 | The topic of this article may not meet Wikipedia's notability guideline for biographies .(January 2021) (Learn how and when to remove this template message) |
Max Salzmann | |
|---|---|
| Nationality | German |
| Known for | typography |
Max Salzmann was a German designer at the Schelter & Giesecke Type Foundry. [1] He emigrated to the United States. [2]
All of these faces were produced by the Schelter & Giesecke Type Foundry. [3]
Cheltenham is a typeface for display use designed in 1896 by architect Bertram Goodhue and Ingalls Kimball, director of the Cheltenham Press. The original drawings were known as Boston Old Style and were made about 14" high. These drawings were then turned over to Morris Fuller Benton at American Type Founders (ATF) who developed it into a final design. Trial cuttings were made as early as 1899 but the face was not complete until 1902. The face was patented by Kimball in 1904. Later the basic face was spun out into an extensive type family by Morris Fuller Benton.
The Doves Press was a private press based in Hammersmith, London. During nearly seventeen years of operation, the Doves Press produced notable examples of twentieth-century typography. A distinguishing feature of its books was a specially-devised font, known variously as the Doves Roman, the Doves Press Fount of Type, or simply the Doves type.
H. Berthold AG was one of the largest and most successful type foundries in the world for most of the modern typographic era, making the transition from foundry type to cold type successfully and only coming to dissolution in the digital type era.
The School of Computer Science (SOCS) is an academic department in the Faculty of Science at McGill University in Montreal, Quebec, Canada. The school is the second most funded computer science department in Canada. It currently has 34 faculty members, 60 Ph.D. students and 100 Master's students.
Luc P. Devroye is a Belgian computer scientist and mathematician and a James McGill Professor in the School of Computer Science of McGill University in Montreal, Quebec, Canada.
The Bauer Type Foundry was a German type foundry founded in 1837 by Johann Christian Bauer in Frankfurt am Main. Noted typeface designers, among them Lucian Bernhard, Konrad Friedrich Bauer, Walter Baum, Heinrich Jost, Imre Reiner, Friedrich Hermann Ernst Schneidler, Emil Rudolf Weiß, and Heinrich Wienyck, designed typefaces for the company.
Continental Type Founders Association was founded by Melbert Brinckerhoff Cary Jr. in 1925 to distribute foundry type imported from European foundries. The influence of more modern European type design was thus felt in the United States for the first time, and American foundries responded by imitating many of the more popular faces. A.T.F.'s Paramount and Monotype's Sans Serif series are two examples of this.
The Wöllmer Type Foundry was founded by black-letter and script type designer Wilhelm Wöllmer. Wöllmer was first assistant in the commercial type foundry of Eduard Haenel. Wöllmer founded his own company in 1854 in Berlin as a commercial printing business. Ten years later, in 1864, he supplemented the business by opening a type foundry which remained in operation until 1938.
Ludwig & Mayer was a German type foundry in Frankfurt am Main, Germany. Many important designers worked for the Ludwig and Mayer type foundry, including Heinrich Jost, Karlgeorg Hoefer, Helmut Matheis, and most notably Jakob Erbar, whose Erbar Book was one of the first geometric sans-serif typefaces, predating both Paul Renner's Futura and Rudolf Koch's Kabel by some five years. Starting in 1925, Ludwig & Mayer types were distributed in the United States by Continental Type Founders Association. When the foundry ceased operations in 1984, rights to the typefaces was transmitted to the Neufville Typefoundry.
D. Stempel AG was a German typographic foundry founded by David Stempel (1869–1927), in Frankfurt am Main, Germany. Many important font designers worked for the Stempel foundry, including Hans Bohn, Warren Chappell, F. H. Ehmcke, Friedrich Heinrichsen, Hanns Th. Hoyer, F. W. Kleukens, Erich Meyer, Hans Möhring, Hiero Rhode, Wilhelm Schwerdtner, Herbert Thannhaeuser, Martin Wilke, Rudolf Wolf, Victor Hammer, Hermann Zapf, and Gudrun Zapf von Hesse. With the introduction of Memphis in 1929, the foundry was the first to cast modern slab serif typefaces.
J.G. Schelter & Giesecke was a German type foundry and manufacturer of printing presses started 1819 in Leipzig by punchcutter Johann Schelter and typefounder Christian Friedrich Giesecke (1793-1850). The foundry was nationalized in 1946 by the new German Democratic Republic, forming VEB Typoart, Dresden.
Belwe Roman is a display typeface designed by Georg Belwe in 1907. The type has Old Style qualities, but short ascenders and very short descenders as well as calligraphic and Fraktur influences.
Haas Type Foundry was a Swiss manufacturer of foundry type. First the factory was located in Basel, in the 1920s they relocated to Münchenstein.
Fonderie Typographique Française was a French type foundry. Founded in Paris in 1921 following the merger of the Turlot, Durey & Berthier, Renault & Marcou, Huart, Chaix, and Saling type foundries. In 1969 it moved to Champigny-sur-Marne and took the name “Société Nouvelle de la Fonderie Typographique Française.” Sold in 1974 to the Fundición Tipográfica Neufville, in Barcelona
Schriftguss AG was a type foundry in Germany founded in 1892 under the name Brüder Butter by purchasing the type casting firm of Otto Ludwig Bechert that had been founded in 1889. It was later incorporated in 1922 as Schriftguss A.-G. vorm. [prev.] Brüder Butter. Their types were known for “vigour, liveliness and freshness.” Though some faces were done in house, the foundry mainly worked with outside “Schriftkünstler”, more than was typical at the time. A unique product of the foundry were modular systems of “Plakattype” to compose shapes and letterforms for display and jobbing applications, for instance Dekora, or Albert Auspurg’s 1931 Ne-Po (negative–positive), and finally Super-Plakattype in 1949. After the Nazi seizure of power in 1933 the last of the Butter brothers resigned from the corporation and it was changed to a limited partnership. In 1948 the company was expropriated by the post-war communist government and became public property, under the name VEB Schriftguss Dresden, eventually becoming merged into VEB Typoart – Drucktypen, Matrizen, Messinglinien in 1951. As a state run enterprise, the foundry lost its verve and panache and settled into producing serviceable type without distinction.
A dolmen is a type of megalithic tomb, common in Europe.
Metro is a sans-serif typeface family created by William Addison Dwiggins and released by the American Mergenthaler Linotype Company from 1929 onwards.
Maxwell Myron Kalman was a Canadian architect, real estate developer, and philanthropist. He designed over 1,100 commercial, residential, and institutional projects in Quebec before and after World War II. He was noted as the architect of Canada's first shopping centre, the Norgate shopping centre, which opened in Montreal, Quebec in 1949.
Martin Wilke was a German type designer, mostly of script faces. He studied at the School of Arts and Crafts or School of Applied Arts in Berlin in 1921. After 1923, he was hired by studio of Wilhelm Deffke and later became an independent graphic designer.
Peter A. Demeter was a German designer at the Weber Typefoundry.
 | This biographical article about a graphic designer is a stub. You can help Wikipedia by expanding it. |
 | This typography-related article is a stub. You can help Wikipedia by expanding it. |