Mia Locks is a contemporary art curator and museum leader.
Mia Locks is an independent curator and writer based in Los Angeles.[ citation needed ] She co-founded and leads Museums Moving Forward, a data-driven research initiative to support equity in the art museum sector, funded by Ford Foundation [1] and Mellon Foundation. [2] [ citation needed ] She serves on the board of Clockshop, an arts organization in Los Angeles. She is also an editorial advisor on the podcasts "Hope & Dread: The Tectonic Shifts of Power in Art." [3] " and The Art World: What If...?!" [4]
Locks' recent exhibitions include The Deep West Assembly Cauleen Smith (2024) at Astrup Fearnley Museet in Oslo and Miranda July: New Society (2024) at Fondazione Prada in Milan. Previously, Locks worked as a curator at The Museum of Contemporary Art, Los Angeles (MOCA); Whitney Museum of American Art, New York; and MoMA PS1, New York. [5] [ citation needed ] Most recently, she was Senior Curator and Head of New Initiatives at the Museum of Contemporary Art, Los Angeles. [6] [ citation needed ] Prior to MOCA, Locks was co-curator of the 2017 Whitney Biennial, with Christopher Y. Lew. [7] At MoMA PS1, she organized exhibitions including Math Bass: Off the Clock (2015); IM Heung-soon: Reincarnation (2015); Samara Golden: The Flat Side of the Knife (2014); and The Little Things Could Be Dearer (2014). [8] She also co-curated Greater New York (2015), with Douglas Crimp, Peter Eleey, and Thomas J. Lax. [9] As an independent curator, she organized Ulrike Müller: or both (2019) at Moore College of Art & Design in Philadelphia, and Cruising the Archive: Queer Art and Culture in Los Angeles, 1945–1980 (2011), with David Evans Frantz, at the ONE National Gay & Lesbian Archives in Los Angeles, as part of the Getty’s inaugural Pacific Standard Time initiative. [10]
Lock's writing has appeared in Artnet, Mousse, Afterall , Art Journal , and several exhibition catalogues including texts on artists such as Miranda July, Math Bass, Samara Golden, Shara Hughes, William Pope.L, and Carrie Moyer. [11] [12] [13] [14] She edited the first monograph of Samara Golden's work, The Flat Side of the Knife, published by MoMA PS1 in 2014. [15] She served on the faculty of the M.A. program in Curatorial Practice at the School of Visual Arts, New York from 2017-2019. [16]
Locks received a BA from Brown University and an MA from the University of Southern California (USC). She was a 2018 fellow at the Center for Curatorial Leadership in New York City. [17] [ citation needed ]
Huma Bhabha is a Pakistani-American sculptor based in Poughkeepsie, New York. Known for her uniquely grotesque, figurative forms that often appear dissected or dismembered, Bhabha often uses found materials in her sculptures, including styrofoam, cork, rubber, paper, wire, and clay. She occasionally incorporates objects given to her by other people into her artwork. Many of these sculptures are also cast in bronze. She is equally prolific in her works on paper, creating vivid pastel drawings, eerie photographic collages, and haunting print editions.
Thelma Golden is an American art curator, who is the Director and Chief Curator of The Studio Museum in Harlem, New York City, United States. She is noted as one of the originators of the term post-blackness. From 2017 to 2020, ArtReview chose her annually as one of the 10 most influential people in the contemporary art world.
Klaus Biesenbach is a German-American curator and museum director. He is the Director of the Neue Nationalgalerie, with Berggruen Museum and Scharf-Gerstenberg Collection, as well as the berlin modern under construction.
Cornelia H. "Connie" Butler is an American museum curator, author, and art historian. Since 2023, Butler is the Director of MoMA PS1. From 2013 to 2023, she was the Chief Curator at the Hammer Museum in Los Angeles.
Mary Miss is an American artist and designer. Her work has crossed boundaries between architecture, landscape architecture, engineering and urban design. Her installations are collaborative in nature: she has worked with scientists, historians, designers, and public administrators. She is primarily interested in how to engage the public in decoding their surrounding environment.
A. L. Steiner is an American multimedia artist, author and educator, based in Brooklyn, New York. Her solo and collaborative art projects use constructions of photography, video, installation, collage, and performance. Steiner's art incorporates queer and eco-feminist elements. She is a collective member of the musical group Chicks on Speed; and, along with Nicole Eisenman, is a co-curator/co-founder of Ridykeulous, a curatorial project that encourages the exhibitions of queer and feminist art.
Tauba Auerbach is a visual artist working in many disciplines including painting, artists' books, sculpture, and weaving who lives and works in New York.
Math Bass is an artist known for fusing performance with paintings and sculptures using formal elements like solid colors, geometric imagery, raw materials, and visual symbols. Bass has exhibited at Overduin & Kite, Human Resources, and Vielmetter Los Angeles. The artist was featured in the 2012 Made in LA Biennial at the Hammer Museum and in May 2015, MoMA PS1 presented Bass's first solo museum show, Math Bass: Off the Clock, organized by Mia Locks. Bass currently lives and works in Los Angeles, California.
Philippe Vergne is a French curator who has been serving as director of the Serralves Contemporary Art Museum since 2019.
Cindy Bernard is a Los-Angeles based artist whose artistic practice comprises photography, video, performance, and activism. In 2002, Cindy Bernard founded the Society for the Activation of Social Space through Art and Sound, which presents site-relational experimental music. Her numerous Hitchcock references have been discussed in Dan Auiler's Vertigo: The Making of a Hitchcock Classic (1998), essays by Douglas Cunningham and Christine Spengler in The San Francisco of Alfred Hitchcock's Vertigo: Place, Pilgrimage and Commemoration (2012) and Spengler's Hitchcock and Contemporary Art (2014).
Stuart Comer is an American art curator and writer who is currently Chief Curator of Media and Performance Art at The Museum of Modern Art in New York City. He was co-curator of the 2014 Biennial at the Whitney Museum of American Art, alongside Michelle Grabner and Anthony Elms.
Samara Golden is an American artist based in Los Angeles.
Susan Cianciolo is a fashion designer and artist.
Ian Cheng is an American contemporary artist known for his "virtual ecosystem" live-simulated digital artworks. His artworks explore the capacity of living agents to deal with change, and are "less about the wonders of new technologies than about the potential for these tools to realize ways of relating to a chaotic existence." His work has been widely exhibited internationally, including MoMA PS1, Serpentine Galleries, Whitney Museum of American Art, Hirshhorn Museum, Venice Biennale, Leeum Museum and other institutions.
Hannah Black is a British visual artist, critic, and writer. Her work spans video, text and performance.
Sue Williams is an American artist born in 1954. She came to prominence in the early 1980s, with works that echoed and argued with the dominant postmodern feminist aesthetic of the time. In the years since, her focus has never waned yet her aesthetic interests have moved toward abstraction along with her subject matter and memories. She lives and works in New York.
Christopher Y. Lew is an American art curator and writer based in New York City. Lew is currently the Nancy and Fred Poses Curator at the Whitney Museum of American Art.
Tomashi Jackson is an American multimedia artist working across painting, video, textiles and sculpture. Jackson was born in Houston, Texas, raised in Los Angeles, and currently lives and works in New York, NY and Cambridge, MA. Jackson was named a 2019 Whitney Biennial participating artist. Her work is included in the collection of MOCA Los Angeles. In 2004, a 20-foot-high by 80-foot-long mural by Jackson entitled Evolution of a Community was unveiled in the Los Angeles neighborhood of West Adams.
Johanna Beth Burton is an American art historian, critic, and curator who has been the director of the Museum of Contemporary Art, Los Angeles since 2021. She was director of the Wexner Center for the Arts at Ohio State University from 2018 to 2021.
Leslie Martinez is a visual artist working primarily with abstract painting. Martinez's textured compositions complicate the use of color in art history to touch on issues of gender, queerness, migration, citizenship, and identity. The artist lives and works in Dallas, Texas.
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