italian Renaissance painter Filippino Lippi, completed around 1485–1487. It is housed in the Badia Fiorentina, a church in Florence.
Jacopo del Sellaio (1441/42–1493), was an Italian painter of the early Renaissance, active in his native Florence. His real name was Jacopo di Arcangelo. He worked in an eclectic style based on those of Botticelli, Filippino Lippi, and Domenico Ghirlandaio. The nickname Sellaio derives from the profession of his father, a saddle maker.
The mystical marriage of Saint Catherine covers two different subjects in Christian art arising from visions received by either Catherine of Alexandria or Catherine of Siena (1347–1380), in which these virgin saints went through a mystical marriage wedding ceremony with Christ, in the presence of the Virgin Mary, consecrating themselves and their virginity to him.
Michelino Molinari da Besozzo was a notable fifteenth century Italian painter and illuminator, who was widely praised for his work. He worked mostly in Milan and Lombardy, and was employed by the Visconti family, rulers of Milan. Michelino's work follows the traditions of the Lombard School, and maintains the Trecento style.
Lorenzo Salimbeni and Jacopo Salimbeni were Italian painters. They were brothers whose work spanned both a relatively narrow geographical area and time period, from the triptych painting of the altarpiece of the Mystical Marriage of St Catherine by Lorenzo alone in 1400 to the frescoes of the Crucifixion and Scenes from the Life of St John the Baptist in the Oratory of St John the Baptist, Urbino, in 1416. The majority of their work is to be found in churches in and around their home town, San Severino Marche.
The Pinacoteca Nazionale is a national museum in Siena, Tuscany, Italy. Inaugurated in 1932, it houses especially late medieval and Renaissance paintings from Italian artists. It is housed in the Brigidi and Buonsignori palaces in the city's center: the former, built in the 14th century, it is traditionally identified as the Pannocchieschi family's residence. The Palazzo Bichi-Buonsignori, built in the 15th century, was until recently thought to have a 19th-century neo-medieval façade based on the city's Palazzo Pubblico; however, restoration in 2022 revealed that it is mostly original.
The Annunciation is a painting by Fra Filippo Lippi hung in the Martelli Chapel in the left transept of the Basilica di San Lorenzo, Florence, Italy. There are several paintings by Lippi of this same name.
The Bardi Altarpiece, is an Italian Mannerist painting by the Italian painter Parmigianino, dating from c. 1521 and housed in the church of Santa Maria at Bardi, Emilia-Romagna, Italy.
The Mystical Marriage of Saint Catherine is a painting by the medieval Italian painter Michelino da Besozzo. The painting dates from c. 1420 and is housed in the Pinacoteca Nazionale of Siena, Italy.
The Marriage of the Virgin is a painting by the Italian late medieval painter Michelino da Besozzo, dating from c. 1435 and housed in the Metropolitan Museum of Art of New York.
Madonna with Child is a painting by the Italian Renaissance artist Filippo Lippi. The date in which it was executed is unknown, but most art historians agree that it was painted during the last part of Lippi's career, between 1450 and 1465. It is one of the few works by Lippi which was not executed with the help of his workshop and was an influential model for later depictions of the Madonna and Child, including those by Sandro Botticelli. The painting is housed in the Uffizi Gallery, Florence, Italy, and is therefore commonly called “The Uffizi Madonna” among art historians.
(The) Mystic(al) Marriage of Saint/St. Catherine may refer to any of a large number of paintings of the Mystical marriage of Saint Catherine, a few of which are:
The Mystic Marriage of St. Catherine is a c. 1480 oil-on-oak painting by the Early Netherlandish painter Hans Memling, now in the Metropolitan Museum of Art, New York. The Virgin Mary sits on a throne in a garden holding the Child Jesus in her lap. Mother and child are flanked by angels playing musical instruments, with St Catherine of Alexandria to the left opposite St Barbara on the right. The male figure standing slightly behind the celestial group, presumably commissioned the painting as a devotional donor portrait.
Lucrezia Quistelli della Mirandola (1541–1594) was an Italian painter.
Mystical Marriage of St Catherine and Saints is an oil-on-panel painting by Lorenzo Lotto, signed and dated 1524, now in the Collections of the Galleria Nazionale d'Arte Antica, Rome, Italy.
Mystical Marriage of St Catherine of Alexandria with Niccoló Bonghi is an oil-on-panel painting by Lorenzo Lotto, executed in 1523, in the Collections of the Accademia Carrara, Bergamo, Italy.
The Mystical Nativity or Adoration in the Forest was painted by Fra Filippo Lippi around 1459 as the altarpiece for the Magi Chapel in the new Palazzo Medici in Florence. It is now in the Gemäldegalerie, Berlin, with a copy by another artist now hanging in the chapel. It is a highly individual depiction of the familiar scene of the Nativity of Jesus in art, placed in a mountainous forest setting, with debris from woodcutting all around, rather than the familiar stable in Bethlehem, and with the usual figures and animals around the mother and child replaced by others.
