Mat Gleason (born October, 1964) is an American-born author and curator. [1]
Gleason became known through Coagula Art Journal which he founded in 1992, and later via its brick and mortar continuation as Coagula Curatorial. [2]
Coagula Art Journal was founded in 1992 by Mat Gleason after finishing his education at California State University Los Angeles. Gleason used the proceeds of a winning 1992 Super Bowl bet to create a punk zine for the art world. [3]
Employing tabloid-style commentary, gossip, and reviews of the contemporary art world, Coagula and Gleason garnered significant influence, leading to citations in other major publications. [4] [5] The New York Times, calling Gleason a "famously provocative local art critic," cited his opinion on popular street sculptures as " 'garbage on the streets' that reminded him of 'a kid's finger-painting class.'" [6] [7]
Originally a freely distributed contemporary art magazine, articles collected are now in two anthologies, Most Art Sucks and The Century Hit Puberty: Selected Essays 2010-2014. David Bowie, a subscriber to Coagula Art Journal, wrote a review of Most Art Sucks, Coagula's 1998 anthology, summing up the project as, “Cruel, insensitive and thoroughly enjoyable!” [3] The magazine's 113th, issue published in 2016, celebrated 160 women artists, curators, and collectors.
In April 2012, Gleason launched Coagula Curatorial, on Chinatown's historic Chung King Road; the gallery closed in 2019. Following the same rebellious, controversial spirit [8] as the magazine, Coagula Curatorial presented solo shows by contemporary artists such as Abel Alejandre, Karen Finley, Kim Dingle, Gronk, Llyn Foulkes, Sheree Rose, and others. The gallery also utilized guest curators, who have included other prominent artists in Coagula exhibitions such as: John Fleck, Gajin Fujita, Diane Gamboa, Rafael Reyes, Peter Shelton, and others.[ citation needed ]
Gleason has appeared as commentator in film and television programs about art and Los Angeles for two decades, discussing subjects such as the American Hotel, [9] Llyn Foulkes, [10] Paul Paiement, Robert Williams, [11] and censorship in film. [12] [5] He discussed the paintings of former President George Bush on CNN. [13]
Gleason was a judge for seasons on the RuPaul hosted body paint competition show, Skin Wars: Fresh Paint. [14]
Gleason is the author and co-author of numerous books on art, including most recently Robert Williams: Father of Exponential Imagination. [15]
Gleason led SB Nation's Los Angeles Angels blog Halos Heaven beginning in 2005 using the pen name Rev Halofan. [16] He was fired in 2015 for writing a blog post about Josh Hamilton, a player on the Texas Rangers and formerly of the Angels, who had recently admitted to a drug and alcohol relapse that prompted an MLB investigation. [17] SB Nation removed the blog post and parted ways with Gleason, saying that the post "crossed the line between fanaticism and good taste." [18] [19]
Gleason is married to artist Leigh Salgado. [20]
The Chouinard Art Institute was a professional art school founded in 1921 by Nelbert Murphy Chouinard (1879–1969) in the Westlake neighborhood of Los Angeles, California. In 1961, Walt and Roy Disney guided the merger of the Chouinard Art Institute and the Los Angeles Conservatory of Music to establish the California Institute of the Arts. Chouinard continued to operate until the new campus opened in 1970.
David F. Nazworthy, professionally known as Dave Naz is an American photographer and film director.
The Ferus Gallery was a contemporary art gallery which operated from 1957 to 1966. In 1957, the gallery was located at 736-A North La Cienega Boulevard, Los Angeles in the U.S. state of California. In 1958, it was relocated across the street to 723 North La Cienega Boulevard where it remained until its closing in 1966.
Llyn Foulkes is an American artist living and working in Los Angeles.
Excessivism is an art movement. In 2015 American artist and curator Kaloust Guedel introduced it to the world with an exhibition titled Excessivist Initiative. The review of the exhibition written by art critic and curator Shana Nys Dambrot, titled "Excessivism: Irony, Imbalance and a New Rococo" was published in the Huffington Post. Its early adopters go back to late 20th century.
Brian Sherwin is an American art critic, writer, and blogger with a degree from Illinois College in 2003. Sherwin is a founding Management Team member of the artist social networking site myartspace, where he also served as Senior Editor for six years. As Senior Editor for myartspace.com Sherwin established an extensive interview series with emerging and established visual artists. Sherwin currently writes for FineArtViews and is the editor of The Art Edge. Sherwin is also an advocate for youth art education.
An art blog is a common type of blog that comments on art. More recently, as with other types of blogs, some art blogs have taken on 'web 2.0' social networking features. Art blogs that adopt this sort of change can develop to become a source of information on art events, a way to share information and images, or virtual meeting ground.
Heimir Björgúlfsson is an Icelandic artist born in Reykjavík, Iceland in 1975. Heimir lives and works in Los Angeles, California. He holds a BFA from the Gerrit Rietveld Academy and an MFA from the Sandberg Institute, both in Amsterdam, Netherlands. He also studied Sonology at the Royal Conservatory in The Hague, Netherlands.
Coagula Art Journal was founded in 1992 by Mat Gleason as a freely distributed contemporary art magazine. Since its inception, the publication remains free as a PDF download, however readers may still obtain a hard copy via "print on demand".
Tamar Halpern is a writer and director living in Los Angeles. She holds an M.F.A. degree from the University of Southern California's School of Cinematic Arts.
The Los Angeles Institute of Contemporary Art (LAICA) was an exhibition venue for visual arts that ran between 1974 and 1987 (approximately) in Los Angeles, California. It played an important role in showing experimental work of the era as well as supporting the careers of young artists in Los Angeles.
Coagula Curatorial is a contemporary art gallery founded in April 2012 by Mat Gleason, Los Angeles art critic & curator. From 1992-2011, Gleason published Coagula Art Journal, a free zine-style publication on contemporary art, which gained notoriety for its "no holds barred" critique of the contemporary art world.
Patricia Faure was an American art dealer, photographer, and gallery owner, based in Los Angeles.
Ayin Es is a self-taught visual artist, writer, musician (drummer), and book artist from Los Angeles, California. They have written articles for Coagula Art Journal and the Huffington Post. As a musician, they played for 20 years as an R&B drummer touring and recording drums with various artists. They played drums on Rickie Lee Jones' Ghostyhead album in 1997.
Abel Alejandre is a Mexican-born, United States-based hyperrealist artist, best known for his explorations of masculinity and vulnerability. Working primarily in pencil, Alejandre creates cross-hatched drawings which can sometimes take months to complete. Alejandre's series of twelve panels, "Panoramas," is featured at the Los Angeles Metro Rancho Park/Westwood station.
Ron Linden is a California abstract painter, independent curator, and associate professor of art at Los Angeles Harbor College, Wilmington. He lives and works in the San Pedro area of Los Angeles.
Bobbie Moline-Kramer is an American artist, lecturer, teacher, and illustrator. Her work includes Japanese Shunga style paintings, gestural abstraction, animal symbolism, and realism.
April Bey is an Bahamian American contemporary visual artist and educator. She is known for her mixed media work which creates commentary on contemporary Black female rhetoric.
Chase Langford is a Los Angeles-based American contemporary painter known for his paintings, inspired by geography and maps.
Doug Harvey is an artist, curator and writer based in Los Angeles. For 15 years he was a freelance arts writer and Lead Art Critic for LA Weekly and during his tenure there was considered “one of the most important voices on art in the city” by editor Tom Christie, "an art critic who is read all over the country, is smart, snappy, original, has an independent open eye, a quick wit, is not boring and never academic" by New York Magazine critic Jerry Saltz, and "a master of the unexpected chain-reaction of thought" by Pulitzer Prize winning LA Times critic Christopher Knight.
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