The Apparition of Christ to the Virgin is a painting by the Italian Renaissance master Filippino Lippi, executed around 1493 and now housed in the Alte Pinakothek of Munich, Germany.
The work dates to around to the period after Lippi's return to Florence after his works in the Carafa Chapel at Rome. It is perhaps to be identified with the panel mentioned by the Renaissance art historian Giorgio Vasari in the church of San Francesco al Palco of Prato. In the 19th century, Ludwig I of Bavaria acquired the paintings, which later, together with the other royal collections, was included in the Alte Pinakothek.
Description
The painting portrays Mary kneeling under the God, shown in a golden disc amongst the clouds in the sky. She is flanked by the apparitions of the Angel of the Annunciation and the Virgin Mary. The unusual iconography was perhaps a precise request of the commissioners, who would be also referenced by the monastery on the hill at the left.
Mary, according to the preachings by Girolamo Savonarola which were popular in Florence at the time, is aged and with a dramatic expression on her face. Her larger figure is perhaps connected to the particular worship she received in the original location of the painting.
The landscape in the background is depicted using aerial perspective, with echoes of the early Netherlandish paintings through Italian predecessors of Filippino, including his father Filippo Lippi. There are some small characters such as a few monks, depicted on a river view (perhaps the Bisenzio near Florence) commanded by rocky formations on the right. Far away is a misty city, identifiable most likely with Florence due to the presence of a large dome resembling that of Santa Maria del Fiore.
The panel has a predella with Christ Hold by an Angel and Six Saints.
Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli or simply Botticelli, was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period.
Filippino Lippi was an Italian Renaissance painter mostly working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance. He also worked in Rome for a period from 1488, and later in the Milan area and Bologna.
Filippo Lippi, also known as Lippo Lippi, was an Italian Renaissance painter of the Quattrocento and a Carmelite priest. He was an early Renaissance master of a painting workshop, who taught many painters. Sandro Botticelli and Francesco di Pesello were among his most distinguished pupils. His son, Filippino Lippi, also studied under him and assisted in some late works.
The Alte Pinakothek is an art museum located in the Kunstareal area in Munich, Germany. It is one of the oldest galleries in the world and houses a significant collection of Old Master paintings. The name Alte (Old) Pinakothek refers to the time period covered by the collection—from the fourteenth to the eighteenth century. The Neue Pinakothek, re-built in 1981, covers nineteenth-century art, and Pinakothek der Moderne, opened in 2002, exhibits modern art. All three galleries are part of the Bavarian State Painting Collections, an organization of the Free state of Bavaria.
Raffaellino del Garbo (1466–1527) was a Florentine painter of the early Renaissance.
The Brancacci Chapel is a chapel in the Church of Santa Maria del Carmine in Florence, central Italy. It is sometimes called the "Sistine Chapel of the early Renaissance" for its painting cycle, among the most famous and influential of the period. Construction of the chapel was commissioned by Felice Brancacci and begun in 1422. The paintings were executed over the years 1425 to 1427. Public access is currently gained via the neighbouring convent, designed by Brunelleschi. The church and the chapel are treated as separate places to visit and as such have different opening times and it is quite difficult to see the rest of the church from the chapel.
The Entombment is an unfinished oil-on-panel painting of the burial of Jesus, now generally attributed to the Italian Renaissance master Michelangelo Buonarroti and dated to around 1500 or 1501. It is in the National Gallery in London, which purchased the work in 1868 from Robert Macpherson, a Scottish photographer resident in Rome, who, according to various conflicting accounts, had acquired the painting there some 20 years earlier. It is one of a handful of paintings attributed to Michelangelo, alongside the Manchester Madonna, the Doni Tondo, and possibly, The Torment of Saint Anthony.
Francesco Granacci was an Italian Renaissance painter active primarily in his native Florence. Though little-known today, he was regarded in his time and is featured in Giorgio Vasari's Lives of the Artists.
Tobias and the Angel is an oil and tempera painting on poplar panel by the Florentine Renaissance painter Filippino Lippi, dating from c. 1475–1480, of Tobias and the Angel, a popular subject at the time. It is now in the National Gallery of Art in Washington, DC.
The Adoration of the Magi is a painting by the Italian Renaissance master Sandro Botticelli. Botticelli painted this piece for the altar in Gaspare di Zanobi del Lama's chapel in Santa Maria Novella around 1475. This painting depicts the Biblical story of the Three Magi following a star to find the newborn Jesus. The image of the altarpiece centers on the Virgin Mary and the newborn Jesus, with Saint Joseph behind them. Before them are the three kings who are described in the New Testament story of the Adoration of the Magi. The three kings worship the Christ Child and present him with gifts of gold, frankincense and myrrh. In addition, the Holy Family is surrounded by a group of people who came to see the child who was said to be the son of God.
Tobias and the Angel is the traditional title of depictions in art of a passage from the Book of Tobit in which Tobias, son of Tobit, travels with the Archangel Raphael without realising he is an angel (5.5–6) and is then instructed by Raphael what to do with a giant fish he catches (6.2–9). The Book of Tobit is accepted by Catholic and Eastern Orthodox Christians as part of the biblical canon, but not by Judaism or most Protestant Christians, the latter including it in the Apocrypha.
Apparition of the Virgin to St. Bernard is an oil painting on panel by the Italian Renaissance painter Filippino Lippi, completed around 1485–1487. It is housed in the Badia Fiorentina, a church in Florence.
The Tornabuoni Chapel is the main chapel in the church of Santa Maria Novella, Florence, Italy. It is famous for the extensive and well-preserved fresco cycle on its walls, one of the most complete in the city, which was created by Domenico Ghirlandaio and his workshop between 1485 and 1490.
The Coronation of the Virgin or Coronation of Mary is a subject in Christian art, especially popular in Italy in the 13th to 15th centuries, but continuing in popularity until the 18th century and beyond. Christ, sometimes accompanied by God the Father and the Holy Spirit in the form of a dove, places a crown on the head of Mary as Queen of Heaven. In early versions the setting is a Heaven imagined as an earthly court, staffed by saints and angels; in later versions Heaven is more often seen as in the sky, with the figures seated on clouds. The subject is also notable as one where the whole Christian Trinity is often shown together, sometimes in unusual ways. Crowned Virgins are also seen in Eastern Orthodox Christian icons, specifically in the Russian Orthodox church after the 18th century. Mary is sometimes shown, in both Eastern and Western Christian art, being crowned by one or two angels, but this is considered a different subject.
The Annunciation, also known as Murate Annunciation, is a painting by the Italian Renaissance painter Filippo Lippi, finished around 1443–1450. It is housed in the Alte Pinakothek, Munich, Germany.
A Madonna of humility or Virgin of humility is a depiction in art of the Virgin Mary sitting on the ground, or upon a low cushion. She usually holds the Christ Child in her lap, making it one form of the Madonna and Child. The iconography originated in the 14th century, and was most common in that and the following century.
The Annunziata Polyptych is a painting cycle started by Filippino Lippi and finished by Pietro Perugino, whose central panel is now divided between the Galleria dell'Accademia and the Basilica dell'Annunziata, both in Florence, Italy. The polyptych had other six panels, which are housed in the Lindenau-Museum of Altenburg, the Metropolitan Museum of New York City, the Galleria Nazionale d'Arte Antica in Rome and in a private collection in South Africa.
The Carafa Chapel is a chapel in the church of Santa Maria sopra Minerva, Rome, Italy, known for a series of frescoes by Filippino Lippi.
Madonna with Child is a painting by the Italian Renaissance artist Filippo Lippi. The date in which it was executed is unknown, but most art historians agree that it was painted during the last part of Lippi's career, between 1450 and 1465. It is one of the few works by Lippi which was not executed with the help of his workshop and was an influential model for later depictions of the Madonna and Child, including those by Sandro Botticelli. The painting is housed in the Uffizi Gallery, Florence, Italy, and is therefore commonly called “The Uffizi Madonna” among art historians.
The Pagagnotti Triptych is an oil-on-wood triptych by Hans Memling produced circa 1480. The original was disassembled and separated, with the center panel held at the Uffizi gallery in Florence and the two wing panels at the National Gallery in London.
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