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Bill Brandt was a British photographer and photojournalist. Born in Germany, Brandt moved to England, where he became known for his images of British society for such magazines as Lilliput and Picture Post; later he made distorted nudes, portraits of famous artists and landscapes. He is widely considered to be one of the most important British photographers of the 20th century.
Robert Adams is an American photographer who has focused on the changing landscape of the American West. His work first came to prominence in the mid-1970s through his book The New West (1974) and his participation in the exhibition New Topographics: Photographs of a Man-Altered Landscape in 1975. He has received two Guggenheim Fellowships, a MacArthur Fellowship, the Deutsche Börse Photography Prize and the Hasselblad Award.
Lee Friedlander is an American photographer and artist. In the 1960s and 1970s, Friedlander evolved an influential and often imitated visual language of urban "social landscape," with many of his photographs including fragments of store-front reflections, structures framed by fences, posters and street signs. His work is characterized by its innovative use of framing and reflection, often using the natural environment or architectural elements to frame his subjects. Over the course of his career, Friedlander has been the recipient of numerous awards and his work has been exhibited in major museums and galleries worldwide.
Charles Sheeler was an American artist known for his Precisionist paintings, commercial photography, and the 1921 avant-garde film, Manhatta, which he made in collaboration with Paul Strand. Sheeler is recognized as one of the early adopters of modernism in American art.
Frank Gohlke is an American landscape photographer. He has been awarded two Guggenheim fellowships, two fellowships from the National Endowment for the Arts, and a Fulbright Scholar Grant. His work is included in numerous permanent collections, including those of Museum of Modern Art, New York; the Metropolitan Museum of Art; and the Art Institute of Chicago.
Alexandra Silverthorne is a Washington, D.C.-based artist and photographer. Her work focuses on spatial theory and exploration. She has been an adjunct professor at American University for Film and Media Arts as well as the University of the District of Columbia since 2010 where she works with undergraduates in darkroom photography.
Stephen Shore is an American photographer known for his images of scenes and objects of the banal, and for his pioneering use of color in art photography. His books include Uncommon Places (1982) and American Surfaces (1999), photographs that he took on cross-country road trips in the 1970s.
The following outline is provided as an overview of and topical guide to photography:
Emmet Gowin is an American photographer. He first gained attention in the 1970s with his intimate portraits of his wife, Edith, and her family. Later he turned his attention to the landscapes of the American West, taking aerial photographs of places that had been changed by humans or nature, including the Hanford Site, Mount St. Helens, and the Nevada Test Site. Gowin taught at Princeton University for more than 35 years.
Dianora Niccolini is a fine art photographer known for her photography of the male nude. She was President of Professional Women Photographers (PWP) from 1979 until 1984.
Linda Connor is an American photographer living in San Francisco, California. She is known for her landscape photography.
Jim Goldberg is an American artist and photographer, whose work reflects long-term, in-depth collaborations with neglected, ignored, or otherwise outside-the-mainstream populations.
Peter Goin is an American photographer best known for his work within the altered landscape, specifically his photographs published in the book Nuclear Landscapes. His work has been shown in over fifty museums nationally and internationally and he is the recipient of two National Endowment for the Arts Fellowships. Goin is currently a Foundation Professor of Art in Photography and Videography at the University of Nevada, Reno. He has also done extensive rephotography work in the Lake Tahoe region.
Peter Fraser is a British fine art photographer. He was shortlisted for the Citigroup Photography Prize in 2004.
George Hunter was a Canadian documentary photographer who spent seven decades capturing industrial and landscape scenes on film.
Lida Moser was an American-born photographer and author, with a career that spanned more than six decades, before retiring in her 90s. She was known for her photojournalism and street photography as a member of both the Photo League and the New York School. Her portfolio includes black and white commercial, portrait, landscape, experimental, abstract, and documentary photography, with her work continuing to have an impact.
Scotland played a major role in the technical development of photography in the nineteenth century through the efforts of figures including James Clerk Maxwell and David Brewster. Its artistic development was pioneered by Robert Adamson and artist David Octavius Hill, whose work is considered to be some of the first and finest artistic uses of photography. Thomas Roger was one of the first commercial photographers. Thomas Keith was one of the first architectural photographers. George Washington Wilson pioneered instant photography and landscape photography. Clementina Hawarden and Mary Jane Matherson were amongst the first female photographers. War photography was pioneered by James MacCosh, James Robertson, Alexander Graham and Mairi Chisholm.
Catriona Fraser is a British photographer and art dealer. She has lived in Washington, DC since 1996.
The Fraser Gallery were two Washington, DC (1996-2011) and Bethesda, Maryland (2002-2011) art galleries founded by Catriona Fraser, an ex-pat British photographer and art dealer. She has lived in Washington, DC since 1996.
Jonathan Green is an American writer, historian of photography, curator, teacher, museum administrator, photographer, filmmaker and the founding Project Director of the Wexner Center for the Arts. A recognized authority on the history of American photography, Green’s books Camera Work: A Critical Anthology (1973) and American Photography: A Critical History 1945–1980 (1984) are two notable commentaries and frequently referenced and republished accounts in the field of photography. At the same time Green’s acquisitions, exhibitions and publications consistently drew from the edges of established photographic practice rather than from its traditional center. He supported acquisitions by socially activist artists like Adrian Piper and graffiti artist Furtura 2000, and hosted exhibitions on Rape, AIDS, new feminist art, and the work of photographer, choreographer and dancer Arnie Zane, the Diana camera images of Nancy Rexroth, the Polaroids and imitation biplanes of folk artist Leslie Payne, and the digital photographic work of Mexican photographer Pedro Meyer. This alternative focus help prime Green and the competition jury to choose an unconventional, deconstructive architect, Peter Eisenman, previously known primarily as a teacher and theorist, as the architect for the Wexner Center for the Arts. Green has held professorial and directorial positions at Massachusetts Institute of Technology, Ohio State University, and University of California, Riverside.
References
- ↑ "Reviewed: Maxwell MacKenzie at the American Institute of Architects". Washington City Paper. Retrieved 2019-01-22.
- ↑ "Super Fly: Aerial Photographer Maxwell Mackenzie, at the Fraser Gallery". Washington Post. Retrieved 2019-01-22.
- 1 2 3 Allen, Henry (December 2, 1999). "Endless Land of Forgotten Promises - Maxwell MacKenzie Photographs the Moment Dreams Died". The Washington Post. p. C01.
- 1 2 3 4 "Maxwell MacKenzie - Fraser Gallery". www.thefrasergallery.com. Retrieved 2019-01-22.
- 1 2 3 4 "About Us". Cross MacKenzie Gallery. Retrieved 2019-01-22.
- 1 2 Selden, Richard (2019-02-05). "Cross MacKenzie's Last Picture Shows on Book Hill". The Georgetowner. Retrieved 2019-03-22.
- ↑ "Country Life". Home & Design Magazine. 2018-11-01. Retrieved 2019-04-27.
- ↑ Forgey, Benjamin (February 1, 2003). "Moved by the Immovable". The Washington Post.
- ↑ "Maxwell MacKenzie | Harper's Magazine" . Retrieved 2019-04-27.
- ↑ Jenkins, Mark (March 25, 2016). "In the galleries: Where the wild things are". The Washington Post.
- ↑ "Snyderman-Works Galleries". www.snyderman-works.com. Retrieved 2019-01-22.
- ↑ "Museums and galleries". Seattle Post-Intelligentser. 2001-11-30. Retrieved 2019-01-22.
- ↑ Burchard, Hank (December 10, 1993). "Loneliness in Plain View". The Washington Post.
- ↑ Van Riper, Frank (September 29, 1995). "Finding Beauty in Abandonings". The Washington Post.
- ↑ "Local Focus". Washington City Paper. Retrieved 2019-01-22.