Mary Gine Riley (April 22, 1883 - February 1, 1939) was an American painter. Her middle name is sometimes given as Grimes.
Riley was born in Washington, D.C., the daughter of Charles Valentine Riley and Emilie Conzelman Riley, and spent most of her life in that city. A 1904 graduate of Wellesley College, [1] she studied art at the Corcoran School of Art from 1907 to 1908, from 1910 to 1911, and in 1913; she also studied in New York with L. Birge Harrison and Henry Bayley Snell. In 1911 she first exhibited work with the Society of Washington Artists, on whose governing board she would serve for a number of years and whose vice-president she became in 1930. She was also a charter member of the Arts Club of Washington, at which she also exhibited. Riley showed work at the Corcoran Biennial from 1919 until 1926; her paintings also appeared in exhibitions at the Pennsylvania Academy of Fine Arts, the Maryland Institute, the American Watercolor Society, the National Art Club, and the National Association of Women Painters and Sculptors, as well as in the Greater Washington Independent Exhibition of 1935. In 1928 she received an award from the National Art Club; in 1930 she received one from the National Association of Women Painters and Sculptors. [2] Riley traveled widely during her career, finding inspiration in the American Southwest and Mexico, the source for the subject matter of some of her few surviving works. [3] Riley died in Washington, D.C., and is buried in Glenwood Cemetery there with other members of her family. One of her paintings, Rainy Day, Guatemala, was formerly in the collection of the Corcoran Gallery of Art. [2]
Mary Elizabeth Price, also known as M. Elizabeth Price, was an American Impressionist painter. She was an early member of the Philadelphia Ten, organizing several of the group's exhibitions. She steadily exhibited her works with the Pennsylvania Academy of the Fine Arts, the National Academy of Design, and other organizations over the course of her career. She was one of the several family members who entered the field of art as artists, dealers, or framemakers.
Lydia Field Emmet was an American artist best known for her work as a portraitist. She studied with, among others, prominent artists such as William Merritt Chase, Harry Siddons Mowbray, Kenyon Cox and Tony Robert-Fleury. Emmet exhibited widely during her career, and her paintings can now be found hanging in the White House, and many prestigious art galleries, including the Metropolitan Museum of Art.
Sylvia Snowden is an African American abstract painter who works with acrylics, oil pastels, and mixed media to create textured works that convey the "feel of paint". Many museums have hosted her art in exhibits, while several have added her works to their permanent collections.
Yvonne Thomas was an American abstract artist.
Elizabeth Okie Paxton (1878–1972) was an American painter, married to another artist William McGregor Paxton (1869–1941). The Paxtons were part of the Boston School, a prominent group of artists known for works of beautiful interiors, landscapes, and portraits of their wealthy patrons. Her paintings were widely exhibited and sold well.
Marion Boyd Allen was an American painter, known for her portraits and landscapes.
Theresa Pollak was an American artist and art educator born in Richmond, Virginia. She was a nationally known painter, and she is largely credited with the founding of Virginia Commonwealth University's School of the Arts. She was a teacher at VCU's School of the Arts between 1928 and 1969. Her art has been exhibited in the Whitney Museum of American Art in New York, the Boston Museum of Fine Art, and the Corcoran Gallery in Washington, D.C. She died at the age of 103 on September 18, 2002 and was given a memorial exhibition at Anderson Gallery of Virginia Commonwealth University.
CatharineCarter Critcher was an American painter. A native of Westmoreland County, Virginia, she worked in Paris and Washington, D.C. before becoming, in 1924, a member of the Taos Society of Artists, the only woman ever elected to that body. She was a long time member of the Arts Club of Washington.
Margaret White Lesley Bush-Brown was an American painter and etcher.
Margaret Spencer Foote Hawley (1880–1963) was an American painter of portrait miniatures.
Mary Bradish Titcomb was an American painter, mainly of portraits and landscapes. She is often grouped with the American Impressionists.
Clarice Smith was an American painter and portraitist whose paintings have appeared in a number of exhibitions in the United States and Europe. With her husband, Robert H. Smith, Clarice Smith engaged in philanthropy, especially at the University of Maryland, where the Clarice Smith Performing Arts Center is named for her, and at George Washington University, where the couple endowed the Smith Hall of Art. They also initiated a distinguished lecture series at the Smithsonian Museum of American Art.
Margaret Casey Gates (1903–1989) was an American artist, painter, art teacher and administrator. She participated in the New Deal's Section of Painting and Sculpture under the Treasury Department, creating the post office mural for Mebane, North Carolina, and a watercolor which was held at Fort Stanton in New Mexico. In addition, she has paintings held in several noted collections in the United States.
Grace Thorp Gemberling was an American artist known for the broad range of her subjects in paintings having a pronounced psychological as well as aesthetic impact. One critic said they conveyed a mood that was "ethereal, bold and engaged." Another said her work showed "a disciplined hand and a romantic eye" together with "a magical color sense." Known for her control of detail and successful handling of line and blocks of color, she was said to paint in a modernist style that stayed clear of abstraction and was remembered by a teacher and fellow artist as "the finest woman painter in Philadelphia during the 20s and 30s."
Bertha Eversfield Perrie was an American painter. She has been described as "about the only famous Washington artist who was actually born in D.C."
Susan Brown Chase (1868–1948) was an American painter.
Nelly Summeril McKenzie Tolman (1877–1961) was an American painter.
Matilda Auchincloss Brownell was an American Impressionist painter and portraitist.
Betty Waldo Parish (1910–1986) was an American printmaker and painter who exhibited with nonprofit organizations, including the Fine Arts Guild, the Pen and Brush Club, and the National Association of Women Artists, as well as commercial galleries. Best known for her etchings and woodcuts in a modernist representational style, she was also a watercolorist and oil painter and it was an oil painting of hers, "The Lower Lot," that won her the first of quite a few prizes during her career.
Sybilla Mittell Weber (1892–1957) was an American artist known for her etchings and drypoints of dogs and horses. She was trained by an Austrian animal painter at the Academy of Fine Arts Munich and by an American etcher at the Art Students League. With the skills they taught her, she embarked on a long and successful career during which she employed traditional techniques to achieve results that drew consistent critical praise. Admired for her skill in animal portraiture and for her ability to portray animals in action, she was said to use an "economy of line" to achieve a style situated between the extremes of pure realism and pure abstraction.