Mary Beth Heffernan (born 1965) is a Los Angeles-based artist working in photography, sculpture, installation and social practice art. Her work focuses on the body and its relationship with images and language. [1]
She is a professor at Occidental College in Los Angeles. [2]
Mary Beth Heffernan was born in Worcester, Massachusetts in 1965. She graduated in 1987 from Boston University with a BFA, magna cum laude . She also has an MFA from the Photography Program at California Institute of the Arts.
She was a Fellow in the Studio program at the Whitney Independent Study Program 1994–95.
She is a fellow of the Los Angeles Institute for the Humanities. [3]
Her artwork has been featured in the LA Times, [4] [5] [6] Smithsonian Magazine, [7] The New York Times, [8] The Huffington Post, [9] and Art Papers. [10]
The PPE Portrait project was created by Mary Beth Heffernan. It was started during the 2014–2015 Ebola outbreak as a way of helping patients deal with the trauma of not seeing their caregivers' faces. The project was revived by Cati Brown-Johnson from Stanford University School of Medicine for the COVID-19 pandemic.
Heffernan's social practice PPE Portrait project collaborated with the Liberian Ministry of Health and Social Welfare [11] to humanize the patient-healthcare relationship in the 2014–16 Ebola epidemic. Supported by a Presidential Grant from the Arnold P. Gold Foundation, [12] the PPE Portrait Project placed disposable adhesive portraits on the outside of healthcare worker's hazmat suits so that patients could see who was caring for them.
The PPE Portrait project received national and international recognition on NPR, [11] PRI, [13] the BBC, [14] the Los Angeles Review of Books, [15] MSNBC, [16] and was featured in Tiffany Schlain's 2015 film The Adaptable Mind. [17] The project was cited by the National Academies of Sciences-Engineering-Medicine [18] as an exemplary integration of the arts and STEMM. [18] The project was also reviewed in the LA Weekly [19] and Hyperallergic. [20]
In 2020, Heffernan adapted the PPE Portrait Project for the COVID-19 pandemic and was named an "inspiring force" in Los Angeles art in 2020 by Hyperallergic senior editor Elisa Wouk Almino. Heffernan collaborated to roll out the project at Stanford University, [21] UMASS Memorial Medical Center, [22] and the ICU Bridge Program of Canada. [23] She supported scores of hospitals in the US and worldwide in adopting PPE Portraits, including Azienda Usl di Piacenza, Italy. [24] [25] and St. Marianna University Hospital in Tokyo. [26]
Heffernan is collaborating with researchers to establish PPE Portraits as best practice for patients whose healthcare workers are masked, publishing in the Journal of General Internal Medicine [27] [28] and the Journal of Pain and Symptom Management. [22] [29]
Heffernan's PPE Portrait Project is included in the 10 year exhibition "Being Human" at the Wellcome Collection in London. [30]
The PPE Portrait Project was featured in the 2018 Royal College of Nursing exhibition, Pandemic. [31]
BLUE, created by Mary Beth Heffernan was presented at Sloan Projects, Santa Monica, CA, September 12 – October 17, 2015. [32] It was reviewed in the Los Angeles Times. [6]
Light Work Gallery, Syracuse, NY. Also added to Collection. [33]
Hammer Museum/Grunwald Center Collection (The Book of Lies, Volume II) [34]
"Soldier's Skin" at the Pasadena City College Art Gallery [4]
Heffernan's work has been supported by grants from Photographic Arts Council LA, [35] the Arnold P. Gold Foundation, [36] Durfee Foundation, [37] and Light Work NY. [38]
In 2010, Heffernan was awarded the City of Los Angeles (COLA) Master Artist Fellowship. [39]
Heffernan was awarded the inaugural 2016–17 PAC/LA Contemporary Artist Grant as Artist-in-Residence at The Huntington Library. [40]
In June 2017 Mary Beth Heffernan married screenwriter, author and professor Howard A. Rodman. [41]
Personal protective equipment (PPE) is protective clothing, helmets, goggles, or other garments or equipment designed to protect the wearer's body from injury or infection. The hazards addressed by protective equipment include physical, electrical, heat, chemicals, biohazards, and airborne particulate matter. Protective equipment may be worn for job-related occupational safety and health purposes, as well as for sports and other recreational activities. Protective clothing is applied to traditional categories of clothing, and protective gear applies to items such as pads, guards, shields, or masks, and others. PPE suits can be similar in appearance to a cleanroom suit.
Elaine Marie Catherine de Kooning was an Abstract Expressionist and Figurative Expressionist painter in the post-World War II era. She wrote extensively on the art of the period and was an editorial associate for Art News magazine.
Catherine Sue Opie is an American fine-art photographer and educator. She lives and works in Los Angeles, as a professor of photography at University of California at Los Angeles.
David Ascalon is an Israeli contemporary sculptor and stained glass artist, and co-founder of Ascalon Studios.
Alison Saar is a Los Angeles, California based sculptor, mixed-media, and installation artist. Her artwork focuses on the African diaspora and black female identity and is influenced by African, Caribbean, and Latin American folk art and spirituality. Saar is well known for "transforming found objects to reflect themes of cultural and social identity, history, and religion."
Salomón Huerta is a painter based in Los Angeles, California who comes from Tijuana, Mexico, and grew up in the Boyle Heights Projects in East Los Angeles. Huerta received a full scholarship to attend the Art Center College of Design in Pasadena and completed his MFA at UCLA in 1998. Huerta gained critical acclaim and commercial attention in the late 1990s for his minimalist portraits of the backs of people's heads and color-saturated depictions of domestic urban architecture. He was included in the 2000 Whitney Biennial and has been featured in numerous exhibitions around the US, Europe, and Latin America such as The Gagosian Gallery in London, England, and Studio La Città in Verona, Italy. Salomón Huerta is currently represented by Louise Alexander Gallery/There There in Los Angeles, California, and Porto Cervo, Italy.
Derek Fordjour is an American interdisciplinary artist and educator of Ghanaian heritage, who works in collage, video/film, sculpture, and painting. Fordjour lives and works in New York City.
Texas Health Presbyterian Hospital Dallas is a teaching hospital and tertiary care facility in the United States, located in the Vickery Meadow area of Dallas, Texas. It is the flagship institution of 29 hospitals in Texas Health Resources, the largest healthcare system in North Texas and one of the largest in the United States. The hospital, which opened in 1966, has 875 beds and around 1,200 physicians. The hospital is the largest business within Vickery Meadow. In 2008, the hospital implemented a program in which critical care physician specialists are available to patients in the medical and surgical intensive care units 24 hours a day, eliminating ventilator-associated pneumonia, central line infections and pressure ulcers. The hospital has maintained an active internal medicine residency training program since 1977, and hosts rotating medical students from University of Texas Southwestern Medical Center.
Susan Silas is a visual artist working primarily in video, sculpture and photography. Her work, through self-portraiture, examines the meaning of embodiment, the index in representation, and the evolution of our understanding of the self. She is interested in the aging body, gender roles, the fragility of sentient being and the potential outcome of the creation of idealized selves through bio-technology and artificial intelligence.
Millie Wilson is an artist and teacher who lives and works in Austin, Texas. Wilson was a member of the faculty in the Program in Art at The California Institute of the Arts from 1985 to 2014.
Maren Hassinger is an African-American artist and educator whose career spans four decades. Hassinger uses sculpture, film, dance, performance art, and public art to explore the relationship between the natural world and industrial materials. She incorporates everyday materials in her art, like wire rope, plastic bags, branches, dirt, newspaper, garbage, leaves, and cardboard boxes. Hassinger has stated that her work “focuses on elements, or even problems—social and environmental—that we all share, and in which we all have a stake…. I want it to be a humane and humanistic statement about our future together.”
Jay Lynn Gomez, is an American artist who lives in West Hollywood, California. Her artwork addresses social justice issues, focusing specifically on topics of immigration, race, and labor. While her work demonstrates a variety of styles and media, including canvas, cardboard, magazine, and paper, her message remains to bring the Latino domestic and menial workforce to the forefront of public discourse. Gomez works with California-based art dealer, Charlie James Gallery, exhibiting her pieces in installations and exhibitions nationwide. She and her art have also been recognized and promoted by news media, giving the Latino community a platform to voice their story. Much of her work highlights the efforts of often unseen laborers who maintain landscapes and produce luxury products.
Colleen S. Kraft is an infectious disease physician, associate professor in the Department of Pathology and Laboratory Medicine, and the director of the Clinical Virology Research Laboratory at Emory University School of Medicine. In 2014, she led Emory University Hospital's effort to treat and care for Ebola virus disease patients and is currently working to address the COVID-19 pandemic in Georgia. She currently serves on Georgia's COVID-19 task force.
Megan L. Ranney is a practicing American emergency physician currently serving as the Warren Alpert Endowed Professor in the Department of Emergency Medicine at Rhode Island Hospital and the Alpert Medical School of Brown University. Ranney is the incoming Dean of the Yale School of Public Health. Previously, Ranney served as the Academic Dean of the Brown University School of Public Health and was the founding Director of the Brown-Lifespan Center for Digital Health.
Medical gowns are hospital gowns worn by medical professionals as personal protective equipment (PPE) in order to provide a barrier between patient and professional. Whereas patient gowns are flimsy often with exposed backs and arms, PPE gowns, as seen below in the cardiac surgeon photograph, cover most of the exposed skin surfaces of the professional medics.
The Manchurian plague was a pneumonic plague that occurred mainly in Manchuria in 1910–1911. It killed 60,000 people, stimulating a multinational medical response and the wearing of the first personal protective equipment (PPE).
The COVID-19 pandemic has impacted healthcare workers physically and psychologically. Healthcare workers are more vulnerable to COVID-19 infection than the general population due to frequent contact with infected individuals. Healthcare workers have been required to work under stressful conditions without proper protective equipment, and make difficult decisions involving ethical implications. Health and social systems across the globe are struggling to cope. The situation is especially challenging in humanitarian, fragile and low-income country contexts, where health and social systems are already weak. Services to provide sexual and reproductive health care risk being sidelined, which will lead to higher maternal mortality and morbidity.
The PPE Portrait project started during the 2014–2015 Ebola outbreak in Liberia by artist Mary Beth Heffernan as a way to humanize physicians, nurses and other medical professionals wearing full personal protective equipment (PPE). Patients experiencing one of the most terrifying times of their lives are unable to see the faces of their medical staff, but having a photo sticker on the staff member's PPE gown allows the patient to better relate to their caregiver. This project was revived in 2020 by Stanford social scientist Cati Brown-Johnson and featured on The Rachel Maddow Show, NPR, Smithsonian magazine and KQED.
Anaïs Duplan is a Haitian writer now based in the U.S., with three book publications from Action Books, Black Ocean Press, and Brooklyn Arts Press, respectively. His work has been honored by a Whiting Award and a Marian Goodman fellowship from Independent Curators International, and he is queer and trans.
Dan Concholar was an American painter and arts organizer. Educated under Charles White at the Otis Art Institute, he was active in the Los Angeles scene in the 1970s and in New York City in the 1980s. His work was included in the "Dig This!: Art and Black Los Angeles 1960–1980" at the Hammer Museum in Los Angeles which travelled to MoMA P.S.1 in New York City in 2012.