Metasonix

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Metasonix TM7 Ultra-Distortion Scrotum Smasher Metasonix TM7 Ultra-Distortion Scrotum Smasher.jpg
Metasonix TM7 Ultra-Distortion Scrotum Smasher

Metasonix is an audio equipment manufacturer based in Lakeport, California. Founded by Eric Barbour in 1998, it specializes in vacuum tube equipment. [1]

Contents

Eli Crews, writing in Electronic Musician in 2008, commented that "Eric Barbour of Metasonix has a colorful approach to design, employing an all-tube audio path in his quest for unusual and sonically extreme products." [2]

Background

Barbour worked as an applications engineer for the Russian vacuum tube manufacturer Svetlana Electron Devices. [3] [4] He was a staff editor and co-founder of Vacuum Tube Valley magazine [1] and contributed to Glass Audio magazine. [3] [5]

Products

Metasonix S-1000 "Wretch Machine" synthesizer Metasonix S-1000 Wretch Machine.JPG
Metasonix S-1000 "Wretch Machine" synthesizer

Metasonix produces audio effects and synthesizers using atypical vintage vacuum tubes. Metasonix modules are considered high-end in pricing and consume large amounts of power to create highly distorted sounds. [6] Its products include the TM-7 "Scrotum Smasher", [7] the TM-3 voltage-controlled oscillator, [8] the TM-6 filter, [9] the TX-1 "Agonizer", [10] [11] the TX-2 "Butt Probe", [12] the TS-21 waveshaper, [13] the S-1000 Wretch Machine, [14] and the G-1000 Fucking Fucker guitar amplifier. [15] Metasonix also sells a drum machine based on vacuum tubes, the D-2000. [6]

The Metasonix TM-7 Ultra-Distortion Scrotum Smasher features control options based on distortion and power with intentionally vulgar names: Smash, Scrotum, Double Scrotum, Mega Scrotum, and Scrotum Up Ya Ass. [16] Audio Geek said of it, "The TM-7 is basically a mean, angry guitar preamp made of three vacuum tubes. Plus a feedback loop which makes the preamp unstable. There is nothing else like it." [17]

Related Research Articles

<span class="mw-page-title-main">Amplifier</span> Electronic device/component that increases the strength of a signal

An amplifier, electronic amplifier or (informally) amp is an electronic device that can increase the power of a signal. It is a two-port electronic circuit that uses electric power from a power supply to increase the amplitude of a signal applied to its input terminals, producing a proportionally greater amplitude signal at its output. The amount of amplification provided by an amplifier is measured by its gain: the ratio of output voltage, current, or power to input. An amplifier is a circuit that has a power gain greater than one.

<span class="mw-page-title-main">Effects unit</span> Electronic device that alters audio

An effects unit or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing.

<span class="mw-page-title-main">Vacuum tube</span> Device that controls electric current between electrodes in an evacuated container

A vacuum tube, electron tube, valve, or tube, is a device that controls electric current flow in a high vacuum between electrodes to which an electric potential difference has been applied.

<span class="mw-page-title-main">Audio power amplifier</span> Audio amplifier with power output sufficient to drive a loudspeaker

An audio power amplifier is an electronic amplifier that amplifies low-power electronic audio signals, such as the signal from a radio receiver or an electric guitar pickup, to a level that is high enough for driving loudspeakers or headphones. Audio power amplifiers are found in all manner of sound systems including sound reinforcement, public address, home audio systems and musical instrument amplifiers like guitar amplifiers. It is the final electronic stage in a typical audio playback chain before the signal is sent to the loudspeakers.

<span class="mw-page-title-main">Instrument amplifier</span> Speaker and anplifier for use with musical instruments

An instrument amplifier is an electronic device that converts the often barely audible or purely electronic signal of a musical instrument into a larger electronic signal to feed to a loudspeaker. An instrument amplifier is used with musical instruments such as an electric guitar, an electric bass, electric organ, synthesizers and drum machine to convert the signal from the pickup or other sound source into an electronic signal that has enough power, due to being routed through a power amplifier, capable of driving one or more loudspeaker that can be heard by the performers and audience.

<span class="mw-page-title-main">Guitar amplifier</span> Electronic amplifier for musical instruments

A guitar amplifier is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet. A guitar amplifier may be a standalone wood or metal cabinet that contains only the power amplifier circuits, requiring the use of a separate speaker cabinet–or it may be a "combo" amplifier, which contains both the amplifier and one or more speakers in a wooden cabinet. There is a wide range of sizes and power ratings for guitar amplifiers, from small, lightweight "practice amplifiers" with a single 6-inch speaker and a 10-watt amp to heavy combo amps with four 10-inch or four 12-inch speakers and a 100-watt amplifier, which are loud enough to use in a nightclub or bar performance.

<span class="mw-page-title-main">Valve amplifier</span> Type of electronic amplifier

A valve amplifier or tube amplifier is a type of electronic amplifier that uses vacuum tubes to increase the amplitude or power of a signal. Low to medium power valve amplifiers for frequencies below the microwaves were largely replaced by solid state amplifiers in the 1960s and 1970s. Valve amplifiers can be used for applications such as guitar amplifiers, satellite transponders such as DirecTV and GPS, high quality stereo amplifiers, military applications and very high power radio and UHF television transmitters.

<span class="mw-page-title-main">Push–pull output</span>

A push–pull amplifier is a type of electronic circuit that uses a pair of active devices that alternately supply current to, or absorb current from, a connected load. This kind of amplifier can enhance both the load capacity and switching speed.

<span class="mw-page-title-main">Peavey Electronics</span> American audio equipment manufacturer

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<span class="mw-page-title-main">Pentode</span> Vacuum tube with five electrodes

A pentode is an electronic device having five electrodes. The term most commonly applies to a three-grid amplifying vacuum tube or thermionic valve that was invented by Gilles Holst and Bernhard D.H. Tellegen in 1926. The pentode was developed from the screen-grid tube or shield-grid tube by the addition of a grid between the screen grid and the plate. The screen-grid tube was limited in performance as an amplifier due to secondary emission of electrons from the plate. The additional grid is called the suppressor grid. The suppressor grid is usually operated at or near the potential of the cathode and prevents secondary emission electrons from the plate from reaching the screen grid. The addition of the suppressor grid permits much greater output signal amplitude to be obtained from the plate of the pentode in amplifier operation than from the plate of the screen-grid tube at the same plate supply voltage. Pentodes were widely manufactured and used in electronic equipment until the 1960s to 1970s, during which time transistors replaced tubes in new designs. During the first quarter of the 21st century, a few pentode tubes have been in production for high power radio frequency applications, musical instrument amplifiers, home audio and niche markets.

<span class="mw-page-title-main">Linear amplifier</span> Electronic circuit

A linear amplifier is an electronic circuit whose output is proportional to its input, but capable of delivering more power into a load. The term usually refers to a type of radio-frequency (RF) power amplifier, some of which have output power measured in kilowatts, and are used in amateur radio. Other types of linear amplifier are used in audio and laboratory equipment. Linearity refers to the ability of the amplifier to produce signals that are accurate copies of the input. A linear amplifier responds to different frequency components independently, and tends not to generate harmonic distortion or intermodulation distortion. No amplifier can provide perfect linearity however, because the amplifying devices—transistors or vacuum tubes—follow nonlinear transfer function and rely on circuitry techniques to reduce those effects. There are a number of amplifier classes providing various trade-offs between implementation cost, efficiency, and signal accuracy.

<span class="mw-page-title-main">Ibanez Tube Screamer</span> Guitar overdrive pedal

The Ibanez Tube Screamer (TS808/TS9) is a guitar overdrive pedal, made by Ibanez. The pedal has a characteristic mid-boosted tone popular with blues, rock and metal players. The Tube Screamer has been used by many guitarists to create their signature sound, and is one of the most successful, widely copied, and custom-modified ("modded") overdrive pedals in the history of the electric guitar.

A valve audio amplifier (UK) or vacuum tube audio amplifier (US) is a valve amplifier used for sound reinforcement, sound recording and reproduction.

<span class="mw-page-title-main">Bass amplifier</span> Electronic amplifier for musical instruments

A bass amplifier is a musical instrument electronic device that uses electrical power to make lower-pitched instruments such as the bass guitar or double bass loud enough to be heard by the performers and audience. Bass amps typically consist of a preamplifier, tone controls, a power amplifier and one or more loudspeakers ("drivers") in a cabinet.

<span class="mw-page-title-main">Distortion (music)</span> Electronic manipulation of audio to increase gain

Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, and heavy metal music, while the use of distorted bass has been essential in a genre of hip hop music and alternative hip hop known as "SoundCloud rap".

The KT88 is a beam tetrode/kinkless tetrode vacuum tube for audio amplification.

<span class="mw-page-title-main">Biasing</span> Predetermined voltages or currents establishing proper operating conditions in electronic components

In electronics, biasing is the setting of DC operating conditions of an active device in an amplifier. Many electronic devices, such as diodes, transistors and vacuum tubes, whose function is processing time-varying (AC) signals, also require a steady (DC) current or voltage at their terminals to operate correctly. This current or voltage is called bias. The AC signal applied to them is superposed on this DC bias current or voltage.

Luxman is a brand name of Japanese Luxman Corporation (ラックスマン株式会社), a company that manufactures luxury audio components. Luxman produces a variety of high-end audio products which include turntables, amplifiers, receivers, tape decks, CD players and speakers

<span class="mw-page-title-main">6AK5</span>

The 6AK5 vacuum tube is a miniature 7-pin sharp-cutoff pentode used as RF or IF amplifier especially in high-frequency wide-band applications at frequencies up to 400 MHz.

<span class="mw-page-title-main">Tube sound</span> Characteristic quality of sounds from vacuum tube amplifiers

Tube sound is the characteristic sound associated with a vacuum tube amplifier, a vacuum tube-based audio amplifier. At first, the concept of tube sound did not exist, because practically all electronic amplification of audio signals was done with vacuum tubes and other comparable methods were not known or used. After introduction of solid state amplifiers, tube sound appeared as the logical complement of transistor sound, which had some negative connotations due to crossover distortion in early transistor amplifiers. However, solid state amplifiers have been developed to be flawless and the sound is later regarded neutral compared to tube amplifiers. Thus the tube sound now means 'euphonic distortion.' The audible significance of tube amplification on audio signals is a subject of continuing debate among audio enthusiasts.

References

  1. 1 2 Grosse, Darwin (2004) Interview: Eric Barbour of Metasonix Creative Synth (via archive.org)
  2. Eli Crews for Electronic Musician. August 1, 2008 Quick Pick: Metasonix TM-7 Scrotum Smasher
  3. 1 2 Barbour, Eric (January 4, 1999). The Cool Sound of Tubes. Archived 2016-03-04 at the Wayback Machine IEEE Spectrum
  4. Associated Press (Mar 1, 1998). Sound of vacuum tubes gets audiophiles glowing. 'Eugene Register-Guard
  5. Wheeler, Tom; Richards, Keith (2007). The Soul of Tone: Celebrating 60 Years of Fender Amps, p. 53. Hal Leonard Corporation, ISBN   978-0-634-05613-0
  6. 1 2 Peter Kirn for Created Digital Music. April 28, 2015 Metasonix Have Made an Immoral Drum Machine from Vacuum Tubes
  7. Crews, Eli (August 1, 2008). Quick Pick: Metasonix TM-7 Scrotum Smasher. Electronic Musician, Volume 24, Issues 7-12
  8. Robair, Gino (January 1, 2004). Metasonix TM-3. Electronic Musician
  9. Robair, Gino (October 1, 2006). Metasonix (TM-6 review). Electronic Musician
  10. Robair, Gino (October 1, 2006). Metasonix (TX-1 Agonizer review) Electronic Musician
  11. Anderton, Craig (May 2005). Metasonix TX-1 Agonizer. Keyboard Magazine
  12. Robair, Gino (September 1, 2007). Metasonix TX-2 Butt Probe (review). Electronic Musician
  13. Robair, Gino (November 1, 2000). Metasonix TS-21 Hellfire Modulator (review). Electronic Musician
  14. Robair, Gino (September 1, 2007) Bizarre Hardware. Electronic Musician
  15. http://www.metasonix.com/G1000ownermanual.pdf [ bare URL PDF ]
  16. "Metasonix Debuts The TM-7 Ultra-Distortion Scrotum Smasher". Synthtopia.com. 29 January 2007. Retrieved 3 January 2012.
  17. "Metasonix TM7 Ultra-Distortion Scrotum Smasher". Audio Geek. Archived from the original on 16 March 2012. Retrieved 3 January 2012.