William Rory Gallagher was an Irish blues and rock guitarist, singer, songwriter, and producer. Born in Ballyshannon, County Donegal, and brought up in Cork, Gallagher formed the band Taste in the late 1960s and recorded solo albums throughout the 1970s and 1980s. His albums have sold over 30 million copies worldwide. Gallagher received a liver transplant in 1995, but died of complications later that year in London at the age of 47.
Irish Tour '74 is the sixth album by Rory Gallagher. It is a live album compiled from performances during Gallagher's Irish Tour in January 1974. The source concerts were recorded at Belfast Ulster Hall, Dublin Carlton Cinema and Cork City Hall using Ronnie Lane's Mobile Studio. "Back on My Stompin' Ground " was recorded from a jam session during the tour. Irish Tour '74 has sold in excess of two million copies worldwide. An article in a Belfast daily newspaper stated: "Rory Gallagher never forgot Northern Ireland, he returned throughout the '70s when few other artists of his calibre dared come near the place."
John Gerard McAvoy is a Northern Irish blues rock bass guitarist. He played with blues rock musician Rory Gallagher between 1970 and 1991, and then with Nine Below Zero until 2011.
Live in Europe is the third album by Irish blues guitarist Rory Gallagher, released in 1972. It is a series of live recordings made during his European tour that year. Unusual for a live album, it contains just two songs previously recorded and released by Gallagher. All the other songs are either new Gallagher songs or Gallagher's interpretation of traditional blues songs.
Stage Struck is the eleventh album and the third live album by Irish singer/guitarist Rory Gallagher. Released in 1980, it documents his world tour in support of his 1979 album Top Priority. Accordingly, it features many songs from that album, but it also includes songs from his previous albums. The album sees Gallagher taking a faster-paced, more hard rock sound than on his previous blues-dominated live albums. Originally released with eight tracks, Stage Struck was augmented with two bonus tracks when reissued in 1999, four years after Gallagher's death, by his younger brother and manager, Dónal Gallagher.
Top Priority is Rory Gallagher's eighth studio album and tenth album overall. It was his fourth and final studio album for Chrysalis Records both in the UK and USA. The album was the second with his revised power trio band. Like the previous album Photo-Finish, Top Priority is a return to hard rock. The ballads, acoustic and folk influences that were seen on albums such as Calling Card are replaced by more conventional but powerful blues rock.
Rory Gallagher is the debut solo album by Irish blues rock musician Rory Gallagher, released in 1971. It marked his departure from the first band he formed, Taste. After disbanding Taste, Gallagher auditioned some of the best musicians available at the time. Noel Redding and Mitch Mitchell, the bassist and drummer for the Jimi Hendrix Experience, were among those considered for the new combo. He decided on two Belfast musicians, drummer Wilgar Campbell and bass guitarist Gerry McAvoy, to be the core of his new power trio band.
Blueprint is the third studio album and fourth album overall by Irish guitarist Rory Gallagher, released as a vinyl record in 1973. With his first band Taste and with his solo band up to this point Gallagher was one of the first guitarists to lead a power trio lineup. With Blueprint Gallagher included a keyboardist for the first time.
Fresh Evidence is Rory Gallagher's eleventh and last studio album, his fourteenth album overall. The album was unusual in that Gallagher used more additional musicians and spent more time recording than he normally did. Not as unusual, the songs show his love for blues artists such as Robert Johnson and Son House and for other genres such as Zydeco as well. The album is influenced by his deteriorating health, and explores themes of ill health, mortality, and fighting back against overwhelming odds.
Louis Michael "Lou" Martin was a piano and organ player from Belfast, Northern Ireland. He was an original member of the London-based band Killing Floor, and also worked with fellow Irish musician Rory Gallagher.
Against the Grain is the fifth studio album and seventh album overall by Irish musician Rory Gallagher, released in 1975. It was his first album with his new record company Chrysalis. Having previously only released one cover version on a studio album, "Against The Grain" includes two, one by Leadbelly and one from the Porter/Hayes songwriting team. The album received very favourable reviews.
BBC Sessions is a blues rock album by Rory Gallagher, released in 1999. The album was compiled from live recordings made at the BBC by Gallagher's brother Dónal and released posthumously.
G-Men Bootleg Series Vol.1 was Rory Gallagher's last official release before his untimely death in 1995.
Defender is the thirteenth album and tenth studio album by Irish musician Rory Gallagher. Coming after a five-year hiatus from the recording studio, it was his first album released on the Capo label.
On the Boards is the second album by Irish rock band Taste, released in 1970. It is their final studio album and the release that brought Rory Gallagher to prominence, reaching number 18 on the UK Albums Chart. Reviewers have praised its variety and the precision of its ensemble playing, and noted the jazz inflections of Gallagher's guitar and his unaffected vocals. Lester Bangs dubbed it "impressive... progressive blues".
The discography of Rory Gallagher, an Irish guitarist and singer-songwriter, consists of 11 studio albums, 6 live albums, 13 compilations, and 5 singles. Gallagher was a solo artist for much of his career and collaborated with artists such as Muddy Waters and Jerry Lee Lewis. Before his career as a solo artist, Gallagher was the guitarist, vocalist, and saxophonist for the Irish rock trio Taste.
Wheels Within Wheels is a blues and folk-influenced acoustic rock album by Rory Gallagher. Featuring a range of acoustic styles including flamenco, skiffle and traditional Irish music, the album was compiled from lost recordings and outtakes by Gallagher's brother Dónal and released posthumously. A number of notable musicians appeared on the album, and the songs were recorded in various locations all over the world between 1974 and 1994.
Notes from San Francisco is a posthumous album by Irish musician Rory Gallagher. Released in 2011, It consists of two CDs. The first disc is a never-released studio album that Gallagher recorded in San Francisco in December 1977. The album was to be a major shift for Gallagher. Rather than producing it himself, he worked with Elliot Mazer a successful producer who had a long track record with artists such as Bob Dylan, Janis Joplin and The Band. At the last minute—causing great distress to his manager and brother Dónal and to his record company—Gallagher decided to just pull the record. In an interview, Gallagher stated "it wasn't because of the material or the musicians or anything like that. It was a song thing that I didn't think on the technical side everything worked. So I scrapped the thing". After scrapping the album Gallagher reworked his band firing all the musicians except the bass player and hiring a new drummer. This new Gallagher power trio re-recorded some the San Francisco songs, and some others, with Gallagher producing and released them as Photo-Finish. Shortly before his death, Rory reportedly gave Dónal permission to eventually release the original San Francisco versions of the songs if they were remixed. Dónal had his son Daniel remix the songs in 2011. The second disc is a live performance also recorded in San Francisco in December 1979.
Irish Tour '74 is a film directed by Tony Palmer. It documents Rory Gallagher's tour of Ireland in 1974. Gallagher toured at a time of great political turmoil and violence. Gallagher's band at the time was Gerry McAvoy on bass guitar, Lou Martin on keyboards and Rod de'Ath on drums.
The London Muddy Waters Sessions is a studio album by Muddy Waters, released in 1972 on Chess Records. A follow-up to 1971's The London Howlin' Wolf Sessions, the concept was to combine American bluesmen with British blues/rock stars. The album was an attempt to capitalise on the increasing popularity of traditional blues music and blues artists in Britain.
