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Matthew Burtner (born 1970, Naknek, Alaska) is a contemporary American composer. His most recent work at the University of Virginia includes MICE, the mobile interactive computer ensemble.
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Matthew Burtner (born 1970, Naknek, Alaska) is a contemporary American composer. His most recent work at the University of Virginia includes MICE, the mobile interactive computer ensemble.
Born into a fishing family, Burtner heard music in the ice and snow melting as well as other nature sounds. Once into grade school, he began learning the saxophone, playing in jazz bands, school bands and performance groups throughout his young years.
In college, he studied philosophy, composition, saxophone and computer music at St. Johns College, Tulane University (BFA 1993), Iannis Xenakis's UPIC Studios, the Peabody Institute of JHU (MM 1997), and Stanford University's CCRMA (DMA 2002). At Stanford he studied and worked closely with Max Mathews, Jonathan Harvey, Brian Ferneyhough and Jon Berger.
Burtner is currently Professor of composition and computer music at the University of Virginia where he is Associate Director of the VCCM Computer Music Center and the Chair of the University of Virginia's Music Department. He was an Invited Researcher at IRCAM/Centre Pompidou in Paris in 2005, an Artist in Residence at the Cite International des Arts in Paris, as well as Composer-in-Residence at Musikene in San Sebastian, Spain.
There are many works by Burtner, including music and sound art for instrumental ensembles, digital sound and multimedia, as well as pieces that he performs on the Metasax. Excerpts of his music can be heard in the "Listening Room" on his website. [1] They are also available on several published recordings.
Burtner created and developed the Metasaxophone in 1999. [2] The Metasax, an acoustic tenor saxophone retrofitted with an onboard computer microprocessor, and an array of sensors that convert performance data into independent continuous control messages for a computer. It is also with a unique microphone system allowing for detailed control of the amplified sound. While maintaining full acoustic functionality, the metasax is a versatile computer controller and an electric instrument.
Musical Ecoacoustics is an approach to embedding environmental systems into musical and performative structures using new technologies. It draws on techniques of sonification, acoustic ecology and soundscape composition (Truax, Westerkamp, Keller and others). The data from nature may be audio information from wind or ocean waves, or it may be some measurable parameter such as temperature, geological change, etc.
Burtner's instrumental and electroacoustic music draws environment into the musical structure, and attempts to decentralize human notions of time and form, searching for more universal, ecology-centered forms.
IRCAM is a French institute dedicated to the research of music and sound, especially in the fields of avant garde and electro-acoustical art music. It is situated next to, and is organisationally linked with, the Centre Pompidou in Paris. The extension of the building was designed by Renzo Piano and Richard Rogers. Much of the institute is located underground, beneath the fountain to the east of the buildings.
Karlheinz Essl is an Austrian composer, performer, sound artist, improviser, and composition teacher.
Gérard Pape is a composer of electronic music, author, and Lacanian psychologist. He is a former student of David Winkler, George Cacioppo, William Albright, and George Balch Wilson. He became the director of Les Ateliers UPIC in 1991 and in 2015 authored a French-English bi-lingual book Musipoesc: Writings About Music that was published by Éditions Michel de Maule. Pape has lived and worked in France since the early 1990s.
Horacio Vaggione is an Argentinian composer of electroacoustic and instrumental music who specializes in micromontage, granular synthesis, and microsound and whose pieces are often scored for performers and computers.
Michail Marinov Goleminov was a Bulgarian pianist, conductor and composer.
Éric Gaudibert was a Swiss composer.
Víctor Varela is a Venezuelan-Swedish composer based in Gothenburg. His compositions include works for orchestra, vocal and instrumental chamber music, with electronics and computer devices.
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Javier Torres Maldonado is a Mexican composer internationally recognized for, mostly, his orchestral, chamber, vocal and electro-acoustic works.
Alla Zahaikevych is a Ukrainian composer of contemporary classical music, performance artist, organiser of electroacoustic music projects, musicologist. Her name is alternatively spelled Alla Zagaykevych on all releases and in texts which are in English.
Iraida Yusupova is a Turkmenistani composer of half Russian half Tatar ethnicity who lives in Moscow, Russia.
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Gordon Fitzell is a composer, concert organizer, and professor of music. His catalog consists of solo, chamber, and electroacoustic music, including open and improvisatory works.
Thomas H. Wells is an American composer, pianist, organist, and arts-organization administrator.
Henry Vega is a composer and Electroacoustic musician from New York City, currently living in The Hague, Netherlands. He founded The Spycollective in 2006, a now defunct music, theater and dance group, and is a founding director of Artek Foundation. Vega has been composing and performing internationally since 2001 and is also a founding member of The Electronic Hammer trio with Diego Espinosa and Juan Parra Cancino. He is married to Polish composer Kasia Glowicka.
Allan Gordon Bell, is a Canadian contemporary classical composer.
Florence Baschet is a French composer of contemporary music.
Tatjana Kozlova-Johannes is an Estonian-Russian composer.
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