| Award | Winner | Award | Winner | Award | Winner |
|---|
| 1988 |
| Award Winner | Jennifer Flowers: performances Hedda Gabler , The Lady Aoi , Butts in the Borsht | Award Winner | Sue Rider: devising and directing The Matilda Women | Award Winner | Eugene Gilfedder: versatile contribution to theatre, musical composition and direction, performance Hamlet |
| Award Winner | Robert Arthur: directing Too Young For Ghosts, Hamlet | Award Winner | David Walters: lighting Les Liaisons Dangeureuses, The Sentimental Bloke, A Different Drummer | Commendation | Anna Pike: performance |
| Commendation | Sally McKenzie: performance | Commendation | Russell Kiefel: performance | Commendation | Bill Haycock: stage design |
| Commendation | Rick Billinghurst: directing | Commendation | Anthony Phelan: performance | | |
| 1989 |
| Award Winner | David Brown: acting Romeo and Juliet, The Perfectionist | Award Winner | Jim Vilè: vital contribution to the enrichment of pro-am theatre in Brisbane | Award Winner | Rod Wissler: performance Who's Afraid of Virginia Woolf? |
| Award Winner | Mark Radvan: directing Equus | Commendation | Veronica Neave: performance as Juliet | Commendation | Ian Leigh-Cooper: solid contribution to Brisbane theatre as director and actor |
| Commendation | David Clendinning: extraordinary versatility in performance | Commendation | Christen O'Leary: refreshing new talent in Brisbane theatre The Threepenny Opera, Tokyo Rose | Commendation | Errol O'Neill: interpretation of The Christian Brothers |
| Special Commendation | Queensland Performing Arts Trust: The Soldier's Tale | | | | |
| 1990 |
| Award Winner | David Clendinning: translating A Month In The Country, performances The Venetian Twins, Lost Weekend | Award Winner | Dale Ferguson: stage design Top Silk, A Month In The Country | Award Winner | Bill Haycock: stage design Legend, The Glass Menagerie, Brief Lives |
| Award Winner | Aubrey Mellor: contribution to the development of Queensland theatre | Award Winner | Anthony Phelan: performance A Month In The Country, Top Silk | Commendation | Beth Armstron : performance |
| Commendation | David Bell: directing | Commendation | Sally McKenzie: performance | Commendation | Veronica Neave: performance |
| Commendation | David Walter: lighting | Commendation | Rod Wissler: performance | Commendation | Joss McWilliam: - performance |
| Special Commendation | Queensland Performing Arts Trust: Legend | | | | |
| 1991 |
| Award Winner | David Bell: directing The Game of Love and Chance,Bouncers | Award Winner | Aubrey Mellor: directing Money and Friends | Award Winner | Bryan Nason: artistic direction (Grin 'n' Tonic), directing Gilgamesh |
| Award Winner | Anthony Phelan: performance Essington Lewis I Am Work, The Game of Love and Chance | Award Winner | Sue Rider: directing Mrs Klein, devising and directing Dancing on the Walls Of Paris | Commendation | Charles Barry: performance |
| Commendation | Jennifer Flowers:: performance | Commendation | Eugene Gilfedder: performance | Commendation | Bill Haycock: stage design |
| Commendation | Sally McKenzie: performance | Commendation | Veronica Neave: performance | Commendation | Christen O'Leary: performance |
| Commendation | Seymour Productions: body of work | Special Commendation | Babette Stephens: a lifetime of service to Queensland theatre | | |
| 1992 |
| Award Winner | Bille Brown: performance Twelfth Night | Award Winner | Jonathan Hardy: performance Twelfth Night | Award Winner | Jennifer Flowers: performance A Cheery Soul, Twelfth Night, Hotel Sorrento, directing The Idiot |
| Award Winner | Veronica Neave: performance Twelfth Night, The Idiot | Award Winner | David Berthold: directing The Heidi Chronicles, co-directing Hotel Sorrento | Commendation | Andrew Buchanan: performance The Adman |
| Commendation | Anthony Phelan: performance | Commendation | Peter Lamb: performance The Idiot | Commendation | Jennifer Blocksidge: performance |
| Commendation | David Walters: lighting | Commendation | Dale Ferguson (designer): stage design | Commendation | Bill Haycock: stage design |
| Special Commendation | John Kotzas and Queensland Performing Arts Trust Out of the Box | Special Commendation | La Boite Theatre: The Idiot | | |
| 1993 |
| Award Winner | Brenna Lee-Cooney: establishment Fractal Theatre Company, directing The Orestaeia | Award Winner | Sue Rider: directing Vita! | Award Winner | Dale Ferguson: stage design Romeo & Juliet, The Shaughraun |
| Award Winner | Andrew Buchanan: performance Romeo & Juliet, Summer of the Aliens, The Waking Hour | Award Winner | Jonathan Hardy: performance Romeo & Juliet, The Shaughraun | Commendation | Angie Quick |
| Commendation | David Clendinning | Commendation | Eugene Gilfedder | Commendation | Caroline Kennison: performance Vita: A Fantasy |
| Commendation | Siobhan Lawless: performance Diving For Pearls | Special Commendation | David Bell, David Walters and Bill Haycock creating The Waking Hour for Queensland Performing Arts Trust | | |
| 1994 |
| Award Winner | Andrew Buchanan: performance The Taming of the Shrew, Cosi | Award Winner | Michael Futcher: performance Grendel | Award Winner | Kevin Hides: performance Cosi, Cyrano de Bergerac |
| Award Winner | Caroline Kennison: performance Dancing at Lughnasa | Award Winner | Peter Lamb: performance Coriolanus, Theo An Illumination of the Life of Van Gogh | Highly Commended | Hilary Beaton: script No Strings Attached |
| Highly Commended | Irena Haze: performances Coriolanus, The Fall of the House of Usher, The Romance of Orpheus | Highly Commended | Charles Barry: performance The Taming of the Shrew | Highly Commended | Karen Crone: performances Cosi, No Strings Attached |
| Highly Commended | Leah Purcell: performance Low | Highly Commended | Christopher Morris: performance Low | Outstanding Contribution to the Local Scene | John Kotzas: artistic director Out of the Box |
| Outstanding Contribution to the Local Scene | Sue Rider: consistent high standards for la Boite theatre | Special Award for Services to the Qld Theatre Industry | Alan Edwards | | |
| 1995 |
| Award Winner | Andrew Buchanan: performance Hamlet | Award Winner | John Batchelor: performance Christmas at Turkey Beach, Mill Fire | Award Winner | Elise Greig: performance Mill Fire, Honour |
| Award Winner | Philip Dean: script Long Gone Lonesome Cowgirls | Award Winner | Jacqui Carroll: leadership and direction Frank Theatre | Commendation | Gael Ballantyne: performance The Cavalcaders |
| Commendation | Deborah Mailman: performance The Seven Stages of Grieving | Commendation | Peter Lamb: performance | Commendation | Andrew McGahan: script Bait |
| Commendation | Liz Buchanan: performance Long Gone Lonesome Cowgirls | Commendation | Barbara Fordham: performance Long Gone Lonesome Cowgirls | Most Exciting Production | The Dark, Rock 'n' Roll Circus |
| Sustained Contribution to Queensland Theatre | Sean Mee: recognition 20 years in Queensland theatre | Special Commendation | Bryan Nason, Grin & Tonic Theatre Troupe and its repertory season of four Shakespeare plays | Special Commendation | Michael Futcher & Helen Howard Matrix Theatre |
| Special Commendation | Metro Arts, Experimetro programme | | | | |
| 1996 |
| Award Winner | Caroline Kennison: performance Skylight, Simpatico | Award Winner | Jennifer Flowers: performance Supermarket Pavane | Award Winner | Glenn Francis: design Skylight, Love Child, There Goes The Neighbourhood, Supermarket Pavane, The Dreamers, Romeo& Juliet |
| Award Winner | Lewis Jones: direction Someone To Watch Over Me, Bouncers | Award Winner | Danny Murphy: Olenna, Abigail's Party, There Goes The Neighbourhood | Commendation | Michael Futcher |
| Commendation | Charles Barry | Commendation | Bill Haycock | Commendation | Rachel Konyi |
| Commendation | Matt Scott | Best Production | Sweeney Todd Queensland Theatre Company | Commended | Brisbane Festival's community programme for supporting and promoting local theatre |
| 1997 |
| Award Winner | Elaine Acworth: playwright Solitary Animals | Award Winner | John Batchelor: performance Sweet Phoebe, Oz Shorts | 'Award Winner | Greg Clarke: design Oz Shorts |
| Award Winner | Paul Denny: performance Scar | Award Winner | Robyn Nevin: performance Masterclass, directing Summer Rain, After The Ball | Commendation | Anna Yen: writing, directing, performance |
| Commendation | Deborah Mailman: performance | Commendation | Lorraine Dalu: performance | Commendation | Elise Greig: performance |
| Commendation | Stephen Davis: writing | Commendation | Anthony Weigh: performance | Special Commendation | Wesley Enoch, services to indigenous theatre |
| Special Commendation | John Kotzas, Stage X Festival | | | | |
| 1998 |
| Award Winner | Helen Howard & Michael Futcher: writing A Beautiful Life | Award Winner | Dale Ferguson (designer): design The Marriage of Figaro | Award Winner | David Brown: writing, directing Kill Everything You Love |
| Award Winner | Nicola Scott: performance Sweet Panic | Award Winner | Russell Dykstra: performance & writing Children of the Devil | Commendation | Margery Forde: writing X-Stacy |
| 1999 |
| Award Winner | Bille Brown: performance The Judas Kiss | Award Winner | Brenna Lee-Cooney: directing Decadence, Dracula | Award Winner | Wesley Enoch: books, lyrics, directing The Sunshine Club |
| Award Winner | Eugene Gilfedder: performance Decadence, The Tempest, Vertigo and The Virginia, Dracula | Award Winner | Kate Stewart: set design Hamlet, He Died With A Felafel In His Hand | Commendation | Angela Campbell: performance, directing, performance Vertigo and the Virginia |
| Commendation | Jennifer Flowers: performance Georgia | Commendation | Damien Garvey: performance The Big Picture | Commendation | Stephen Grives: performance Antigone |
| Commendation | Roxanne McDonald: performance Romeo and Juliet, Goin' To The Island, The Sunshine Club | Commendation | Jill Shearer: writing Georgia | Commendation | Kaye Stevenson: performance Hildegard |
| Special Award | Jim Vilè and Katie Williams, directing and producing Cathedrals Week | Special Award | Queensland Theatre Company, developing and producing The Sunshine Club by Wesley Enoch and John Rodgers | | |
| 2000 |
| Award Winner | Julie Eckersley: performance The Secret Death of Salvador Dali, As You Like It | Award Winner | Mark Bromilow: directing Clark In Sarajevo | Award Winner | Margery & Michael Forde: writing Milo's Wake |
| Award Winner | Yalin Ozucelik: performance After January | Award Winner | Sean Mee: directing Box The Pony, performance Milo's Wake | Commendation | Stacey Callaghan: writing & performance When I Was A Boy |
| Commendation | Sarah Kennedy: performance Sylvia | Commendation | Geoff Squires: lighting Closer, Clark In Sarajevo, Redemption | Commendation | Lisa O'Neill: performance Three Frank Women, Rashamon |
| Commendation | Elizabeth Navratil: performance Ca Ca Courage | Commendation | Alison Ross: stage design The Secret Death Salvador Dali | Trust Award for Excellence | Leah Purcell: Box The Pony |
| Special Commendation | Sue Rider, for her sustained contribution to Queensland theatre; her development and presentation of new local and Australian work; her encouragement of Queensland Artistes; and her development of La Boite into a professional centre of excellence | | | | |
| 2001 |
| Award Winner | Michael Dorman: performance 48 Shades of Brown | Award Winner | Elise Greig: performance Alive at Williamstown Pier, The Caucasian Chalk Circle, Secret Bridesmaids' Business | Award Winner | Helen Howard: performance Molly Sweeney |
| Award Winner | Matt Scott: lighting The Forest, Richard III, Love's Labour's Lost, Buried Child | Award Winner | Hayden Spencer: performance Small Mercies, Alive At Williamstown Pier, The Caucasian Circle, Buried Child | Commendation | Andrew Buchanan: directing Love's Labour's Lost, The Caucasian Chalk Circle, performance Love's Labour's Lost, Secret Bridesmaids' Business |
| Commendation | Damien Cassidy: performance The Pitchfork Disney | Commendation | Christine Johnston: devising, directing, performance Decent Spinster | Commendation | Jean-Marc Russ: directing 48 Shades of Brown, Rashamon, performance Fred |
| Commendation | Sven Swenson: writing In Lieu of Flowers | Commendation | David Walters: lighting Molly Sweeney | Special Commendation | Michael Gow and Queensland Theatre Company, promoting local writing in their groundbreaking production of Dirt |
| MEAA Best Emerging Artist | Michael Dorman | In Memory of Ashley Wilkie, A Special One-off Award for Outstanding Contribution to Theatre Public Relations | Rosemary Herbert (Walker), La Boite Theatre | Backstage Award for Ongoing Excellence in Backstage Work (chosen by Brisbane theatre directors) | Tiffany Noake |
| The Actors Benevolent Fund Award for Long-time Commitment to Queensland Theatre | Leo Wockner | QPAT Award | Stephen Page: Bangarra Dance Company | | |
| 2002 |
| Award Winner | Carol Burns: performance Bill and Mary, Bag O' Marbles, directing Road To Mecca | Award Winner | Greg Clarke: designs Dogs In The Roof productions Emma's Nose, Salt, Macbeth | Award Winner | Jon Halpin: directingThe Messiah, Bill and Mary, Bash |
| Award Winner | Bryan Nason: adaptation, directing, producing Monkey | Award Winner | David Walters: lighting Black Chicks Talking, Still Standing | Commendation | Eugene Gilfedder: performances My Love Had A Black Speed Stripe, Emma's Nose,Macbeth |
| Commendation | Alison Ross: designs Cooking With Elvis, Road To Mecca, Bash, Mad Hercules, The Holden Plays | Commendation | Jean-Marc Russ: performanceCooking With Elvis, The Messiah | Special Commendation | Sue Benner and Metro Arts, promoting local artists and producing consistently good work in the inaugural Metro Arts Year of Independents |
| Special Commendation | Queensland Theatre Company, supporting emerging artists through its inaugural repertory program, and for the excellent body of work by its ensemble of actors; Chris Beckey, Melinda Butel, Sarah Kennedy and Jason Klarwein | Special Commendation | Bryan Nason, his unparalleled contribution to Brisbane theatre - spanning five decades - through his company Grin 'n' Tonic Theatre Troupe | Trust Award for Excellence | Margery Forde, outstanding contribution to theatre in Queensland and Australia |
| Actors and Entertainers' Benevolent Fund (Qld) Inc. now the Alan Edwards Memorial Award for Lifetime Contribution to the Performing Art in Brisbane | Carol Burns | MEAA Awards Best Emerging Actor | Jason Klarwein | | |
| 2003 |
| Award Winner | Paul Denny: performance A Day In The Death of Joe Egg, The Removalists | Award Winner | Bill Haycock: set design Half and Half | Award Winner | Caroline Kennison: performance A Day In The Death of Joe Egg, Cosi |
| Award Winner | Hayden Spencer: performances Half and Half, The Lonesome West | Award Winner | Sven Swenson: writing Road To The She-Devil's Salon | Commendation | Karen Crone: performance Cosi |
| Commendation | Linda Hassell: writing Post Office Rose | Commendation | Jason Klarwein: performance Half and Half | Commendation | Bryan Probets: performances The Lonesome West, Road To The She-Devil's Salon |
| Commendation | Jean-Marc Russ: directing A Conversation performance We Were Dancing | Commendation | Scott Witt:directingRoad To The She-Devil's Salon excellence in fight choreography | Special Commendation | Dawn Albinger, Artistic Direction of the Magdalena Australia Festival and work with Sacred Cow |
| Special Commendation | Una Hollingworth, ongoing contribution to costume design at Brisbane Arts Theatre | The Actors Benevolent Fund Alan Edwards Lifetime Achievement Award | Errol O'Neill | La Boite Backstage Award | Tony Marr |
| MEAA Emerging Artist Award | Bryan Probets | QPAC Award for Excellence to an Individual or Ensemble | Bryan Nason | | |
| 2004 |
| Award Winner | Hayden Spencer | Award Winner | Melinda Butel | Award Winner | Caroline Kennison |
| Award Winner | Jean-Marc Russ | Award Winner | Bill Haycock | Best Male Actor in a Lead Role | Hayden Spencer: The Real Inspector Hound / Black Comedy, Eating Ice Cream With Your Eyes Closed |
| Best Female Actor in [Lead] Role | Melinda Butel: Proof | Best Female Actor in [Lead] Role | Caroline Kennison: Wit | Best Male Actor in a Supporting Role | Sandro Colarelli: The Odyssey, The Venetian Twins |
| Best Female Actor in a Supporting Role | Carita Farrer: Proof, The Venetian Twins | Best Director | Jean-Marc Russ: Eating Ice Cream With Your Eyes Closed | Best Design | Bill Haycock: The Odyssey |
| Best Sound Design | Brett Collery: God is a DJ | Best Lighting Design | David Walters: The Odyssey, Wicked Bodies | Best Production | Eating Ice Cream With Your Eyes Closed (QTC) |
| Alliance Award for Emerging Artist | Emily Tomlins | Backstage Award | Gayle MacGregor | Alan Edwards Lifetime Achievement Award | Kaye Stevenson |
| QPAC Award for Excellence in the Performing Arts | Bille Brown | | | | |
| 2005 |
| The Interactive Theatre of Australia Award for Best Performance by a Male Actor in a Lead Role | Steven Grives: The Drowning Bride | The Interactive Theatre of Australia Award for Best Performance by a Female Actor in a Lead Role | Sarah Kennedy: Hitchcock Blonde | The Ben Parkinson Award for Best Performance by a Male Actor in a Supporting Role | Daniel Murphy: The Dance of Jeremiah |
| The Actors'Workshop Award for Performance by a Female Actor in a Supporting Role | Helen Cassidy: The Drowning Bride | The QUT Precincts Award for Best Director | Michael Futcher: The Drowning Bride | The Toadshow Award for Best Designer | Jonathan Oxlade: A Christmas Carol, The Dance of Jeremiah, Bitin' Back, Creche and Burn |
| The Booknook Award for Best Playwright | Helen Howard and Michael Futcher: The Drowning Bride | Queensland Performing Arts Centre Award | Gayle MacGregor: for Outstanding Contribution to Theatre Costume Design and Wardrobe Management | The MEAA Backstage Award | Anika Vilée |
| 2006 |
| Gold Matilda Award Winner | Margi Brown-Ash: performance The Knowing of Mary Poppins | Gold Matilda Award Winner | Brett Collery: sound design Away, Constance Drinkwater and the Final Days of Somerset | Gold Matilda Award Winner | Michael Gow: direction Away, Private Lives, Absurd Person Singular |
| Gold Matilda Award Winner | Robert Kemp: set Away, Private Lives | Gold Matilda Award Winner | Steven Tandy: performance Last Drinks | Best New Australian Work | New Royal Marcel Dorney |
| Best Actress | Barbara Lowing: Away | Best Supporting Actress | Helen Howard: Last Drinks | Best Supporting Actor | Lucas Stibbard: New Royal |
| Emerging Artist | Ross Balbuziente | Emerging Artist | Michael Balk | Emerging Artist | Dirk Hoult: Assassins |
| Emerging Artist | Christopher Sommers | | | | |
| 2007 |
| Best New Australian Work | The Kursk Sasha Janowicz | Best Mainstage Production | The Narcissist (La Boite Theatre Company) | Best Mainstage Production | The Glass Menagerie (QTC) |
| Best Director | Michael Futcher: The Kursk | Best Actress | Helen Cassidy: The Glass Menagerie | Best Actor | Barry Otto: Heroes |
| Best Supporting Actress | Helen Cassidy: Post Office Rose | Best Supporting Actor | James Stewart: The Glass Menagerie | Best Newcomer | Jessica Veurman-Betts: Post Office Rose |
| Best Independent Production | The Kursk: (Metro Arts Independents) | Best Technical Design | David Walters: The Glass Menagerie | Best Musical Production | Tom Waits for No Man, Brisbane Cabaret Festival |
| Best Design | Greg Clarke: The Glass Menagerie | | | | |
| 2008 |
| Best Mainstage Production | Anatomy Titus Fall of Rome (QTC) | Best Independent Production | Hoods (Real TV) | Best Direction | Michael Futcher: Rabbit Hole (QTC) |
| Best Direction | Michael Futcher: The Wishing Well (La Boite) | Best Actress in a Lead Role | Helen Howard: Rabbit Hole (QTC) | Best Actor in a Lead Role | Jean-Marc Russ: I am my own wife (QTC) |
| Best Actress in a Supporting Role | Kaye Stevenson: Summer of the Seventeenth Doll (La Boite) | Best Actor in a Supporting Role | Andrew Buchanan: Female of the Species (QTC) | Best New Australian Work | Attack of the Attacking Attackers: Matthew Ryan |
| Best Emerging Artist | Kathryn Marquet: Jane Eyre, Bronte, Risk | Best Design | Jonathon Oxlade: Attack of the Attacking Attackers (La Boite) | Best Technical Design | David Walters: August Moon (QTC) |
| Best Musical Production | The 25th Annual Putnam County Spelling Bee (Oscar Theatre Co.) | | | | |
| 2009 | | | | | |
| Matilda Awards Winner | Michael Gow; Richard Jordan; Metro Arts; Michelle Miall; Sven Swenson | Matilda Awards Winner | Richard Jordan | Matilda Awards Winner | Metro Arts |
| Matilda Awards Winner | Michelle Miall | Matilda Awards Winner | Sven Swenson | Best New Australian Play | 25 Down: Richard Jordan (QTC) |
| Best Independent Production | The Tempest - in the raw (Zen Zen Zo Physical Theatre) | Best Mainstage Production | The Crucible (QTC) | Best Director | Michelle Miall: The Pillowman (QTC) |
| Best Actor in a Lead Role | Steven Rooke: The Pillowman (QTC) | Best Actress in a Main Role | Stace Callaghan: The White Earth | Best Actor in a Supporting Role | Chris Vernon: The Pillowman (QTC) |
| Best Actress in a Supporting Role | Andrea Moor: The Crucible | Best Designer | Jaxzyn (Jen Jackson): video design - The Pineapple Queen | Best Emerging Artist | Michelle Miall: The Pillowman (QTC) |
| 2010 |
| Matilda Award Winner | Leon Cain for his performance in I Love You, Bro | Matilda Award Winner | The Escapists for devising and producing boy girl wall | Matilda Award Winner | Eugene Gilfedder for his body of performance work in 2010 including Grimm Tales, Hamlet and The Chairs |
| Matilda Award Winner | Leah Purcell for her artistic direction of the Aboriginal Centre for the Performing Arts and directing and acting in The Story of the Miracles at Cookies Table | Matilda Award Winner | David Berthold for his repositioning of La Boite and directingHamlet and I Love You, Bro | Best Mainstage Production | Hamlet (La Boite) |
| Best Independent Production | boy girl wall (The Escapists at Metro) | Best Direction | Michael Futcher: Grimm Tales | Best Female Actor in a Lead Role | Leah Purcell: The Story of The Miracles at Cookie's Table |
| Best Male Actor in a Lead Role | Leon Cain in I Love You, Bro | Best Female Actor in a Supporting Role | Melanie Zanetti: The Little Dog Laughed | Best Male Actor in Supporting Role | Dan Crestani: Grimm Tales'' |
| Best New Australian Work | The Bitterling by Sven Swenson | Best Emerging Artist | Amy Ingram: (acting) Fat Pig and Single Admissions | Best Design (Set, lighting, sound or costume) | Greg Clarke (design) on Grimm Tales |
| 2011 |
| Matilda Award Winner | Simone de Haas for her artistic direction of Mixed Company and commitment to producing quality self-funded independent theatre across three decades, including directing, designing and acting in its body of work | Matilda Award Winner | Steven Rooke for his outstanding body of performance work in 2011, including No Man's Land, Julius Caesar and The Removalists | Matilda Award Winner | Josh McIntosh for his prolific body of work for independent theatre companies in 2011, including shake & stir's Animal Farm and set and costume designs for Harvest Rain |
| Matilda Award Winner | Marcel Dorney for his accomplishment as a playwright in researching and rendering the script of Fractions | Matilda Award Winner | Melanie Zanetti for her radiant performance as Eliza Doolittle in Pygmalion | Best Mainstage Production | Pygmalion (QTC) |
| Best Independent Production | Animal Farm (Shake & Stir) | Best Independent Production | Amadeus (4MBS Festival of Classics) | Best New Play | Fractions by Marcel Dorney |
| Best Musical | Cabaret (Zen Zen Zo Physical Theatre) | Best Director | Michael Futcher Animal Farm | Best Director | Michael Gow No Man's Land |
| Best Male Actor in a Leading Role | Paul Bishop: Edward Gant's Amazing Feats of Loneliness | Best Male Actor in a Supporting Role | Steven Rooke: No Man's Land | Best Female Actor in a Leading Role | Melanie Zanetti: Pygmalion |
| Best Female Actor in a Supporting Role | Carol Burns: Cat on a Hot Tin Roof | Best Emerging Artist | Anna McGahan: Julius Caesar | Best Design (Set, lighting, sound or costume) | Renee Mulder: (set design) Edward Gant's Amazing Feats of Loneliness |
| 2012 |
| Gold Matilda Award Winner | Bryan Probets | Gold Matilda Award Winner | Simone Romaniuk | Gold Matilda Award Winner | Helen Howard |
| Gold Matilda Award Winner | David Walters | Gold Matilda Award Winner | Margi Brown Ash | Silver Matilda Best Mainstage Production | Kelly (QTC) |
| Best New Australian Work | A Tribute of Sorts: Benjamin Schostakowski | Best Independent Production | A Tribute of Sorts (La Boite & Monsters Appear) | Best Male Actor in a Leading Role | Dash Kruck: A Tribute of Sorts |
| Best Female Actor in a Leading Role | Emily Curtin: A Tribute of Sorts | Best Male Actor in a Supporting Role | Bryan Probets: As You Like It | Best Female Actor in a Supporting Role | Louise Brehmer: Thérèse Raquin |
| Best Female Actor in a Supporting Role | Luisa Prosser: Thérèse Raquin | Best Director | Helen Howard: Thérèse Raquin | Best Design | Simone Romaniuk: Kelly |
| Best Emerging Artist | Lizzie Ballinger: Thérèse Raquin | | | | |
| 2013 |
| Gold Matilda Award | Barbara Lowing for performances in The China Incident, Tequila Mockingbird, and Motherland | Gold Matilda Award | Jason Glenwright for lighting Rumour Has It, Sixty Minutes Inside Adele, Out Damn Snot, Blood Brothers, Oklahoma!, Next to Normal, and Tequila Mockingbird | Gold Matilda Award | Andrea Moor for directing Venus in Fur |
| Gold Matilda Award | shake & stir theatre co. for creating Tequila Mockingbird | Gold Matilda Award | Christen O’Leary for her performance in End of the Rainbow | Best Mainstage Production | Tequila Mockingbird (shake + stir and QPAC) |
| Best New Australian Work | 1001 Nights Michael Futcher and Helen Howard (adapters) | Best Independent Production | Motherland Metro Arts and Ellen Belloo | Best Male Actor in a Leading Role | Dan Crestani: 1001 Nights |
| Best Female Actor in a Leading Role | Libby Munro: Venus in Fur | Best Male Actor in a Supporting Role | Hayden Spencer: End of the Rainbow | Best Female Actor in a Supporting Role | Louise Brehmer: A Midsummer Night's Dream |
| Best Director | Michael Futcher: 1001 Nights | Best Design (Set and Costumes) | Angel Kosch, costume design, A Midsummer Night's Dream | Silver Matilda Best Technical Design (Ligting, Multimedia, Sound Design) | Phil Slade, musical director, 1001 Nights |
| Bille Brown award for Best Emerging Artist | Sandra Carluccio, creator, This Is Capital City | Best Musical or Cabaret | Rumour Has It: 60 Minutes Inside Adele Judith Wright Centre and the little red company | | |
| 2014 |
| Gold Matilda Award | Steven Mitchell Wright for directing A Doll's House and directing/designing Caligula | Gold Matilda Award | Tim O'Connor for realising a new vision for Harvest Rain | Gold Matilda Award | optikal bloc for projection and video work on Pale Blue Dot, The Mountaintop, Wuthering Heights, Gasp! and 1984 |
| Gold Matilda Award | Simone Romaniuk for designing Macbeth and Australia Day | Gold Matilda Award | Sven Swenson for co-producing, writing and acting in Angel Gear and Dangerfield Park | Best Mainstage Production | Gloria (QTC) |
| Best New Australian Work - Lord Mayors Award) | Richard Jordan: Machina | Best Independent Production | Angel Gear (La Boite Indie & Pentimento Productions with the support of QPAC) | Best Male Actor in a Leading Role | Sven Swenson: Angel Gear |
| Silver Matilda Best Female Actor in a Leading Role | Helen Christinson: A Doll's House | Best Male Actor in a Supporting Role | Damien Cassidy: A Doll's House | Best Female Actor in a Supporting Role | Cienda McNamara: A Doll's House |
| Best Director | Steven Mitchell Wright: A Doll's House | Best Design (Set and Costumes) | Simone Romaniuk: Macbeth | Best Technical Design (Lighting, Multimedia, Sound Design) | optikal bloc: Pale Blue Dot |
| Bille Brown award for Best Emerging Artist | Casey Woods: Angel Gear | Best Musical or Cabaret | Spamalot : (Harvest Rain Theatre Company) | | |
| 2015 |
| Gold Matilda Award | Carol Burns for an outstanding performance in Happy Days, and also to celebrate an exceptional body of work | Best Mainstage Production | Brisbane (QTC) | Best Independent Production | The Pillowman (Shock Therapy Productions in partnership with Brisbane Powerhouse) |
| Best Male Actor in a Leading Role | Dash Kruck: Brisbane | Best Female Actor in a Leading Role | Libby Munro: Grounded | Best Male Actor in a Supporting Role | Tama Matheson: The Pillowman |
| Best Female Actor in a Supporting Role | Naomi Price: Ladies in Black | Best Director | Sam Foster: The Pillowman | Silver Matilda Best Design (Set and Costumes)' | Josh McIntosh: set design - Dracula |
| Best Technical Design (Lighting, Multimedia, Sound Design) | Jason Glenwright: lighting design - Dracula | Best New Australian Work - Lord Mayors Award) | Brisbane: Matthew Ryan | Bille Brown award for Best Emerging Artist | Georgina Hopson: Pirates of Penzance & Into the Woods |
| Best Musical or Cabaret | I Might Take My Shirt Off (QPAC in association with QLD Cabaret Festival, Jai Higgs & Dash Kruck) | Hall of Fame | Sven Swenson | | |
| 2016 |
| Gold Matilda Award | Dead Puppet Society celebrating their exceptional body of work | Best Mainstage Production | Switzerland (QTC) | Best Independent Production | Viral (Shock Therapy Productions) |
| Best Male Actor | Matthew Backer: Switzerland | Best Female Actor | Andrea Moor: Switzerland | Best Male Actor in a Supporting Role | Julian Curtis: True West |
| Best Female Actor in a Supporting Role | Emily Weir: Tartuffe | Best Director | David Morton: The Wider Earth | Best Set Design | Leah Shelton:Terror Australis |
| Best Lighting Design | Jason Glenwright: Carrie: The Musical | Best Costume Design | David Morton & Aaron Barton:The Wider Earth | Best Sound Design / Composition | Tony Brumpton (Sound Design), Lior & Tony Buchen (Composition) The Wider Earth |
| Best Audio Visual Design | Justin Harrison (AV Design) & Anna Straker (Illustration):The Wider Earth | Best New Australian Work - Brisbane City Council) | Bastard Territory: Bastard Territory | Bille Brown award for Best Emerging Artist | Emily Weir:Tartuffe |
| Best Musical or Cabaret | Carrie: The Musical (Brisbane Powerhouse and Wax Lyrical Productions) | | | | |
| 2017 |
| Gold Matilda Award | Playlab | Best Mainstage Production | Blue Bones (Playlab in partnership with Brisbane Powerhouse) | Best Independent Production | The Forwards (Shock Therapy Productions, Zeal & Brisbane Powerhouse) |
| Best Male Actor | Colin Smith, An Octoroon (Queensland Theatre & Brisbane Festival) | Best Female Actor | Merlynn Tong, Blue Bones (Playlab in partnership with Brisbane Powerhouse) | Best Male Actor in a Supporting Role | Anthony Standish, An Octoroon (Queensland Theatre & Brisbane Festival) |
| Best Female Actor in a Supporting Role | Elise Greig, Swallow (EG & Metro Arts) and Helen O'Leary, Swallow (EG & Metro Arts) | Best Director | Ian Lawson, Blue Bones (Playlab in partnership with Brisbane Powerhouse) | Best Set Design | Josh McIntosh, American Idiot (shake & stir theatre co & QPAC) |
| Best Lighting Design | David Walters, Blue Bones (Playlab in partnership with Brisbane Powerhouse) | Best Costume Design | GUSH: Bianca Mackail, Mayu Muto, Celia White & Anna Yen, Monsteria (GUSH, Vulcana Women's Circus & Brisbane Powerhouse) | Best Sound Design / Composition | Tony Brumpton & Sam Cromack (Ball Park Music), Laser Beak Man (Dead Puppet Society, Brisbane Festival & La Boite) |
| Best Audio Visual Design | Nathan Sibthorpe, Blue Bones (Playlab in partnership with Brisbane Powerhouse) | Best New Australian Work - Brisbane City Council) | Blue Bones, by Merlynn Tong | Bille Brown award for Best Emerging Artist | Meg Bowden, The Winter's Tale (Queensland Shakespeare Ensemble) |
| Best Musical or Cabaret | American Idiot (shake & stir theatre co and QPAC) | | | | |
| 2018 |
| Gold Matilda Award | Debase Productions | Best Mainstage Production | Prize Fighter (La Boite & Brisbane Festival) and The Longest Minute (Jute, Debase and Queensland Theatre) | Best Independent Production | The Sound of a Finished Kiss, Now Look Here and Electric Moon |
| Best Male Actor | Paul Bishop, Poison | Best Female Actor | Noni Hazlehurst, Mother | Best Male Actor in a Supporting Role | Jackson McGovern, The Owl and the Pussycat |
| Best Female Actor in a Supporting Role | Andrea Moor, Hedda | Best Director | Natano Fa’anana and Bridget Boyle, We Live Here | Best Set Design | Josh McIntosh, A Christmas Carol |
| Best Lighting Design | David Walters, Nearer the Gods | Best Costume Design | Penny Challen, The Owl and the Pussycat | Best Sound Design / Composition | Babushka, Happily Ever After |
| Best Audio Visual Design | No award | Best New Australian Work - Brisbane City Council) | Crunch Time, Counterpilot | Bille Brown award for Best Emerging Artist | Carly Skelton, The Hatpin |
| Best Musical or Cabaret | The Sound of a Finished Kiss, Now Look Here and Electric Moon in partnership with Brisbane Powerhouse | Lifetime Achievement | Rosemary Walker | | |
| 2019 |
| Gold Matilda Award | Shake & Stir | Best Mainstage Production | Death of a Salesman, Queensland Theatre | Best Independent Production | La Silhouette, Sui Ensemble |
| Best Male Actor | Richard Lund, Kelly | Best Female Actor | Amy Ingram, Cinderella | Best Male Actor in a Supporting Role | Thomas Larkin, Death of a Salesman |
| Best Female Actor in a Supporting Role | Susie French, Girl's Guide to World War | Best Director | Daniel Evans, Cinderella | Best Set Design | Josh McIntosh, Revolting Rhymes and Dirty Beasts |
| Best Lighting Design | Geoff Squires, Inside Out | Best Costume Design | Libby McDonnell, Orpheus and Eurydice | Best Sound Design / Composition | Luke Smiles and Anna Whitaker, Throttle |
| Best Video Design | Craig Wilkinson (video) and Jon Weber (illustrations), Fantastic Mr Fox | Best New Australian Work – Brisbane City Council) | Girl's Guide to World War, Katy Forde (book and lyrics) and Aleathea Monsour (composer) | Bille Brown award for the Best Emerging Artist | Gina Tay Limpus, The Tempest and La Silhouette |
| Best Musical or Cabaret | Fangirls , Queensland Theatre and Belvoir in association with ATYP | | | | |
