Established | 1965 |
---|---|
Location | Southern Methodist University 5900 Bishop Boulevard Dallas, Texas 75205 |
Coordinates | 32°50′18″N96°47′03″W / 32.8384°N 96.7843°W |
Type | Art museum |
Key holdings | Sibyl with Tabula Rasa (1648) Yard with Lunatics (1794) |
Visitors | 50,000+ annually (as of 2015) [1] |
Founder | Algur H. Meadows |
Director | Amanda W. Dotseth |
Owner | Meadows School of the Arts Southern Methodist University |
Public transit access | DART light rail : (via Mockingbird station) |
Website | www.meadowsmuseumdallas.org |
The Meadows Museum, nicknamed " Prado on the Prairie", is a two-story, 66,000 sq. ft. [2] art museum in Dallas, Texas on the campus of Southern Methodist University (SMU). Operating as a division of SMU's Meadows School of the Arts, the museum houses one of the largest and most comprehensive collections of Spanish art outside of Spain, with works dating from the 10th to the 21st centuries.
The museum's primary collection contains works by renowned painters including El Greco, Diego Velázquez, Ribera, Murillo, Goya, Miró, Sorolla, Dalí and Picasso. Additional highlights include Renaissance-era altarpieces, monumental Baroque canvases, rococo oil sketches, polychrome wood sculptures, Impressionist landscapes, modernist abstractions, a comprehensive collection of the graphic works of Goya, and select sculptures by major twentieth-century masters, including Rodin, Maillol, Giacometti, Moore, Smith, and Oldenburg. In addition to its primary collection, the Meadows Museum administers SMU's University Art Collection, which includes works by leading artists of the North Texas region like Frank Reaugh, Jerry Bywaters, Otis Dozier, Alexandre Hogue, and William Lester.
The museum currently occupies a neo-Palladian building designed by Chicago-based architects Hammond Beeby Rupert Ainge, which was completed in 2001 and dedicated in a ceremony that included King Juan Carlos I and Queen Sofía of Spain. [1] [3] [4] The structure features naturally lit painting galleries and extensive exhibition space.
In 1965, the Meadows Museum opened its doors to the public for the first time. The museum's collection of Spanish art and the galleries for its display were a gift to Southern Methodist University from Algur H. Meadows, a Dallas businessman and founder of the General American Oil Company of Texas. During the 1950s business took Meadows frequently to Madrid, where repeated visits to the Prado Museum inspired what would become a lasting interest in the art of the Spanish Golden Age. By 1962, Meadows had amassed his own collection of Spanish paintings, which became the foundation of the museum's collection. After the opening of the museum raised doubts about the quality of some of these works, SMU appointed the museum's first professional director, William B. Jordan, who served in that capacity from 1967 until 1981. Supported by Meadows until his death in 1978, the museum initiated a vigorous new phase of collecting, during which the core of the present collection was formed.
Since 1978, the museum's efforts to develop and care for the collection have continued with the support of The Meadows Foundation, a general purpose philanthropic institution created and incorporated by Algur Meadows in 1948. This fruitful partnership has resulted in a comprehensive campaign of conservation, the support of scholarly research of the collection, and a number of important acquisitions, particularly in the areas of medieval, Baroque, and 20th-century art.
A 2013 exhibition titled Sorolla & America features paintings by the Spanish impressionist Joaquin Sorolla. The Meadows was key in developing this new show, exploring for the first time Sorolla's unique relationship with the United States in the early twentieth century. It began at the Meadows (13 December 2013 – 19 April 2014), then traveled to the San Diego Museum of Art (30 May – 26 August 2014) and Fundación MAPFRE in Madrid (23 September 2014 – 11 January 2015). [5]
The Meadows Museum is part of the Monuments Men and Women Museum Network, launched in 2021 by the Monuments Men Foundation for the Preservation of Art. [6]
Diego Rodríguez de Silva y Velázquez, Knight of the Order of Santiago was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age.
Tourism in Spain is a major contributor to national economic life, contributing to about 12.4% of Spain's GDP. Ever since the 1960s and 1970s, the country has been a popular destination for summer holidays, especially with large numbers of tourists from the United Kingdom, Ireland, France, Germany, Italy, the Benelux, and the United States, among others. Accordingly, Spain's foreign tourist industry has grown into the second-biggest in the world.
The Museo del Prado, officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It houses collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish royal collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens, Titian, and Diego Velázquez, are some of the highlights of the collection. Velázquez and his keen eye and sensibility were also responsible for bringing much of the museum's fine collection of Italian masters to Spain, now one of the largest outside of Italy.
The Naked Maja or The Nude Maja is an oil-on-canvas painting made around 1797–1800 by the Spanish artist Francisco de Goya, and is now in the Museo del Prado in Madrid. It portrays a nude woman reclining on a bed of pillows, and was probably commissioned by Manuel de Godoy, to hang in his private collection in a separate cabinet reserved for nude paintings. Goya created a pendant of the same woman identically posed, but clothed, known today as La maja vestida, also in the Prado, and usually hung next to La maja desnuda. The subject is identified as a maja or fashionable lower-class Madrid woman, based on her costume in La maja vestida.
Joaquín Sorolla y Bastida was a Spanish painter. Sorolla excelled in the painting of portraits, landscapes, and monumental works of social and historical themes. His most typical works are characterized by a dexterous representation of the people and landscape under the bright sunlight of Spain and sunlit water.
The Bilbao Fine Arts Museum is an art museum located in the city of Bilbao, Spain. The building of the museum is located entirely inside the city's Doña Casilda Iturrizar park.
Spanish art has been an important contributor to Western art and Spain has produced many famous and influential artists including Velázquez, Goya and Picasso. Spanish art was particularly influenced by France and Italy during the Baroque and Neoclassical periods, but Spanish art has often had very distinctive characteristics, partly explained by the Moorish heritage in Spain, and through the political and cultural climate in Spain during the Counter-Reformation and the subsequent eclipse of Spanish power under the Bourbon dynasty.
Algur Hurtle Meadows was an American oil tycoon, art collector, and benefactor of Southern Methodist University and other institutions.
The Algur H. Meadows School of the Arts is the fine arts unit at Southern Methodist University, located in University Park, Texas, U.S. It is known for its programs in advertising, art, art history, arts administration, cinema, performing arts, journalism, corporate communications, and public relations.
Las Hilanderas is a painting by the Spanish painter Diego Velázquez, in the Museo del Prado of Madrid, Spain. It is also known by the title The Fable of Arachne. Most scholars regard it as a late work by the artist, dating from 1657-58, but some argue that it was done c. 1644-48. Velázquez scholar Jonathan Brown writes that Las Hilanderas and Las Meninas are arguably Velázquez's "two greatest paintings.... [T]hey are the largest, most complicated compositions executed between 1640 and 1660, a period during which Velázquez painted mostly portraits of single figures".
The term bodega in Spanish can mean "pantry", "tavern", or "wine cellar". The derivative term bodegón is an augmentative that refers to a large bodega, usually in a derogatory fashion. In Spanish art, a bodegón is a still life painting depicting pantry items, such as victuals, game, and drink, often arranged on a simple stone slab, and also a painting with one or more figures, but with significant still life elements, typically set in a kitchen or tavern. It also refers to low-life or everyday objects, which can be painted with flowers, fruits, or other objects to display the painter's mastery.
The Liria Palace is a neoclassical palace in Madrid, Spain. It is the Madrid residence of the Dukes of Alba.
The Goya Museum is an art museum located in Castres, France. The museum was originally established in 1840 and was named after the Spanish painter Francisco Goya since it specialised in hispanic art from 1947.
The Lázaro Galdiano Museum is an art museum in Madrid, Spain. It houses the art collection of José Lázaro Galdiano. The museum was inaugurated on 27 January 1951.
José Jiménez Aranda was a Spanish painter and brother of the painters Luis Jiménez Aranda and Manuel Jiménez Aranda.
Jonathan Mayer Brown was an American art historian, known for his work on Spanish art, particularly Diego Velázquez. He was Carroll and Milton Petrie Professor of Fine Arts at New York University.
Enriqueta Harris Frankfort was a British art historian and writer who specialised in Spanish art. Born into a family with an English father and a Spanish mother, she attended the University College London to read modern languages and later studied a Doctor of Philosophy art degree under Tancred Borenius. Harris travelled to Spain to research Caravaggio's influence on 17th-century Spanish paintings and her first book was published in 1938. She billeted Basque child refugees during the Spanish Civil War and worked with the Ministry of Information to keep Spain neutral during World War II. After the war ended she worked in the Warburg Institute and was offered the post in their photographic collection in 1947. Harris worked there until her retirement albeit for two years when she was married to the institution's director Henri Frankfort. Her work on Spanish paintings earned her widespread recognition in the country and received multiple awards and honours.
Little Lange is a c.1861 oil-on-canvas painting by Édouard Manet, now on the Staatliche Kunsthalle Karlsruhe. It shows a boy around five years old from the Lange family, who were friends of the artist. Its dark palette is reminiscent of Spanish Golden Age works as well as Antoine Watteau's Gilles (Louvre). Produced early in the painter's career, the work's execution is sketchy in places and prefigures his later Impressionist work.
The Spanish royal collection of art was almost entirely built up by the monarchs of the Habsburg family who ruled Spain from 1516 to 1700, and then the Bourbons. They included a number of kings with a serious interest in the arts, who were patrons of a series of major artists: Charles V and Philip II were patrons of Titian, Philip IV appointed Velázquez as court painter, and Goya had a similar role at the court of Charles IV.
William Bryan Jordan Jr. was an American art historian who facilitated acquisitions, curated exhibitions, and authored publications on Spanish artists and still life paintings, particularly from the Golden Age.