Westminster Abbey, formally titled the Collegiate Church of Saint Peter at Westminster, is an Anglican church in the City of Westminster, London, England. Since 1066, it has been the location of the coronations of 40 English and British monarchs, and a burial site for 18 English, Scottish, and British monarchs. At least 16 royal weddings have occurred at the abbey since 1100.
The Cloisters, also known as the Met Cloisters, is a museum in the Washington Heights neighborhood of Upper Manhattan, New York City. The museum, situated in Fort Tryon Park, specializes in European medieval art and architecture, with a focus on the Romanesque and Gothic periods. Governed by the Metropolitan Museum of Art, it contains a large collection of medieval artworks shown in the architectural settings of French monasteries and abbeys. Its buildings are centered around four cloisters—the Cuxa, Saint-Guilhem, Bonnefont and Trie—that were acquired by American sculptor and art dealer George Grey Barnard in France before 1913, and moved to New York. Barnard's collection was bought for the museum by financier and philanthropist John D. Rockefeller Jr. Other major sources of objects were the collections of J. P. Morgan and Joseph Brummer.
A cloister is a covered walk, open gallery, or open arcade running along the walls of buildings and forming a quadrangle or garth. The attachment of a cloister to a cathedral or church, commonly against a warm southern flank, usually indicates that it is part of a monastic foundation, "forming a continuous and solid architectural barrier... that effectively separates the world of the monks from that of the serfs and workmen, whose lives and works went forward outside and around the cloister."
The House of Wessex, also known as the Cerdicings and the West Saxon dynasty, refers to the family, traditionally founded by Cerdic of the Gewisse, that ruled Wessex in Southern England from the early 6th century. The house became dominant in southern England after the accession of King Ecgberht in 802. Alfred the Great saved England from Viking conquest in the late ninth century and his grandson Æthelstan became first king of England in 927. The disastrous reign of Æthelred the Unready ended in Danish conquest in 1014. Æthelred and his son Edmund Ironside attempted to resist the Vikings in 1016, but after their deaths the Danish Cnut the Great and his sons ruled until 1042. The House of Wessex then briefly regained power under Æthelred's son Edward the Confessor, but lost it after the Norman Conquest in 1066. All kings of England since Henry II have been descended from the House of Wessex through Henry I's wife Matilda of Scotland, who was a great-granddaughter of Edmund Ironside.
The term Norman architecture is used to categorise styles of Romanesque architecture developed by the Normans in the various lands under their dominion or influence in the 11th and 12th centuries. In particular the term is traditionally used for English Romanesque architecture. The Normans introduced large numbers of castles and fortifications including Norman keeps, and at the same time monasteries, abbeys, churches and cathedrals, in a style characterised by the usual Romanesque rounded arches and especially massive proportions compared to other regional variations of the style.
Thomas Pearsall Field Hoving was an American museum executive and consultant and the director of the Metropolitan Museum of Art.
The Abbey of Bury St Edmunds was once among the richest Benedictine monasteries in England, until its dissolution in 1539. It is in the town that grew up around it, Bury St Edmunds in the county of Suffolk, England. It was a centre of pilgrimage as the burial place of the Anglo-Saxon martyr-king Saint Edmund, killed by the Great Heathen Army of Danes in 869. The ruins of the abbey church and most other buildings are merely rubble cores, but two very large medieval gatehouses survive, as well as two secondary medieval churches built within the abbey complex.
Mosan art is a regional style of art from the valley of the Meuse in present-day Belgium, the Netherlands, and Germany. Although in a broader sense the term applies to art from this region from all periods, it generally refers to Romanesque art, with Mosan Romanesque architecture, stone carving, metalwork, enamelling and manuscript illumination reaching a high level of development during the 11th, 12th and 13th centuries.
Romanesque art is the art of Europe from approximately 1000 AD to the rise of the Gothic style in the 12th century, or later depending on region. The preceding period is known as the Pre-Romanesque period. The term was invented by 19th-century art historians, especially for Romanesque architecture, which retained many basic features of Roman architectural style – most notably round-headed arches, but also barrel vaults, apses, and acanthus-leaf decoration – but had also developed many very different characteristics. In Southern France, Spain, and Italy there was an architectural continuity with the Late Antique, but the Romanesque style was the first style to spread across the whole of Catholic Europe, from Sicily to Scandinavia. Romanesque art was also greatly influenced by Byzantine art, especially in painting, and by the anti-classical energy of the decoration of the Insular art of the British Isles. From these elements was forged a highly innovative and coherent style.
Chertsey Abbey, dedicated to St Peter, was a Benedictine monastery located at Chertsey in the English county of Surrey.
Ante Topić Mimara was a controversial Croatian art collector and philanthropist. He donated his collection of more than 3,700 artifacts, ranging from the prehistoric to the 20th century periods to the National Museum of Serbia in Belgrade and the Mimara Museum in Zagreb. Most masterpieces of the Italian Collection and Dutch Collection in the National Museum of Serbia had been donated by Mimara.
The Cloisters Cross, is a complex 12th-century ivory Romanesque altar cross or processional cross. It is named after The Cloisters, part of the Metropolitan Museum of Art in New York, which acquired it in 1963.
The Winchester Psalter is an English 12th-century illuminated manuscript psalter, also sometimes known as the Psalter of Henry of Blois, and formerly known as the St Swithun's Psalter. It was probably made for use in Winchester, most scholars agreeing that the most likely patron was the Henry of Blois, brother of Stephen, King of England, and Bishop of Winchester from 1129 until his death in 1171. Until recent decades it was "a little-studied masterpiece of English Romanesque painting", but it has been the subject of several recent studies.
The Gesta Pontificum Anglorum, originally known as De Gestis Pontificum Anglorum and sometimes anglicized as The History or The Chronicle of the English Bishops, is an ecclesiastical history of England written by William of Malmesbury in the early 12th century. It covers the period from the arrival of St Augustine in AD 597 until the time it was written. Work on it was begun before Matilda's death in 1118 and the first version of the work was completed in about 1125. William drew upon extensive research, first-hand experience and a number of sources to produce the work. It is unusual for a medieval work of history, even compared to William's other works, in that its contents are so logically structured. The History of the English Bishops is one of the most important sources regarding the ecclesiastical history of England for the period after the death of Bede.
Quod scripsi, scripsi is a Latin phrase. It was most famously used by Pontius Pilate in the Bible in response to the Jewish priests who objected to his writing on the sign (titulus) that was hung above Jesus at his Crucifixion. It is mostly found in the Latin Vulgate Bible. It is equivalent to the Latin expression Dixi, meaning that the speaker has spoken and there is no more to be said.
The Westminster Psalter, British Library, MS Royal 2 A XXII, is an English illuminated psalter of about 1200, with some extra sheets with tinted drawings added around 1250. It is the oldest surviving psalter used at Westminster Abbey, and is presumed to have left Westminster after the Dissolution of the Monasteries. It joined the Old Royal Library as part of the collection of John Theyer, bought by Charles II of England in 1678. Both campaigns of decoration, both the illuminations of the original and the interpolated full-page drawings, are important examples of English manuscript painting from their respective periods.
The paintings from Arlanza are a set of frescos belonging to the mural decoration of a Benedictine monastery of San Pedro de Arlanza, in the Province of Burgos, Castile and León, Spain, dating to around 1210, and now dispersed among a number of collections. The Spanish government began to detach and sell sections of the frescos in the 19th century, though less exciting sections remain in situ. In 1943, the largest group of six major fragments was moved to the National Art Museum of Catalonia of Barcelona. Most of the Romanesque mural painting that has survived is of religious subjects. There was also fine decorations of a courtly or profane nature in large monastic centres, such as Arlanza in Castile, and these fragments represent especially rare survivals. According to C. R. Dodwell, the "imposing" Arlanza paintings are "endowed with all the power and grandeur of Romanesque at its best".
The Doorway from Moutiers-Saint-Jean is a portal dating from c 1250, originally for the monastery of Moutiers-Saint-Jean, near Dijon, Burgundy, France, and installed at The Cloisters, New York City, since 1932. It was designed in the Gothic style and carved from white oolitic limestone. The abbey was founded in the 5th century, and became a major center of influence. The abbey was patronised by a line of kings and nobles over the centuries; at one time it was financed by the dukes of Burgundy.
The Bury Bible is a giant illustrated Bible written at Bury St Edmunds in Suffolk, England between 1121 and 1148, and illuminated by an artist known as Master Hugo. Since 1575 it has been in the Parker Library of Corpus Christi College, Cambridge, with the shelf-mark Cambridge CCCC M 2.
Elizabeth Parker McLachlan is an American photographer, professor, writer and editor. She specialises in the Bury Bible, and the depiction of liturgical vessels such as censers, and the myrophores (Myrrhbearers) in medieval manuscript art. She is a professor emerita of art history at Rutgers University, New Jersey, USA.
