The Master of the Story of Griselda was an Italian artist who specialized in panel paintings. He worked in Umbria around 1490 and probably spent time in Siena. [1] There is no evidence of him after 1500.
The Master of the Story of Griselda was an Italian artist who specialized in panel paintings. He worked in Umbria around 1490 and probably spent time in Siena. [1] There is no evidence of him after 1500.
He received his notname from a group of paintings depicting the story of Griselda, as recounted by Giovanni Boccaccio in his Decameron. [2] The works are classified as spalliere and belonged to the Piccolominis or the Spannocchis. At that time, prominent families often commissioned panel paintings for their private rooms; or to celebrate weddings and births. His work appears to match the type of paintings that would be desired. [3]
He painted in the style of Pinturicchio, to whom these paintings were originally attributed. The influence of Luca Signorelli is also very noticeable. In fact, a cycle of famous men and women, originally believed to be Signorelli's, are now credited to the Master. Taken together, it is almost certain that he spent time working in Siena, although he is only documented in nearby Umbria.
His three known panels on Griselda are at the National Gallery in London. The cycle of famous people consisted of eight panels; four of which were by the Master. They have been separated: Artemisia is in the Museo Poldi Pezzoli (Milan), Alexander the Great is in the Barber Institute of Fine Arts (Birmingham), Joseph is in the National Gallery of Art (Washington D.C.) and Tiberius Gracchus is in the Szépművészeti Múzeum (Budapest).
Piero della Francesca was an Italian painter of the Early Renaissance. To contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca is chiefly appreciated for his art. His painting is characterized by its serene humanism, its use of geometric forms and perspective. His most famous work is the cycle of frescoes The History of the True Cross in the church of San Francesco in the Tuscan town of Arezzo.
Duccio di Buoninsegna was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Duccio is considered one of the greatest Italian painters of the Middle Ages, and is credited with creating the painting styles of Trecento and the Sienese school. He also contributed significantly to the Sienese Gothic style.
Luca Signorelli was an Italian Renaissance painter from Cortona, in Tuscany, who was noted in particular for his ability as a draftsman and his use of foreshortening. His massive frescos of the Last Judgment (1499–1503) in Orvieto Cathedral are considered his masterpiece.
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Il Sodoma was the name given to the Italian Renaissance painter Giovanni Antonio Bazzi. Il Sodoma painted in a manner that superimposed the High Renaissance style of early 16th-century Rome onto the traditions of the provincial Sienese school; he spent the bulk of his professional life in Siena, with two periods in Rome.
Pinturicchio, or Pintoricchio, also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. He acquired his nickname because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries.
Pietro Perugino, born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil.
Benozzo Gozzoli was an Italian Renaissance painter from Florence. A pupil of Fra Angelico, Gozzoli is best known for a series of murals in the Magi Chapel of the Palazzo Medici-Riccardi, depicting festive, vibrant processions with fine attention to detail and a pronounced International Gothic influence. The chapel's fresco cycle reveals a new Renaissance interest in nature with its realistic depiction of landscapes and vivid human portraits. Gozzoli is considered one of the most prolific fresco painters of his generation. While he was mainly active in Tuscany, he also worked in Umbria and Rome.
For the village near Livorno, see Sassetta, Tuscany
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The Maestà, or Maestà of Duccio, is an altarpiece composed of many individual paintings commissioned by the city of Siena in 1308 from the artist Duccio di Buoninsegna and is his most famous work. The front panels make up a large enthroned Madonna and Child with saints and angels, and a predella of the Childhood of Christ with prophets. The reverse has the rest of a combined cycle of the Life of the Virgin and the Life of Christ in a total of forty-three small scenes; several panels are now dispersed or lost. The base of the panel has an inscription that reads : "Holy Mother of God, be thou the cause of peace for Siena and life to Duccio because he painted thee thus." Though it took a generation for its effect to be truly felt, Duccio's Maestà set Italian painting on a course leading away from the hieratic representations of Byzantine art towards more direct presentations of reality.
Lippo Memmi was an Italian painter from Siena. He was the foremost follower of Simone Martini, who was his brother-in-law.
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The Pinacoteca Comunale ofCittà di Castello is the main museum of paintings and arts of Umbria Italian Region, alongside the Perugia's National gallery, and it's housed in a renaissance palace, generally preserved in its original form.
Adoration of the Magi is a painting in tempera on wood panel by Luca Signorelli (1450–1523) and his assistants, executed c. 1493–1494, and now in the Louvre in Paris. It was probably the first painting he produced in Città di Castello, and originally hung over the main altar of the monastery church of Sant'Agostino. The surface displayed within the frame is 331 cm by 245.5 cm. In late 2022 it was not on display.
Media related to Master of the Story of Griselda at Wikimedia Commons
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