Max Drake | |
---|---|
Background information | |
Born | Burlington, North Carolina, United States | June 1, 1952
Genres | Blues, Piedmont blues |
Occupation(s) | Musician, songwriter, teacher |
Instrument(s) | Guitar, mandolin |
Years active | 1975–present |
Max Voorhees Drake II (born June 1, 1952) is an American blues guitarist and songwriter from Yanceyville, North Carolina. [1] [2] He has performed with musicians such as B.B. King, Bo Diddley, Chuck Berry, Lightnin' Hopkins, and Nappy Brown. [3] [4] [5]
Max Drake was born in Burlington, North Carolina and grew up in Reidsville. [2] He started his first band at age 23 in 1975. [4] From the mid-1970s until 1989 he gained distinction as a guitarist in Arhooly R&B Deluxe Band. While in Arhooly, there were performances with prominent bluesmen including B.B. King, Bo Diddley, and Robert Cray. [4] [5] Drake became especially known for his agility on slide guitar. [2]
In the 1990s, Drake performed with the Charlotte-based Extraordinaires and also Thomas "Mookie" Brill before recording and performing frequently with Skeeter Brandon. [4] [6] [1] In the 2000s, he played rhythm guitar in Big Bill Morganfield's band, going on worldwide tours. [4] [1] Morganfield is the son of Muddy Waters (aka McKinley Morganfield) often cited as the "father of modern Chicago blues." [7] [1]
As the band toured Europe, blues enthusiasts became increasingly interested in Morganfield. Many were familiar with his father's seminal contributions to electric blues from his work on Chess Records. It was said that the band's version of Waters' "Got My Mojo Working" stood up to the original. Tours in Spain that Drake accompanied him on particularly enjoyed popularity due to the legacy connection to Waters. [1]
After the multiyear run with Morganfield ended, Drake stayed closer to his home and family in Caswell County, North Carolina. [1] He went on to work extensively with Mel Melton & The Wicked Mojos in the 2010s while teaching aspiring blues artists. [8] [4] [9]
Drake has performed at public schools in North Carolina in partnership with the Greensboro-based Piedmont Blues Preservation Society. [10]
McKinley Morganfield, known professionally as Muddy Waters, was an American blues singer and musician who was an important figure in the post-war blues scene, and is often cited as the "father of modern Chicago blues". His style of playing has been described as "raining down Delta beatitude".
Muddy Waters (1913–1983) was an American blues artist widely considered to be one of the most important figures in post-World War II Chicago blues. He popularized several early Delta blues songs, such as "Rollin' and Tumblin'", Walkin' Blues", and "Baby, Please Don't Go", and recorded songs that went on to become blues standards, including "Hoochie Coochie Man", "Mannish Boy", and "Got My Mojo Working". During his recording career from 1941 to 1981, he recorded primarily for two record companies, Aristocrat/Chess and Blue Sky; they issued 62 singles and 13 studio albums.
Chicago blues is a form of blues music developed in Chicago, Illinois. It is based on earlier blues idioms, such as Delta blues, but performed in an urban style. It developed alongside the Great Migration of the first half of the twentieth century. Key features that distinguish Chicago blues from the earlier traditions, such as the Delta blues, is the prominent use of electrified instruments, especially the electric guitar, and especially the use of electronic effects such as distortion and overdrive.
The Chicago Blues Festival is an annual event held in June, that features three days of performances by top-tier blues musicians, both old favorites and the up-and-coming. It is hosted by the City of Chicago Department of Cultural Affairs and Special Events, and always occurs in early June. Until 2017, the event always took place at and around Petrillo Music Shell in Grant Park, adjacent to the Lake Michigan waterfront east of the Loop in Chicago. In 2017, the festival was moved to the nearby Millennium Park.
"Mannish Boy" is a blues standard written by Muddy Waters, Mel London, and Bo Diddley. First recorded in 1955 by Waters, it serves as an "answer song" to Bo Diddley's "I'm a Man", which was in turn inspired by Waters' and Willie Dixon's "Hoochie Coochie Man". "Mannish Boy" features a repeating stop-time figure on one chord throughout the song.
Billy Earl McClelland was an American session guitarist and songwriter.
William "Big Bill" Morganfield is an American blues singer and guitarist, who is the son of legendary McKinley Morganfield, also known as Muddy Waters.
Paul Allan Oscher was an American blues singer, songwriter, and instrumentalist. Primarily a harmonica player, he was the first permanent white member of Muddy Waters' band.
"Hoochie Coochie Man" is a blues standard written by Willie Dixon and first recorded by Muddy Waters in 1954. The song makes reference to hoodoo folk magic elements and makes novel use of a stop-time musical arrangement. It became one of Waters' most popular and identifiable songs and helped secure Dixon's role as Chess Records' chief songwriter.
"Got My Mojo Working" is a blues song written by Preston "Red" Foster and first recorded by R&B singer Ann Cole in 1956. Foster's lyrics describe several amulets or talismans, called mojo, which are associated with hoodoo, an early African-American folk-magic belief system.
"Who Do You Love?" is a song written by American rock and roll pioneer Bo Diddley. Recorded in 1956, it is one of his most popular and enduring works. The song represents one of Bo Diddley's strongest lyrical efforts and uses a combination of hoodoo-type imagery and boasting. It is an upbeat rocker, but the original did not use the signature Bo Diddley beat rhythm.
Willie Lee "Big Eyes" Smith was an American electric blues vocalist, harmonica player, and drummer. He was best known for several stints with the Muddy Waters band beginning in the early 1960s.
Muddy "Mississippi" Waters – Live is a live album by Muddy Waters. It was recorded during the tour to support Muddy Waters' album Hard Again and it features the same musicians, including James Cotton and Johnny Winter, who had produced the album.
"Trouble" is a blues song written by Jerry Leiber and Mike Stoller, originally performed by Elvis Presley in 1958 and covered by a number of artists in later years.
Otis "Big Smokey" Smothers was a Chicago blues guitarist and singer. He was a member of Howlin' Wolf's backing band and worked with Muddy Waters, Jimmy Rogers, Bo Diddley, Ike Turner, J. T. Brown, Freddie King, Little Johnny Jones, Little Walter, and Willie Dixon. His younger brother, Abe, was the bluesman Little Smokey Smothers, with whom he is sometimes confused.
Super Blues is a 1967 studio album by a blues supergroup consisting of Bo Diddley, Muddy Waters, and Little Walter. The album was released in both mono and stereo formats by Checker Records in June 1967. A follow-up album The Super Super Blues Band was released later that year and featured Howlin' Wolf replacing Little Walter.
Fathers and Sons is the seventh studio album by the American blues musician Muddy Waters, released as a double LP by Chess Records in August 1969.
Skeeter Brandon was an American blind blues keyboardist, singer and songwriter.
The Super Super Blues Band is an album by blues musicians Howlin' Wolf, Muddy Waters and Bo Diddley released on the Checker label in 1968.
Clifton James was an American drummer who was most closely associated with Bo Diddley, and played on many R&B records issued by Chess Records between 1955 and 1970.
{{cite web}}
: CS1 maint: url-status (link)