Art Deco, short for the French Arts Décoratifs, and sometimes referred to simply as Deco, is a style of visual arts, architecture, and product design, that first appeared in France in the 1910s, and flourished in the United States and Europe during the 1920s to early 1930s. Through styling and design of the exterior and interior of anything from large structures to small objects, including how people look, Art Deco has influenced bridges, buildings, ships, ocean liners, trains, cars, trucks, buses, furniture, and everyday objects like radios and vacuum cleaners.
Prof. Ezri Tarazi Israeli industrial designer and educator (1986–90). Tarazi studied industrial design at the Bezalel Academy of Art and Design in Jerusalem. Subsequently, he was a coordinator of instructors' education for leadership in the Maritime Academy of the Israeli Navy. Early employment included serving as the project manager of industrial-design projects at Bezalel R&D in Jerusalem in 1990–96, and was active as a freelance designer in 1993–96. 1996–2004, he was the head of the Department of Industrial Design at the Bezalel Academy and, 2004–12, founded and chaired the Bezalel master's-degree program in industrial design.
April Greiman is an American designer widely recognized as one of the first designers to embrace computer technology as a design tool. Greiman is also credited, along with early collaborator Jayme Odgers, with helping to import the European New Wave design style to the US during the late 70s and early 80s." According to design historian Steven Heller, “April Greiman was a bridge between the modern and postmodern, the analog and the digital.” “She is a pivotal proponent of the ‘new typography’ and new wave that defined late twentieth-century graphic design.” Her art combines her Swiss design training with West Coast postmodernism.
Roger Fawcett-Tang is a British graphic designer with a special interest in book design and calendars. He has written several books about design.
Dan Reisinger was an Israeli graphic designer and artist.
Frederick Jacob Kiesler was an Austrian-American architect, theoretician, theater designer, artist and sculptor.
The Campana Brothers, consisting of Humberto Campana and Fernando Campana (1961–2022) are Brazilian furniture designers.
Rebeca Méndez is a Mexican-American artist and graphic designer. She is professor at UCLA Design Media Arts in Los Angeles, California, and since July 2020 is chair of the department, as well as founder and director of the Counterforce Lab. Her Vice-chair Peter Lunenfeld wrote about her: "Rebeca has won the three most significant awards in the field of design: The Cooper-Hewitt National Design Award in Communication Design, 2012, the AIGA Medal in 2017, and induction to the One Club Hall of Fame in 2017. This triple crown would be worthy enough on its own, more than worthy, absolutely exceptional, but when you add in that Rebeca is the first and only Latina to win each one of these, much less all three, the achievement is towering." In fact, she is the only woman ever to have received all these three awards, while Bob Greenberg from R/GA is the only man to have received all of them.
George J. Sowden is a designer and product developer.
Jennifer Morla is a graphic designer and professor based in San Francisco. She received the Cooper Hewitt Smithsonian National Design Award in Communication Design in 2017.
Marc Atkins is an English artist, photographer, filmmaker and poet, born in 1962, best known for his photography of cities and nudes, also commercially for music album and book covers.
A poster is a large sheet that is placed either on a public space to promote something or on a wall as decoration. Typically, posters include both textual and graphic elements, although a poster may be either wholly graphical or wholly text. Posters are designed to be both eye-catching and informative. Posters may be used for many purposes. They are a frequent tool of advertisers, propagandists, protestors, and other groups trying to communicate a message. Posters are also used for reproductions of artwork, particularly famous works, and are generally low-cost compared to the original artwork. The modern poster, as we know it, however, dates back to the 1840s and 1850s when the printing industry perfected colour lithography and made mass production possible.
Mel Lindquist was an American engineer and renowned pioneer of the American Studio Wood Turning movement.
Michael Johnson is a British designer and brand consultant. In 1992 he founded the design studio Johnson Banks in London, UK. Johnson received the Design and Art Direction (D&AD) black pencil award for his fruit and veg stamp designs and the organisation's President's award in 2017. Johnson has published three books and the Victoria and Albert Museum (V&A) have nineteen of his designs in their permanent collection.
Walter Herdeg was a Swiss graphic designer, noted for his travel posters and work with Graphis Magazine, who was awarded an AIGA medal in 1986.
Yaacov Kaufman is a Soviet-born Israeli industrial designer and academic. Kaufman's work has focused on lighting, furniture, and product design. He is a longtime professor at the Bezalel Academy of Arts and Design.
Setsu and Shinobu Ito are Japanese designers. Their work is stored as permanent collections in the Modern Art Museums in Munich, Germany and Milan, Italy.
Michael J. Walsh is an American designer and creative director who has worked or consulted at the School of Visual Arts, Harry N. Abrams, the Walt Disney Company, Time Inc, Turner Broadcasting, Time Warner and The Washington Post Magazine, among others. He has won over 300 awards for design and art direction in American and international awards competitions for digital, video, exhibition design, multimedia projects and print projects.
Yarom Vardimon is an Israeli designer, professor, dean of the Azrieli Faculty of Design at Shenkar and a laureate of the Israel Prize in design.
The American Union of Decorative Artists and Craftsmen (AUDAC) was an American society of designers and decorative artists that was active from 1928 until the early 1930s. The group aimed to bring modern principles of design, such as those promoted in Europe by the Wiener Werkstätte and the Bauhaus, to decorative arts in the United States.
