A martingale (also martingale belt [1] ) is a strap on a dress or a half-belt on a coat or a jacket, [2] [3] used to adjust the fullness of the cloth.
The martingale is typically attached to the piece of clothing by buttons. [4] In a military overcoat, a martingale is a common and practical feature, as a pleated coat can be spread out as a blanket once the strap is unfastened. [5]
The name comes from a martingale strap used in the horse tack to restrict the movements of the horse's head; [4] another theory suggests that the martingale coat originated in the 15th–16th centuries when a design of a man's martingale breeches [6] included a flap between the legs buttoned to the belt in the back. [4] [1]
The word martingale comes from Occitan : martegalo through French : martingale. [7] The Occitan word is a feminine version of "from Martigues", where martingale breeches with (in the words of Rabelais) "a drawbridge on the ass that makes excretion easier" supposedly originated. [8] It is also possible that the association between the pants and inhabitants of Martigues is due to the latter having a reputation for naiveté [8] and extravagance. [7]
In France, martingale breeches were apparently popular, being worn by Francis I of France, "mignons" of the royal court, and Rabelais' Panurge. [8]
The first use of the martingale in a woman's dress dates to 1951 (Christian Dior at the autumn Paris Fashion Week). The strap was placed between the shoulder blades, and since then martingales have been used by couturiers everywhere, but avoiding the waistline. [2] Martingale coats became fashionable for women post-war in 1950s [9] and are still being made for men. [6]
A skirt is the lower part of a dress or a separate outer garment that covers a person from the waist downwards.
A waistcoat or vest is a sleeveless upper-body garment. It is usually worn over a dress shirt and necktie and below a coat as a part of most men's formal wear. It is also sported as the third piece in the traditional three-piece male suit. Any given waistcoat can be simple or ornate, or for leisure or luxury. Historically, the waistcoat can be worn either in the place of, or underneath, a larger coat, dependent upon the weather, wearer, and setting.
A trench coat is a variety of coat made of waterproof heavy-duty fabric, originally developed for British Army officers before the First World War, and becoming popular while used in the trenches, hence the name trench coat.
A coat is typically an outer garment for the upper body, worn by any gender for warmth or fashion. Coats typically have long sleeves and are open down the front, and closing by means of buttons, zippers, hook-and-loop fasteners, toggles, a belt, or a combination of some of these. Other possible features include collars, shoulder straps, and hoods.
Gabardine is a durable twill worsted wool. It is a tightly woven waterproof fabric and is used to make outerwear and various other garments, such as suits, overcoats, trousers, uniforms, and windbreakers. Thomas Burberry created the fabric in the late 1870s and patented it in 1888. The name gabardine comes from "gaberdine", a type of long, cape-like dress worn during the Middle Ages.
Fashion in the 1890s in Western countries is characterized by long elegant lines, tall collars, and the rise of sportswear. It was an era of great dress reforms led by the invention of the drop-frame safety bicycle, which allowed women the opportunity to ride bicycles more comfortably, and therefore, created the need for appropriate clothing.
1830s fashion in Western and Western-influenced fashion is characterized by an emphasis on breadth, initially at the shoulder and later in the hips, in contrast to the narrower silhouettes that had predominated between 1800 and 1820.
Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English styles of fashion were very different from one another. French style was defined by elaborate court dress, colourful and rich in decoration, worn by such iconic fashion figures as Marie Antoinette.
During the 1820s in European and European-influenced countries, fashionable women's clothing styles transitioned away from the classically influenced "Empire"/"Regency" styles of c. 1795–1820 and re-adopted elements that had been characteristic of most of the 18th century, such as full skirts and clearly visible corseting of the natural waist.
A placket is a finished opening in the upper part of trousers or skirts, or at the neck, front, or sleeve of a garment. The finish frequently consists of a fold of fabric that is attached to the opening in order for the fasteners to be sewn to it. In modern usage, the term placket often refers to these double layers of fabric.
Fashion in the period 1650–1700 in Western clothing is characterized by rapid change. The style of this era is known as Baroque. Following the end of the Thirty Years' War and the Restoration of England's Charles II, military influences in men's clothing were replaced by a brief period of decorative exuberance which then sobered into the coat, waistcoat and breeches costume that would reign for the next century and a half. In the normal cycle of fashion, the broad, high-waisted silhouette of the previous period was replaced by a long, lean line with a low waist for both men and women. This period also marked the rise of the periwig as an essential item of men's fashion.
Kurdish traditional clothing, also known as Kurdish dress, refers to the folk costumes of the Kurdish people. The traditions typically vary across different regions and tribes of Kurdistan, but it has some common elements. Historically, Kurdish clothing was more complex and varied, but it has evolved to a simpler form over time. It is also prominently worn during festivals and special occasions such as Newroz.
Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s. This era is defined as late Baroque/Rococo style. The new fashion trends introduced during this era had a greater impact on society, affecting not only royalty and aristocrats, but also middle and even lower classes. Clothing during this time can be characterized by soft pastels, light, airy, and asymmetrical designs, and playful styles. Wigs remained essential for men and women of substance, and were often white; natural hair was powdered to achieve the fashionable look. The costume of the eighteenth century, if lacking in the refinement and grace of earlier times, was distinctly quaint and picturesque.
An over-frock coat is a formal overcoat designed to be worn over a frock coat if needed in cold weather. A top-frock coat may also be worn over a frock coat in milder weather. Shaped like the body coats popular in the Victorian and Edwardian periods, the over-frock coat was cut in essentially the same way as the frock coat that was worn under it, although it would be larger overall to accommodate the frock-coat worn underneath. Like the frock coat, the over-frock would typically be single-breasted, with step lapels for informal occasions like business, and double-breasted with pointed lapels for formal occasions – weddings, funerals, balls, etc. The top-frock was usually double breasted. The formal variety was sometimes called a Prince Albert overcoat. The Prince Albert top frock, from the later half of the 19th century, originally had a three-inch-wide velvet collar, and flap pockets at the hip, until 1893, when it became even more fitted, longer, and double-breasted.
A justacorps or justaucorps is a knee-length coat worn by men in the latter half of the 17th century and throughout the 18th century. It is of French origin, where it had developed from a cape-like garment called a casaque. It was introduced into England as a component of a three-piece ensemble, which also included breeches and a long vest or waistcoat. This ensemble served as the prototype for the modern-day three-piece suit. The justacorps itself evolved into the frock coat.
Fashion in the period 1900–1909 in the Western world continued the severe, long and elegant lines of the late 1890s. Tall, stiff collars characterize the period, as do women's broad hats and full "Gibson Girl" hairstyles. A new, columnar silhouette introduced by the couturiers of Paris late in the decade signaled the approaching abandonment of the corset as an indispensable garment.
The 1910s in Western fashion encompasses styles from 1910 to 1919. Western fashion in this period carries influences from oriental and neoclassical inspirations as well as the subsequent effects of World War I. Over the decade, Women's fashion experienced a shift towards shorter hemlines and dropped waistlines in addition to the more practical garments necessitated by the war. In men's fashion, evening wear largely continued to adhere to previous conventions while trends in informal outerwear continued to evolve. During the period, shifts in fashion made way for styles associated with the Jazz Age of the 1920s.
Fashion in the twenty years between 1775 and 1795 in Western culture became simpler and less elaborate. These changes were a result of emerging modern ideals of selfhood, the declining fashionability of highly elaborate Rococo styles, and the widespread embrace of the rationalistic or "classical" ideals of Enlightenment philosophes.
An overskirt is a type of women's short skirt which is draped over another garment, such as a skirt, breeches, or trousers. Although peplum is often used as another term for overskirt, it should not be confused with the peplos or "peplum dress", which was worn in ancient Greece.
A cape is a clothing accessory or a sleeveless outer garment of any length that hangs loosely and connects either at the neck or shoulders. They usually cover the back, shoulders, and arms. They come in a variety of styles and have been used throughout history for many different reasons.