Sascha-Film, in full Sascha-Filmindustrie AG and from 1933 Tobis-Sascha-Filmindustrie AG, was the largest Austrian film production company of the silent film and early sound film period.
Sascha-Film, in full Sascha-Filmindustrie AG and from 1933 Tobis-Sascha-Filmindustrie AG, was the largest Austrian film production company of the silent film and early sound film period.
The business was established in 1910 by Alexander Joseph "Sascha", Count Kolowrat-Krakowsky as the Sascha-Filmfabrik ("Sascha Film Factory") in Pfraumberg in Bohemia, and relocated in 1912 to Vienna. On 10 September 1918, after the merger with the film distributors Philipp & Pressburger, the business became the Sascha-Filmindustrie AG.
With epic films such as Alexander Korda's Prinz und Bettelknabe ("Prince and Beggar") (1920) and Michael Curtiz's Sodom und Gomorrha (1922) as well as Die Sklavenkönigin ("The Slave Queen") (1924), the company rose to be one of the most successful European film producers.
In 1933 the German enterprise Tobis-Tonbild-Syndikat was amalgamated with the company, known formally from then on as the Tobis-Sascha-Filmindustrie AG.
In 1938, in the context of the Anschluss, by which Austria was annexed to the Third Reich, the concern passed into the ownership of the National Socialist government and was re-founded as Wien-Film GmbH. Its best-known director of the period to the end of the war was Gustav Ucicky.
After the end of the war the name Sascha-Film was re-established for a couple of decades, and in the 1950s and 1960s produced light entertainment films.
Paula Anna Maria Wessely was an Austrian theatre and film actress. Die Wessely, as she was affectionately called by her admirers and fans, was Austria's foremost popular postwar actress.
Cinema of Austria refers to the film industry based in Austria. Austria has had an active cinema industry since the early 20th century when it was the Austro-Hungarian Empire, and that has continued to the present day. Producer Sascha Kolowrat-Krakowsky, producer-director-writer Luise Kolm and the Austro-Hungarian directors Michael Curtiz and Alexander Korda were among the pioneers of early Austrian cinema. Several Austrian directors pursued careers in Weimar Germany and later in the United States, among them Fritz Lang, G. W. Pabst, Josef von Sternberg, Billy Wilder, Fred Zinnemann, and Otto Preminger.
Lot in Sodom is a 1933 short, silent and experimental film directed by James Sibley Watson and Melville Webber. Its plot is based on the Biblical tale of the cities of Sodom and Gomorrah, with quotes from the Bible being used for all intertitles.
Count Alexander "Sascha" Joseph von Kolowrat-Krakowsky was an Austrian film producer of Bohemian-Czech descent from the House of Kolowrat. A pioneer of Austrian cinema, he founded the first major film studio Sascha-Film in Vienna.
Wien-Film GmbH was a large Austrian film company, which in 1938 succeeded the Tobis-Sascha-Filmindustrie AG and lasted until 1985. Until 1945 the business was owned by the Cautio Trust Company, a subsidiary of the German Reichsfilmkammer, and was responsible for almost the entire production of films in the territory of the Ostmark, as Austria was called at that time.
Sodom und Gomorrha: Die Legende von Sünde und Strafe is an Austrian silent epic film from 1922. It was shot on the Laaer Berg, Vienna, as the enormous backdrops specially designed and constructed for the film were too big for the Sievering Studios of the production company, Sascha-Film, in Sievering. The film is distinguished, not so much by the strands of its often opaque plot, as by its status as the largest and most expensive film production in Austrian film history. In the creation of the film between 3,000 and 14,000 performers, extras and crew were employed.
Eduard von Borsody was an Austrian cameraman, film editor, film director, and screenplay writer.
Wiener Kunstfilm, in full Wiener Kunstfilm-Industrie, was the first major Austrian film production company. Founded in 1910 as the Erste österreichische Kinofilms-Industrie, it was a pioneer in almost every field of silent film in Austria.
Julius von Borsody was an Austrian film architect and one of the most employed set designers in the Austrian and German cinemas of the late silent and early sound film periods. His younger brother, Eduard von Borsody, was a film director in Austria and Germany. He is also the great-uncle of German actress Suzanne von Borsody.
Karl Hartl was an Austrian film director.
Ladislaus Vajda was a Hungarian screenwriter. He wrote for 40 films in Hungary, Austria and Germany between 1916 and 1932. He was born in Eger, Northern Hungary and died in Berlin, Germany. He was the father of Hungarian film director Ladislao Vajda.
Lucy Doraine was a Hungarian film actress of the silent era. Born as Ilona Kovács in Budapest, she appeared in more than 20 films between 1918 and 1931. She was married to film director Michael Curtiz from 1918 to 1923. She died in Los Angeles, California, aged 91.
The Moon of Israel is a 1924 Austrian epic film. It was directed by Mihaly Kertész. The script was written by Ladislaus Vajda, based on H. Rider Haggard's 1918 novel Moon of Israel, which in its turn was inspired by the Biblical story of the Exodus.
Giuseppe Becce was an Italian-born film score composer who enriched the German cinema.
Willy Schmidt-Gentner was one of the most successful German composers of film music in the history of German-language cinema. He moved to Vienna in 1933. At his most productive, he scored up to 10 films a year, including numerous classics and masterpieces of the German and Austrian cinema.
Emil Stepanek was an Austrian set designer and film architect.
Artur Semyonovich Berger was an Austrian-Soviet film architect and set designer. He was active in Austria between 1920 and 1936, during which time he worked on about 30 feature films.
Sievering Studios were film production studios located in Sievering, a suburb of the Austrian capital Vienna.
The Imperial and Royal War Press Headquarters (KPQ) was established at the beginning of the First World War on July 28, 1914 as a department of the Austro-Hungarian Army High Command. The task of the KPQ was to coordinate all press information and propaganda activities, including all mass media available at the time. A total of 550 artists and journalists were active as members of the KPQ during the war, including 280 in the KPQ artists group. From the start of the war its commanding officer was Major General Maximilian Ritter von Hoen. From March 1917 until the end of the war Colonel de:Wilhelm Eisner-Bubna was in charge.
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