Maurizio Sparagnini (1706- 1748) was an Italian painter active in a late-Baroque style, active in the Marche.
He was born in Urbania, although described in some sources as a Durantino, and died in Urbino. [1] He painted a St Benedetto da Norcia invia Mauro in Francia, a San Placido, and a Madonna and Child for the church of Santa Maria Maddalena in Urbania. [2]
Sassoferrato is a town and comune of the province of Ancona in the Marche region of central-eastern Italy.
Santo Spirito or Spirito Santo may refer to:
Acqualagna is a comune (municipality) in the Province of Pesaro e Urbino in the Italian region Marche, located about 70 kilometres (43 mi) west of Ancona and about 40 kilometres (25 mi) southwest of Pesaro. As of 31 December 2004, it had a population of 4,304 and an area of 50.8 square kilometres (19.6 sq mi). It is one of the main centers in Italy for truffle. The Candigliano is joined by the Burano in the vicinity of the town.
Peglio is a comune (municipality) in the Province of Pesaro and Urbino in the Italian region Marche, located about 80 kilometres (50 mi) west of Ancona and about 40 kilometres (25 mi) southwest of Pesaro. As of 31 December 2004, it had a population of 756 and an area of 20.2 square kilometres (7.8 sq mi).
Sant'Angelo in Vado is a comune (municipality), site of Ancient Tifernum Metaurense and former bishopric in the Province of Pesaro e Urbino in the central Italian Adriatic region Marche.
Urbania is a comune (municipality) in the Province of Pesaro e Urbino in the Italian region of Marche, located about 80 kilometres (50 mi) west of Ancona and about 40 kilometres (25 mi) southwest of Pesaro, next to the river Metauro.
Santa Chiara is Italian for Saint Clare, and may refer to:
Guidantonio da Montefeltro was count of Urbino in Italy from 1403 until his death.
Santa Caterina may refer to:
Eccellenza Marche is the regional Eccellenza football division for clubs in the region of Marche, Italy. It comprises 16 teams. The winners of the Groups are promoted to Serie D. The club who finishes second also have the chance to gain promotion, they are entered into a national play-off which consists of two rounds.
The former Italian Catholic Diocese of Urbania and Sant’Angelo in Vado, in the Marche, existed from 1636 to 1986. In the latter year, it was united into the Archdiocese of Urbino, to form the Archdiocese of Urbino-Urbania-Sant'Angelo in Vado.
Luzio Dolci or Lucio Dolce was a late 16th-century Italian painter active in Castel Durante in the Province of Pesaro and Urbino in the Region of the Marche.
Giorgio Picchi il Giovane was an Italian painter active in Rome, Cremona, Rimini, Urbino, and Urbania. He was either a pupil or follower of Federico Barocci.
Giusto or Giustino Episcopio known as il Salvolini, was an Italian painter of history and sacred subjects, active in Rome and Urbania. He was born in Castel Durante, now called Urbania in the region of the Marche, and left many paintings in the churches there.
San Francesco is a Roman Catholic church in Urbania, region of Marche, Italy. It has a diverse set of styles reflecting refurbishments over the centuries.
Tommaso Amantini was an Italian sculptor and painter of the Baroque period. He was born in Urbania in the Marche region, and died in Rome. He studied with Bartoccini in Urbania, where he worked on maiolica. He then went to Borgo San Sepolcro to work with Federico Gioia In Rome he was part of the circle working for Bernini. He created some of the sculptures for the oratory of Saint Catherine in Urbania.
Urbania Cathedral is a Neoclassical Roman Catholic cathedral, dedicated to Saint Christopher, in Urbania, in the Province of Pesaro and Urbino in the region of Marche, Italy.
Domenico Peruzzini was an Italian painter of the Baroque, active mainly in the region of Marche.
Spirito Santo is a modern Roman Catholic church building in Urbania, in the Province of Pesaro and Urbino in Marche region, Italy.
Adoration of the Shepherds is the title of a lost drawing by Raphael, described in a letter of 8 September 1508, from Raphael to his friend Francesco Raibolini alias Francesco Francia. This letter's contents were first published in 1678, in Carlo Cesare Malvasia's book Felsina Pittrice. Malvasia gave a full account of the letter, which he claimed to have found among the papers of Count Antonio Lambertini in Bologna. While the existence and contents of the letter are disputed, according to Malvasia it described the delivery of a drawing of the Adoration of the Shepherds to Francesco Francia. This drawing has been considered lost or never to have existed,.
![]() | This article about an Italian painter born in the 18th century is a stub. You can help Wikipedia by expanding it. |