The Master of the Karlsruhe Passion is the notname of a German painter of the late Gothic period active in the Upper Rhine. Very influential on other painters in the region, he may be identified with the Strasbourg painter Hans Hirtz. He is named after his main work, the Karlsruhe Passion, though he may also have been the artist behind the murals in the former Dominican church in Strasbourg, only known through two 17th century copies (a coloured drawing and an etching).
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The Karlsruhe Passion is an altarpiece on panel showing the Passion of Christ painted for the Saint Thomas Church in Strasbourg around 1450 and split up during the Reformation. From 1858 most of the panels were gathered back together in Strasbourg, meaning that six panels are now in the Staatliche Kunsthalle Karlsruhe. However, one of the Arrest of Jesus remains in the Wallraf–Richartz Museum in Cologne. Each panel is 46 cm wide and 67 cm high but their original layout is now unknown.
The panels show their artist's special narrative, visual and symbolic language and include lower-class characters. [1] Their interpretation of the Passion recalls the aims of the contemporary Devotio Moderna, which recommended independent scriptural study and a personal relationship with God. [2]
The panels' narrative qualities are also new in Upper Rhenish art and influenced the development of painting in the region. A similarity in the rendering of the draperies links the Master of the Karlsruhe Passion to the Master of the Drapery Studies - the former may have taught the latter. The impact of the Master of the Karlsruhe Passion can be seen in Upper Rhenish art between around 1485 and 1500, particularly in artists active in Strasbourg. [3]
The Wallraf–Richartz Museum is an art museum in Cologne, Germany, with a collection of fine art from the medieval period to the early twentieth century. It is one of the three major museums in Cologne.
SebastianStoskopff was an Alsatian painter. He is considered one of the most important German still life painters of his time. His works, which were rediscovered after 1930, portray goblets, cups and especially glasses. The reduction to a few objects, which is characteristic of early still life painting, can again be recognized in Stoskopff's painting. His chief works hang in his hometown of Strasbourg, but some of the world's most important art museums own paintings by Stoskopff as well.
Adolf Richard Hölzel was a German painter. He began as a Realist, but later became an early promoter of various Modern styles, including Abstractionism.
The Master of the Life of the Virgin, in German the Meister des Marienlebens,, is the pseudonym given to a late Gothic German painter working in Cologne. He can also be known as the Master of Wilten, or Johann van Duyren, an identification not universally accepted.
Jürgen Ovens, also known as Georg, or Jurriaen Ovens whilst in the Netherlands, was a portrait painter and art-dealer from North Frisia and, according to Arnold Houbraken, a pupil of Rembrandt. He is best known for his painting in the city hall of Amsterdam and paintings for the Dukes of Holstein-Gottorp for whom he worked for more than 30 years, also as an art dealer.
Gotthard Graubner was a German painter, born in Erlbach, in Saxony, Germany.
Rainer Fetting is a German painter and sculptor.
Mark Lammert, is a German painter, illustrator, graphic artist and stage designer. He lives and works in Berlin.
Beate Gütschow is a contemporary German artist. She lives and works in Cologne and Berlin.
The Tauberischofsheim Altarpiece is a late work by the German Renaissance painter Matthias Grünewald, probably completed between 1523 and 1525. The earliest written references to the work come from the 18th century, when the altarpiece was still in the Church of St. Martin in Tauberbischofsheim. Its original location and the identity of the patron who commissioned it are not known, but it is assumed that they both were in Tauberbischofsheim.
Sabine Funke is a German painter who lives and works since 1987 in Karlsruhe.
Werner Hofmann was an Austrian art historian, cultural journalist, writer, curator and museum director, who is "considered by his colleagues as one of the most distinguished European scholars of modern art and its ideology."
Kurt Martin was a German art historian.
Hellmut Eichrodt was a German painter and graphic artist.
The Passion of Christ is a set of ten late 15th-century, Gothic religious paintings of the Passion of Jesus now displayed in the choir of the Catholic part of Old Saint Peter's Church in Strasbourg, France. The set is classified as a Monument historique by the French Ministry of Culture since 1978.
The Master of the Drapery Studies, also known as Master of the Coburg Roundels is the notname given to the "very productive" and "multifaceted" late 15th-century author of some 30 surviving paintings and over 150 surviving drawings. Indeed, according to the J. Paul Getty Museum, up to 180 surviving drawings "have been attributed to this master, comprising one of the most extensive bodies of drawn work of any northern European artist before Albrecht Dürer." Conversely, it has been suggested at least once that both the Master of the Drapery Studies and the Master of the Coburg Roundels may be two separate persons and that their body of work is attributable to a whole circle of artists.
Hans Hirtz or Hirtze was a German painter of the late Gothic period, recognized as a major painter by art historians as early as the 16th century. He was active between 1421 and 1463 in Strasbourg and other areas of the Upper Rhine. His years of birth and death are unknown, though a reference to his widow in a document of 1466 shows he died before that date - the document shows that she remarried to the Strasbourg stained-glass artist Peter Hemmel.
Bruno Kurz is a German painter. He primarily works on reflective surfaces such as metal, creating paintings of great luminosity and depth – expansive colour fields with vague allusions to landscape and flora. Apart from painting, his work comprises large art installations fashioned through light.
The Master of the Tennenbach Altar, sometimes referred to as the Master of the Staufen Altar, was a Gothic painter active in the Upper Rhine in the second quarter of the 15th century whose real name is unknown. His working name is taken from the altar paintings he created, formerly in Tennenbach Abbey, a Cistercian monastery in the Black Forest in Baden-Württemberg, Germany. The work is also sometimes mistakenly known as the Staufen Altar from its supposed later location in Staufen im Breisgau.
Wolfgang Kermer is a German art historian, artist, art educator, author, editor, curator of exhibitions, art collector and professor. From 1971 to 1984 he was repeatedly elected Rector of the State Academy of Fine Arts Stuttgart and thus the first scientific and at the same time youngest teacher in this position in the history of the university. Under his rectorate, the State Academy of Fine Arts Stuttgart was reformed in 1975 and 1978 on the base of two new university laws of the State of Baden-Württemberg and thus, for the first time in its history, authorized to set up diplomas for all courses. One of the accents of his work was the promotion of talented graduates of the academy: In 1978 he organized the first of the so-called ″debutant exhibitions″, an ″unconventional contribution to the promotion of young people″, supported financially by the State of Baden-Württemberg.
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