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Mel Davis | |
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Born | 1931 Philadelphia |
Died | 2004 Florida |
Mel Davis was an American multi-instrumental musician and arranger, best known for his trumpet playing. He also played piano, violin, drums, tuba, bass, accordion and ocarina. He was also known as a vocalist. He was born in Philadelphia in 1931 and died in Florida on December 28, 2004. He was the owner of Mel’s place in Baldwin, New York, a jazz club on Long Island.
Davis began his musical apprenticeship under Seymour Rosenfeld, who was a long-time trumpet player with the Philadelphia Orchestra. He played in clubs from the age of twelve but completed high school before taking a job playing with the St. Louis Symphonette. While continuing to play club gigs, Davis furthered his musical knowledge by studying at Curtis Institute of Music and Temple University.
He recorded many albums, including Trumpet with a Soul, released on the Epic label in 1956. It featured Milt Hinton on bass and Osie Johnson on drums. Later, he formed a band called "The Lease Breakers" with Buddy Morrow, Harvey Phillips, Tony Mottola and Sol Gubin.
Then in the mid-1950s, he left Philadelphia for New York where he joined the Benny Goodman band as lead trumpet player, travelling with the band on their tour of the Far East in 1956.
Davis' reliability saw him taking up unsung positions as a session musician. He was the house trumpeter with Command Records and worked a stint as one of NBC's staff musicians, as well as being one of the original and long time Sesame Street band-members, where he stayed for seventeen years. Davis also appeared on the "Tonight Show" with Doc Severinsen, as well as the Perry Como Show.
He appeared on many albums including Billie Holiday’s Lady in Satin (1958), Neal Hefti's Pardon my Doo-Wah (1958), George Benson's The Other Side of Abbey Road (1969) and Lynn Roberts' tribute to Harry James.
Mel Davis also provided scores for at least two independent films, both directed by Jon Moritsugu, Fame Whore (1997) and Scumrock (2002).
Davis ran a club called "Rampart Street" in Port Washington [1] and retired to Florida where he died in 2004, aged 73.
John Birks "Dizzy" Gillespie was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality have made him an enduring icon.
Randolph Denard Ornette Coleman was an American jazz saxophonist, trumpeter, violinist, and composer. He was best known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation. His pioneering works often abandoned the harmony-based composition, tonality, chord changes, and fixed rhythm found in earlier jazz idioms. Instead, Coleman emphasized an experimental approach to improvisation, rooted in ensemble playing and blues phrasing. AllMusic called him "one of the most beloved and polarizing figures in jazz history," noting that while "now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud."
Maxwell Lemuel Roach was an American jazz drummer and composer. A pioneer of bebop, he worked in many other styles of music, and is generally considered one of the most important drummers in history. He worked with many famous jazz musicians, including Clifford Brown, Coleman Hawkins, Dizzy Gillespie, Charlie Parker, Miles Davis, Duke Ellington, Thelonious Monk, Abbey Lincoln, Dinah Washington, Charles Mingus, Billy Eckstine, Stan Getz, Sonny Rollins, Eric Dolphy, and Booker Little. He also played with his daughter Maxine Roach, Grammy nominated Violist. He was inducted into the DownBeat Hall of Fame in 1980 and the Modern Drummer Hall of Fame in 1992.
Jazz fusion is a popular music genre that developed in the late 1960s when musicians combined jazz harmony and improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll.
Clifford Benjamin Brown was an American jazz trumpeter and composer. He died at the age of 25 in a car crash, leaving behind four years' worth of recordings. His compositions "Sandu", "Joy Spring", and "Daahoud" have become jazz standards. Brown won the DownBeat magazine Critics' Poll for New Star of the Year in 1954; he was inducted into the DownBeat Hall of Fame in 1972.
Gerald Joseph Mulligan, also known as Jeru, was an American jazz saxophonist, clarinetist, composer and arranger. Though primarily known as one of the leading jazz baritone saxophonists—playing the instrument with a light and airy tone in the era of cool jazz—Mulligan was also a significant arranger working with Claude Thornhill, Miles Davis, Stan Kenton, and others. His piano-less quartet of the early 1950s with trumpeter Chet Baker is still regarded as one of the best cool jazz ensembles. Mulligan was also a skilled pianist and played several other reed instruments. Several of his compositions including "Walkin' Shoes" and "Five Brothers", have become standards.
James Oscar Smith was an American jazz musician whose albums often appeared on Billboard magazine charts. He helped popularize the Hammond B-3 organ, creating a link between jazz and 1960s soul music.
Bernard "Buddy" Rich was an American jazz drummer, songwriter, conductor, and bandleader. He is considered one of the most influential drummers of all time.
Edward William May Jr. was an American composer, arranger and trumpeter. He composed film and television music for The Green Hornet (1966), The Mod Squad (1968), Batman, and Naked City (1960). He collaborated on films such as Pennies from Heaven (1981), and orchestrated Cocoon, and Cocoon: The Return, among others.
Kenneth Clarke Spearman, nicknamed Klook, was an American jazz drummer and bandleader. A major innovator of the bebop style of drumming, he pioneered the use of the ride cymbal to keep time rather than the hi-hat, along with the use of the bass drum for irregular accents.
Donald Christopher Barber was an English jazz musician, best known as a bandleader and trombonist. He helped many musicians with their careers and had a UK top twenty trad jazz hit with "Petite Fleur" in 1959. These musicians included the blues singer Ottilie Patterson, who was at one time his wife, and Lonnie Donegan, whose appearances with Barber triggered the skiffle craze of the mid-1950s and who had his first transatlantic hit, "Rock Island Line", while with Barber's band. He provided an audience for Donegan and, later, Alexis Korner, and sponsored African-American blues musicians to visit Britain, making Barber a significant figure in launching the British rhythm and blues and "beat boom" of the 1960s.
Frank Benjamin Foster III was an American tenor and soprano saxophonist, flautist, arranger, and composer. Foster collaborated frequently with Count Basie and worked as a bandleader from the early 1950s. In 1998, Howard University awarded Frank Foster with the Benny Golson Jazz Master Award.
Martin Louis Paich was an American pianist, composer, arranger, record producer, music director, and conductor. As a musician and arranger he worked with jazz musicians Peggy Lee, Ella Fitzgerald, Stan Kenton, Art Pepper, Buddy Rich, Ray Brown, Shorty Rogers, Pete Rugolo, Ray Charles and Mel Tormé. His long association with Tormé included one of the singer's earliest albums, Mel Tormé with the Marty Paich Dek-Tette. Over the next three decades he worked with pop singers such as Andy Williams and Jack Jones and for film and television. He is the father of David Paich, a founding member of the rock band Toto.
An organ trio is a form of jazz ensemble consisting of three musicians; a Hammond organ player, a drummer, and either a jazz guitarist or a saxophone player. In some cases the saxophonist will join a trio which consists of an organist, guitarist, and drummer, making it a quartet. Organ trios were a popular type of jazz ensemble for club and bar settings in the 1950s and 1960s, performing a blues-based style of jazz that incorporated elements of R&B. The organ trio format was characterized by long improvised solos and an exploration of different musical "moods".
Bernie Glow was an American trumpet player who specialized in jazz and commercial lead trumpet from the 1940s to 1970s.
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The Other Side of Abbey Road is a 1970 studio album by American guitarist George Benson of songs from the Beatles' 1969 album Abbey Road. It was his last album for A&M Records. The front cover is a photograph of Benson by Eric Meola in E 53rd Street, Midtown East, New York City.
Jerry González was an American bandleader, trumpeter and percussionist of Puerto Rican descent. Geraldo, his father, was a singer in a band and worked for Las Villas, a chain of stores selling Latin American products. Jerry, who liked the trumpet and studied it carefully, but also the congas was a member of Cal Tjader Callen Radcliffe Tjader Jr. an American Jazz musician, known as the most successful non-Latino of Latin Jazz. Together Jerry Gonzalez with his brother, bassist Andy González, played an important role in the development of Latin Jazz during the late 20th century. During the 1970s, both played alongside Eddie Palmieri and in Manny Oquendo's Conjunto Libre, and from 1980 to 2018 they directed The Fort Apache Band. From 2000 to 2018, Jerry González resided in Madrid, where he fronted Los Piratas del Flamenco and El Comando de la Clave. In October 2018, he died of a heart attack after a fire in his home in Madrid.
Kenny Dennis is a Philadelphia-born American jazz drummer. He has played on albums for Nancy Wilson, Sonny Stitt, Sonny Rollins, Johnny Griffin, Oscar Brown Jr., Charles Mingus, Billy Taylor, and Mal Waldron.
Big Boss Band is the 1990 studio album of American musician George Benson on Warner Bros. featuring the Count Basie Orchestra. This is Benson's second consecutive album which returns to his jazz roots after his successful pop career in the 1980s, and also his debut as sole producer of an album. The genre is mainly big band swing with some Michel Legrand and R&B thrown in.
Musicians' Union website '802afm' provided a bio at the time of his death, from which much of this article is drawn:
Album credits: http://vinyl4giants.blogspot.com/2009/01/george-benson-other-side-of-abbey-road.html http://www.jazzwax.com/2009/07/index.html
Film Credits: https://www.imdb.com/name/nm2658026/