Paul Edmund Soldner was an American ceramic artist and educator, noted for his experimentation with the 16th-century Japanese technique called raku, introducing new methods of firing and post firing, which became known as American Raku. He was the founder of the Anderson Ranch Arts Center in 1966.
Bernard Howell Leach was a British studio potter and art teacher. He is regarded as the "Father of British studio pottery".
Studio pottery is pottery made by professional and amateur artists or artisans working alone or in small groups, making unique items or short runs. Typically, all stages of manufacture are carried out by the artists themselves. Studio pottery includes functional wares such as tableware and cookware, and non-functional wares such as sculpture, with vases and bowls covering the middle ground, often being used only for display. Studio potters can be referred to as ceramic artists, ceramists, ceramicists or as an artist who uses clay as a medium.
Dame Lucie Rie, was an Austrian-born, independent, British studio potter. She is known for her extensive technical knowledge, her meticulously detailed experimentation with glazes and with firing and her unusual decorative techniques.
Julian Francis Stair is an English potter, academic and writer. He makes groups of work using a variety of materials, from fine glazed porcelain to coarse engineering brick clays. His work ranges in scale from hand-sized cups and teapots to monumental jars at over 6 feet tall and weighing half a ton.
Emmanuel Cooper was a British studio potter, advocate for LGBT rights and writer on arts and crafts.
Karen Karnes was an American ceramist, best known for her salt glazed, earth-toned stoneware ceramics.
Gwyn Hanssen Pigott OAM (1935–2013) was an Australian ceramic artist. She was recognized as one of Australia’s most significant contemporary artists. By the time she died she was regarded as "one of the world's greatest contemporary potters". She worked in Australia, England, Europe, the US, New Zealand, Japan and Korea. In a career spanning nearly 60 years, influences from her apprenticeships to English potters were still apparent in her later work. But in the 1980s she turned away from production pottery to making porcelain still-life groups largely influenced by the Italian painter Giorgio Morandi.
Ladi Kwali or Ladi Dosei Kwali, OON NNOM, MBE was a Nigerian potter, ceramicist and educator.
Dame Vera Doreen Blumhardt was a New Zealand potter, ceramicist and arts educator.
John Maltby was a distinguished English sculptor and studio potter.
Elizabeth Fritsch CBE is a British studio potter and ceramic artist born into a Welsh family in Whitchurch on the Shropshire border. Her innovative hand built and painted pots are often influenced by ideas from music, painting, literature, landscape and architecture.
Clive Bowen is a Devon based potter whose work is included in a number of public collections.
Ray Finch MBE, formally Alfred Raymond Finch, was an English studio potter who worked at Winchcombe Pottery for a period spanning seventy-five years.
Walter Keeler is a British studio potter and was professor of Ceramics at the University of the West of England from 1994 to 2002. Keeler makes salt glaze pottery influenced by early Staffordshire Creamware.
Philip Rogers was a Welsh studio potter who has been featured in a number of books on studio pottery and worked at Lower Cefnfaes Farm's Marston Pottery from 1984 until his death in December 2020 and previously in Rhayader, Powys, Wales, from 1978 to 1984.
Jane Hamlyn is an English studio potter known for her functional salt glaze pottery.
Garth Clark is an art critic, art historian, curator, gallerist, and art dealer from Pretoria, South Africa.
Denise Wren was an Australian-born British studio potter and craftsperson. Wren was one of the first female studio potters in Britain. She studied and taught with the Kingston School of Art, Knox Guild and Camberwell College of Arts. Wren and her family subsequently set up the Oxshott Pottery and wrote on the subjects of ceramics, textiles and making.
Jennifer Elizabeth Lee is a Scottish ceramic artist with an international reputation. Lee's distinctive pots are hand built using traditional pinch and coil methods. She has developed a method of colouring the pots by mixing metallic oxides into the clay before making. Her work is held in over forty museums and public collections worldwide, including the Metropolitan Museum of Art in New York, the Philadelphia Museum of Art, the Los Angeles County Museum and the Victoria and Albert Museum. In 2018 Lee won the Loewe Craft Prize, an award initiated by Jonathan Anderson in 2017. The prize was presented to her at an awards ceremony at The Design Museum in London.
