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Meaghan Morris FAHA (born 5 October 1950) is an Australian scholar of cultural studies. She is currently a Professor of Gender and Cultural Studies at the University of Sydney.
Born in Tenterfield, New South Wales, Morris was raised in Newcastle, New South Wales. Morris enrolled in a B.A. program in English and French at the University of Sydney. In Sydney, she met John Flaus, a film theorist and actor famous who would become a significant influence in the development of Australian cultural studies. She also became engaged in the work of British feminist scholar Juliet Mitchell and gave seminars on Mitchell's book Psychoanalysis and Feminism while pursuing a Maîtrise ès Lettres (similar to an MLitt) from the University of Paris-VIII on a French government scholarship between 1976 and 1978. Morris completed her dissertation on Madame de Tencin, a salonniere from the first half of the eighteenth century.
Upon returning to Australia, Morris co-edited two volumes informed by her intellectual experiences in France and also featuring English translations of work by Jean Baudrillard, Gilles Deleuze, Félix Guattari, Luce Irigaray, and Michel Foucault.
Between 1979 and 1985, Morris was chief film critic at the Sydney Morning Herald (1979–1981) and the Australian Financial Review (1981–1985). At the same time, she designed and taught courses in semiotics and film theory at the New South Wales Institute of Technology (now the University of Technology Sydney), Sydney College of the Arts, and Alexander Mackie College.
While holding numerous research and teaching fellowships over the next two decades, Morris did not hold a continuing academic position or have a specific institutional affiliation prior to her appointment in 2000 as founding Chair Professor of Cultural Studies at Lingnan University, Hong Kong. Her contribution to and impact on Australian and international cultural studies has instead been built on a large body of written work and activity as editor of collections and journals. In 1993, she co-edited (with John Frow) Australian Cultural Studies: A Reader (Sydney and Chicago: Allen & Unwin and University of Illinois Press). In 1995, she and anthropologist Stephen Muecke started the journal The UTS Review, which in 2002 became Cultural Studies Review. She received her Doctor of Philosophy in 1996 from the University of Technology, Sydney.
Morris was elected a Fellow of the Australian Academy of the Humanities in 1997. [1] In 2012, she was the inaugural inductee to the Cultural Studies Association of Australasia (CSAA) Hall of Fame.
The action film is a film genre that predominantly features chase sequences, fights, shootouts, explosions, and stunt work. The specifics of what constitutes an action film has been in scholarly debate since the 1980s. While some scholars such as David Bordwell suggested they were films that favor spectacle to storytelling, others such as Goeff King stated they allow the scenes of spectacle to be attuned to story telling. Action films are often hybrid with other genres, mixing into various forms ranging to comedies, science fiction films, and horror films.
Clara Law Cheuk-yiu is a Hong Kong Second Wave film director who currently resides in Australia.
Shirley Geok-lin Lim is an American writer of poetry, fiction, and criticism. She was both the first woman and the first Asian person to be awarded Commonwealth Poetry Prize for her first poetry collection, Crossing The Peninsula, which she published in 1980. In 1997, she received the American Book Award for her memoir, Among the White Moon Faces.
Rosi Braidotti is a contemporary philosopher and feminist theoretician. Born in Italy, she studied in Australia and France and works in the Netherlands. Braidotti is currently Distinguished University Professor Emerita at Utrecht University, where she has taught since 1988. She was professor and the founding director of Utrecht University's women's studies programme (1988-2005) and founding director of the Centre for the Humanities (2007-2016). She has been awarded honorary degrees from Helsinki (2007) and Linkoping (2013); she is a Fellow of the Australian Academy of the Humanities (FAHA) since 2009, and a Member of the Academia Europaea (MAE) since 2014. Her main publications include Nomadic Subjects (2011) and Nomadic Theory (2011), both with Columbia University Press, The Posthuman (2013), Posthuman Knowledge (2019), and Posthuman Feminism (2022) with Polity Press. In 2016, she co-edited Conflicting Humanities with Paul Gilroy, and The Posthuman Glossary in 2018 with Maria Hlavajova, both with Bloomsbury Academic.
Graeme Turner is an Australian professor of cultural studies and an Emeritus Professor at the University of Queensland. During his institutional academic career he was a Federation Fellow, a President of the Australian Academy of the Humanities, founding Director of the Centre for Critical and Cultural Studies at the University of Queensland, and Convenor of the ARC Cultural Research Network.
John Frow is an Australian writer of literary theory, narrative theory, intellectual property law, and cultural studies. He is currently a professor of English at the University of Sydney.
Barbara Creed is a professor of cinema studies in the School of Culture and Communication at the University of Melbourne. She is the author of six books on gender, feminist film theory, and the horror genre. Creed is a graduate of Monash and La Trobe universities where she completed doctoral research using the framework of psychoanalysis and feminist theory to examine horror films. She is known for her cultural criticism.
Rey Chow is a cultural critic, specializing in 20th-century Chinese fiction and film and postcolonial theory. Educated in Hong Kong and the United States, she has taught at several major American universities, including Brown University. Chow is currently Anne Firor Scott Professor of Literature in Trinity College of Arts and Sciences at Duke University.
Catherine Driscoll is an Australian professor of Gender and Cultural Studies at the University of Sydney. She grew up in Wauchope, New South Wales and was educated at Wauchope High School, the University of Newcastle (Australia), and the University of Melbourne. She has worked at the University of Melbourne, the University of Adelaide, and joined the School of Philosophical and Historical Inquiry at the University of Sydney in 2003. She has held visiting fellow positions at Duke University, Columbia University, Cardiff University, and the Australian National University.
Penelope Deutscher is a professor of philosophy at Northwestern University whose work focuses on French philosophy from the 20th and 21st centuries and gender theory. She has written four books dealing with subjects ranging from gender and feminism to the works of Jacques Derrida, Luce Irigaray, and Simone de Beauvoir. In 2002–2003, Deutscher also served as the Lane Professor for the Humanities at the Alice Berline Kaplan Center for the Humanities at Northwestern University.
Chandra Talpade Mohanty is a Distinguished Professor of Women's and Gender Studies, Sociology, and the Cultural Foundations of Education and Dean's Professor of the Humanities at Syracuse University. Mohanty, a postcolonial and transnational feminist theorist, has argued for the inclusion of a transnational approach in exploring women’s experiences across the world. She is author of Feminism Without Borders: Decolonizing Theory, Practicing Solidarity, and co-editor of Third World Women and the Politics of Feminism, Feminist Genealogies, Colonial Legacies, Democratic Futures, Feminism and War: Confronting U.S. Imperialism,, The Sage Handbook on Identities, and Feminist Freedom Warriors: Genealogies, Justice, Politics, and Hope.
Aileen Moreton-Robinson is an Australian academic, Indigenous feminist, author and activist for Indigenous rights. She is a Goenpul woman of the Quandamooka people from Minjerribah in Queensland. She completed a PhD at Griffith University in 1998, her thesis titled Talkin' up to the white woman: Indigenous women and feminism in Australia. The thesis was published as a book in 1999 and short-listed for the New South Wales Premier's Literary Awards and the Stanner Award. A 20th Anniversary Edition was released in 2020 by University of Queensland Press. Her 2015 monograph The White Possessive: Property, Power, and Indigenous Sovereignty was awarded the Native American and Indigenous Studies Association's (NAISA) prize in 2016.
Stephanie Dowrick is an Australian writer, Interfaith Minister and social activist. She is the author of more than 20 books of fiction and non-fiction, five of them best-sellers. She was a publisher in Australia and the UK, where she co-founded The Women's Press, London.
Kate Beynon is an Australian contemporary artist based in Melbourne.
Cora Vellekoop Baldock is an Australian-Dutch Sociologist. She was president of the Australian Sociological Association 1979-1980 and served as a member of the Australian Federal Government's Multicultural Advisory Committee. She was the first female professor at Murdoch University, Perth, and its first professor of sociology.
Ann Curthoys, is an Australian historian and academic.
Ann Veronica Helen Moyal AM FRSN FAHA was an Australian historian known for her work in the history of science. She held academic positions at the Australian National University (ANU), New South Wales Institute of Technology, and Griffith University, and later worked as an independent scholar.
Penelope Ann Russell, is an Australian social historian. She is Bicentennial Professor of Australian History at the University of Sydney.
Lesley Ruth Johnson is an Australian cultural historian, whose research has focused on gender studies and the sociology of education. She is professor emeritus at Griffith University.
Louise EdwardsFHKAH is an Australian sinologist. Her work has focused on women and gender issues in China and Asia. As of 2022, she is Emeritus Professor of Chinese History at the University of New South Wales and an honorary professor at both the Australia-China Research Institute and the University of Hong Kong.
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