Rentjong Atjeh is a 1940 action film from the Dutch East Indies directed by The Teng Chun. Telling of a group who take revenge against pirates in the Strait of Malacca, it starred Ferry Kock, Dewi Mada, Bissoe, Mohammad Mochtar, and Hadidjah. It was filmed near the shore in Batavia and reused footage from The's earlier work Alang-Alang (1939). Rentjong Atjeh, inspired in part by the Tarzan films, was a commercial success, although it may now be lost.
Tan Tjoei Hock was an Indonesian journalist and filmmaker. Born in Batavia, he was discovered by The Teng Chun in the late 1930s. Tan became one of the most productive film directors of the Dutch East Indies between 1940 and 1941, directing nine films – primarily action.
Kedok Ketawa is a 1940 action film from the Dutch East Indies. Union Films' first production, it was directed by Jo An Djan. Starring Basoeki Resobowo, Fatimah, and Oedjang, the film follows a young couple who fight off criminals with the help of a masked man.
Air Mata Iboe is a 1941 film from the Dutch East Indies directed and written by Njoo Cheong Seng. Starring Fifi Young, Rd Ismail, Ali Sarosa, and Ali Joego, it followed a mother who raises her children lovingly but is ultimately betrayed by her eldest sons when she falls upon hard times. The film, billed as a "musical extravaganza," featured a soundtrack by R. Koesbini, and an eponymous title song written by Njoo.
Panggilan Darah is a 1941 film from the Dutch East Indies written and directed by Sutan Usman Karim and produced by Tjho Seng Han for Oriental Film. The black-and-white film starred Dhalia and Soerip as orphaned sisters trying to make a living in the colonial capital of Batavia before moving to Kudus to work at a clove cigarette factory.
Srigala Item is a 1941 film from the Dutch East Indies that was directed by Tan Tjoei Hock and produced by The Teng Chun for Action Film. Starring Hadidjah, Mohamad Mochtar, and Tan Tjeng Bok, the film's plot – inspired by Zorro – follows a young man who became a masked vigilante to take revenge against his conniving uncle. Srigala Item was a commercial success, which Misbach Yusa Biran credits to the plot's use for escapism. A copy of the black-and-white film, which featured kroncong music, is stored at Sinematek Indonesia.
Sorga Ka Toedjoe is a 1940 film from the Dutch East Indies directed by Joshua and Othniel Wong for Tan's Film. It follows an older couple who are reunited by another, younger couple after years of separation. The black-and-white film, the first production by Tan's Film after the departure of Rd Mochtar, featured kroncong music and was targeted at lower-class native audiences. It was a commercial and critical success. Roekiah and Djoemala took leading roles in three more films before Tan's closed in 1942. Sorga Ka Toedjoe is now thought lost.
Sorga Palsoe is a 1941 film from the Dutch East Indies which was directed by Tan Tjoei Hock for Java Industrial Film. The tragedy, starring Lo Tjin Nio, Tong Hui, Lim Poen Tjiaw, and Rohana, was a commercial failure. It is likely lost.
Bengawan Solo is a now-lost 1949 film from what is now Indonesia. Directed by Jo An Djan, it starred Sofia WD, Rd Mochtar, and Mohamad Mochtar.
Matula is a 1941 film from the Dutch East Indies which was directed by Tan Tjoei Hock and produced by The Teng Chun of Java Industrial Film. The black-and-white film, now likely lost, follows a young man who tries to give a woman's soul to a shaman as payment for being made handsome.
Wanita dan Satria is a 1941 film from the Dutch East Indies directed by Rd Ariffien and produced by Ang Hock Liem for Union Films that is probably lost. Starring Djoewariah, Ratna Djoewita, Hidajat, Z. Algadrie, and Moesa, it follows a womaniser named Soedrajat who abuses his status to gain women's trust before ultimately getting his comeuppance. Reviews were mostly positive, with one praising the film's depiction of women's issues in a Muslim society.
Moestika dari Djemar is a 1941 film from the Dutch East Indies. Multiple modern sources also use the incorrect spelling Moestika dari Djenar, but contemporary sources uses an "m".
Dasima is a 1940 film from the Dutch East Indies directed by Tan Tjoei Hock and produced by The Teng Chun. It is the third adaptation of G. Francis' 1896 novel Tjerita Njai Dasima.
Hadidjah was an Indonesian film actress best known for partnership with Moh Mochtar in seven films released by Java Industrial Film between 1939 and 1941. She was the mother of Citra Award-winning musician Idris Sardi.
Si Gomar is a 1941 film from the Dutch East Indies which was written and directed by Tan Tjoei Hock and produced by The Teng Chun. Starring Hadidjah, Mohamad Mochtar, and Tan Tjeng Bok, the movie follows a brother and sister who are separated by robbers and almost marry before their cousin recognises them.
Mohamad Mochtar, usually credited as Moh Mochtar, was an Indonesian film actor active from 1939 until his death in 1981.
Mas Sardi was an Indonesian composer and musician notable for being the country's first professional music supervisor. He and his wife Hadidjah were the parents of Citra Award-winning musician Idris Sardi.
Singa Laoet is a 1941 film from the Dutch East Indies. Directed by Tan Tjoei Hock and produced by The Teng Chun, it starred Tan Tjen Bok, Mohamad Mochtar, and Hadidjah.
Union Films was a film production company located in Batavia, Dutch East Indies. Established by ethnic Chinese businessmen Ang Hock Liem and Tjoa Ma Tjoen in 1940, it produced seven black-and-white films before it was dissolved in 1942; all are thought to be lost. The company's films were directed by four men, mostly ethnic Chinese, and launched the careers of actors such as Rendra Karno and Djoewariah.
Pah Wongso Tersangka, also known under the Dutch title Pah Wongso Keert Terug, is a 1941 film from the Dutch East Indies directed by Wu Tsun for Star Film. Saeroen's first work for the company, it is a sequel to the 1940 detective film Pah Wongso Pendekar Boediman, and stars the social worker L. V. Wijnhamer, Jr as a man who comes under suspicion and must clear his name. This possibly-lost film was styled as a comedy.
