Related Research Articles
Paula Anna Maria Wessely was an Austrian theatre and film actress. Die Wessely, as she was affectionately called by her admirers and fans, was Austria's foremost popular postwar actress.
The Vienna Festival (Wiener Festwochen) is a culture festival that takes place in Vienna for five or six weeks in May and June every year. The Vienna Festival was established in 1951, when Vienna was still occupied by the four Allied powers.
Robert Elisabeth Stolz was an Austrian songwriter and conductor as well as a composer of operettas and film music.
Oskar Strnad was an Austrian architect, sculptor, designer and set designer for films and theatres. Together with Josef Frank he was instrumental in creating the distinctive character of the Wiener Schule der Architektur. He stood for a modern concept of "living" for all people, planned and built private dwelling-houses, designed furniture, created ceramics and watercolours and designed sets and props for stage plays and films.
Cinema of Austria refers to the film industry based in Austria. Austria has had an active cinema industry since the early 20th century when it was the Austro-Hungarian Empire, and that has continued to the present day. Producer Sascha Kolowrat-Krakowsky, producer-director-writer Luise Kolm and the Austro-Hungarian directors Michael Curtiz and Alexander Korda were among the pioneers of early Austrian cinema. Several Austrian directors pursued careers in Weimar Germany and later in the United States, among them Fritz Lang, G. W. Pabst, Josef von Sternberg, Billy Wilder, Fred Zinnemann, and Otto Preminger.
Wien-Film GmbH was a large Austrian film company, which in 1938 succeeded the Tobis-Sascha-Filmindustrie AG and lasted until 1985. Until 1945 the business was owned by the Cautio Trust Company, a subsidiary of the German Reichsfilmkammer, and was responsible for almost the entire production of films in the territory of the Ostmark, as Austria was called at that time.
Willi Forst, born Wilhelm Anton Frohs was an Austrian actor, screenwriter, film director, film producer and singer. As a debonair actor he was a darling of the German-speaking film audiences, as a director, one of the most significant makers of the Viennese period musical melodramas and comedies of the 1930s known as Wiener Filme. From the mid-1930s he also recorded many records, largely of sentimental Viennese songs, for the Odeon Records label owned by Carl Lindström AG.
Sodom und Gomorrha: Die Legende von Sünde und Strafe is an Austrian silent epic film from 1922. It was shot on the Laaer Berg, Vienna, as the enormous backdrops specially designed and constructed for the film were too big for the Sievering Studios of the production company, Sascha-Film, in Sievering. The film is distinguished, not so much by the strands of its often opaque plot, as by its status as the largest and most expensive film production in Austrian film history. In the creation of the film between 3,000 and 14,000 performers, extras and crew were employed.
Karl Hartl was an Austrian film director.
Walter Reisch was an Austrian-born director and screenwriter. He also wrote lyrics to several songs featured in his films, one popular title is "Flieger, grüß mir die Sonne". He was married to the dancer and actress Poldi Dur and was the cousin of Georg Kreisler.
Willy Schmidt-Gentner was one of the most successful German composers of film music in the history of German-language cinema. He moved to Vienna in 1933. At his most productive, he scored up to 10 films a year, including numerous classics and masterpieces of the German and Austrian cinema.
Wiener Film is an Austrian film genre, consisting of a combination of comedy, romance and melodrama in a historical setting, mostly, and typically, the Vienna of the late 19th and early 20th centuries. The Wiener Film genre was in production between the 1920s and the 1950s, with the 1930s as its high period.
Episode is an Austrian film from 1935. It belongs to the popular Austrian light romantic comedy genre known as the Wiener Film, but also contains, for a film of this genre, unusually serious social comment. It was written and produced by Walter Reisch. The film has a particular importance in German-language film history as the only Austrian film with a Jewish producer that was permitted to be imported and shown in Nazi Germany after 1933 and the ban on Jews working in the film industry.
Emil Stepanek was an Austrian set designer and film architect.
The White Horse Inn is a 1952 West German musical film directed by Willi Forst and starring Johanna Matz, Johannes Heesters and Walter Müller. It is based on the operetta The White Horse Inn and is part of the operetta film genre.
Hilde von Stolz was an Austrian-German actress.
Viennese Girls is a 1945 historical musical film directed by Willi Forst and starring Forst, Anton Edthofer and Judith Holzmeister. The film was made by Wien-Film, a Vienna-based company set up after Austria had been incorporated into Greater Germany following the 1938 Anschluss. It was the third film in Forst's "Viennese Trilogy" which also included Operetta (1940) and Vienna Blood (1942). The film was finished in 1945, during the closing days of the Second World War. This led to severe delays in its release, which eventually took place in 1949 in two separate versions. One was released by the Soviet-backed Sovexport in the Eastern Bloc and the other by Forst.
Operetta is a 1940 German musical film directed by Willi Forst and starring Forst, Maria Holst and Dora Komar. The film was made by Wien-Film, a Vienna-based company set up after Austria had been incorporated into Greater Germany following the 1938 Anschluss. It is the first film in director Willi Forst's "Viennese Trilogy" followed by Vienna Blood (1942) and Viennese Girls (1945). The film portrays the life of Franz Jauner (1832–1900), a leading musical figure in the city. It is both an operetta film and a Wiener Film.
Peter Minich was an Austrian stage actor who became a tenor performing in operas, operettas and musical films. He was for decades the lead tenor of the Volksoper in Vienna, focused on Viennese operetta.
Walking Back into the Past is a 1954 Austrian drama film directed by Karl Hartl and starring Paula Wessely, Attila Hörbiger and Josef Meinrad.
References
- Notes
- ↑ later better known in the English-speaking cinema as Anton Walbrook
- ↑ Kreisler had already worked with Reisch in Hollywood in 1946 on the film Song of Scheherazade
- Bibliography
- Fritz, Walter: Im Kino erlebe ich die Welt - 100 Jahre Kino und Film in Österreich (pp. 157–159). Vienna, 1995