Melissa Meyer (born May 4, 1946) is an American painter. [1] The Wall Street Journal has referred to her as a "lighthearted Abstract Expressionist". [2]
Meyer received a fellowship at the American Academy in Rome in 1980, [3] two National Endowment for the Arts grants (1983, 1993), the National Academy 183rd Invitational Eric Isenburger Annual Award (2008) and a Pollock-Krasner Foundation Grant (2009).[ citation needed ] In the late 1970s Meyer and Miriam Schapiro collaborated on a Heresies article entitled femmage . [4] [5]
In 1997 her sketchbooks were published in facsimile by the Mezzanine Gallery of the Metropolitan Museum of Art. [6]
Melissa Meyer's paintings and works on paper are in the collections of The Museum of Modern Art, [7] The Metropolitan Museum of Art, [8] The Brooklyn Museum, [9] and The Jewish Museum, [10]
Helen Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Having exhibited her work for over six decades, she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work. Frankenthaler began exhibiting her large-scale abstract expressionist paintings in contemporary museums and galleries in the early 1950s. She was included in the 1964 Post-Painterly Abstraction exhibition curated by Clement Greenberg that introduced a newer generation of abstract painting that came to be known as color field. Born in Manhattan, she was influenced by Greenberg, Hans Hofmann, and Jackson Pollock's paintings. Her work has been the subject of several retrospective exhibitions, including a 1989 retrospective at the Museum of Modern Art in New York City, and been exhibited worldwide since the 1950s. In 2001, she was awarded the National Medal of Arts.
Meyer Schapiro was a Lithuanian-born American art historian known for developing new art historical methodologies that incorporated an interdisciplinary approach to the study of works of art. An expert on early Christian, Medieval, and Modern art, Schapiro explored art historical periods and movements with a keen eye towards the social, political, and the material construction of art works.
Adolph Friedrich Reinhardt was an abstract painter active in New York for more than three decades. He was a member of the American Abstract Artists (AAA) and part of the movement centered on the Betty Parsons Gallery that became known as abstract expressionism. He was also a member of The Club, the meeting place for the New York School abstract expressionist artists during the 1940s and 1950s. He wrote and lectured extensively on art and was a major influence on conceptual art, minimal art and monochrome painting. Most famous for his "black" or "ultimate" paintings, he claimed to be painting the "last paintings" that anyone can paint. He believed in a philosophy of art he called Art-as-Art and used his writing and satirical cartoons to advocate for abstract art and against what he described as "the disreputable practices of artists-as-artists".
Robert Motherwell was an American abstract expressionist painter, printmaker, and editor of The Dada Painters and Poets: an Anthology. He was one of the youngest of the New York School, which also included Willem de Kooning, Jackson Pollock, and Mark Rothko.
Wolf Kahn was a German-born American painter.
William Baziotes was an American painter influenced by Surrealism and was a contributor to Abstract Expressionism.
Herbert Ferber was an American Abstract Expressionist, sculptor and painter, and a "driving force of the New York School."
Paul Brach was an American abstract painter, as well as a lecturer and educator.
Miriam Schapiro was a Canadian-born artist based in the United States. She was a painter, sculptor, printmaker, and a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. She incorporated craft elements into her paintings due to their association with women and femininity. Schapiro's work touches on the issue of feminism and art: especially in the aspect of feminism in relation to abstract art. Schapiro honed in her domesticated craft work and was able to create work that stood amongst the rest of the high art. These works represent Schapiro's identity as an artist working in the center of contemporary abstraction and simultaneously as a feminist being challenged to represent women's "consciousness" through imagery. She often used icons that are associated with women, such as hearts, floral decorations, geometric patterns, and the color pink. In the 1970s she made the hand fan, a typically small woman's object, heroic by painting it six feet by twelve feet. "The fan-shaped canvas, a powerful icon, gave Schapiro the opportunity to experiment … Out of this emerged a surface of textured coloristic complexity and opulence that formed the basis of her new personal style. The kimono, fans, houses, and hearts were the form into which she repeatedly poured her feelings and desires, her anxieties, and hopes".
Nicolas Carone belonged to the early generation of New York School Abstract Expressionist artists. Their artistic innovation by the 1950s had been recognized internationally, including in London and Paris. New York School Abstract Expressionism, represented by Jackson Pollock, Willem de Kooning, Franz Kline, Conrad Marca-Relli and others, became a leading art movement of the postwar era.
Irving Kriesberg was an American painter, sculptor, educator, author, and filmmaker, whose work combined elements of Abstract Expressionism with representational human, animal, and humanoid forms. Because Kriesberg blended formalist elements with figurative forms he is often considered to be a Figurative Expressionist.
Joan Snyder is an American painter from New York. She is a MacArthur Fellow, a Guggenheim Fellow, and a National Endowment for the Arts Fellow (1974).
Pattern and Decoration was a United States art movement from the mid-1970s to the early 1980s. The movement has sometimes been referred to as "P&D" or as The New Decorativeness. The movement was championed by the gallery owner Holly Solomon. The movement was the subject of a retrospective exhibition at the Hudson River Museum in 2008.
Joyce Kozloff is an American artist whose politically engaged work has been based on cartography since the early 1990s.
Stephen Greene was an American artist known for his abstract paintings and in the 1940s his social realist figure paintings.
Sonia Gechtoff was an American abstract expressionist painter. Her primary medium was painting but she also created drawings and prints.
Philip Pavia (1911-2005) was a culturally influential American artist of Italian descent, known for his scatter sculpture and figurative abstractions, and the debate he fostered among many of the 20th century's most important art thinkers. A founder of the New York School of Abstract Expressionism, he "did much to shift the epicenter of Modernism from Paris to New York," both as founding organizer of The Club and as founder, editor and publisher of the short-lived but influential art journal It Is: A Magazine for Abstract Art. Reference to the magazine appears in the archives of more than two dozen celebrated art figures, including Picasso, Peggy Guggenheim, and art critic Clement Greenberg. The Club is credited with inspiring art critic Harold Rosenberg’s influential essay “The American Action Painters" and the historic 9th Street Show.
Luise Clayborn Kaish was an American artist known for her work in sculpture, painting, and collage. Throughout her career, Kaish's work was exhibited and collected by major museums, including the Smithsonian Institution's National Museum of American Art, the Museum of Modern Art, the Whitney Museum, the Jewish Museum, and the Metropolitan Museum of Art. Kaish created monumental sculptures in bronze, aluminum, and stainless steel, which remain on view in educational, religious, and commercial settings across the United States and internationally.
Hollis Jeffcoat was an American "third generation" abstract expressionist painter.
David Sawin was an American painter working primarily in New York City during the middle part of the 20th century. His style, though singular, was described by Meyer Schapiro and Arthur Danto as second-generation abstract expressionism.