Lionel Brockman Richie Jr. is an American singer, songwriter, record producer, and television personality. He rose to fame in the 1970s as a songwriter and the co-lead singer of the Motown group Commodores; writing and recording the hit singles "Easy", "Sail On", "Three Times a Lady" and "Still", with the group before his departure. In 1980, he wrote and produced the US Billboard Hot 100 number one single "Lady" for Kenny Rogers.
Popping is a street dance adapted out of the earlier Boogaloo cultural movement in Oakland, California. As Boogaloo spread, it would be referred to as Robottin' in Richmond, California, Strutting movements in San Francisco and San Jose, and the Strikin' dances of the Oak Park community in Sacramento, which were popular through the mid-1960s to the 1970s. Popping would be eventually adapted from earlier Boogaloo movements in Fresno, California, in the late 1970s by way of California high school gatherings of track & meet events - the West Coast Relays. The dance is rooted through the rhythms of live funk music, and is based on the technique of Boogaloo's posing approach, quickly contracting and relaxing muscles to cause a jerk or can be a sudden stop in the dancer's body, referred to as a pose, pop or a hit. This is done continuously to the rhythm of a song in combination with various movements and poses. It was popularized by a Fresno & Long Beach-based dance group called the Electric Boogaloos that mixed popping techniques to boogaloo. Closely related illusory dance styles and techniques are often integrated into popping to create a more varied performance. These dance styles include the robot, waving and tutting. However, popping is distinct from breaking and locking, with which it is often confused. A popping dancer is commonly referred to as a popper.
Lambada is a 1990 drama film starring J. Eddie Peck, Melora Hardin, Adolfo "Shabba-doo" Quiñones, Ricky Paull Goldin, Dennis Burkley, and Keene Curtis. Lambada was written and directed by Joel Silberg and choreographed by Shabba-Doo.
"I Feel for You" is a song written by American musician Prince that originally appeared on his 1979 self-titled album. The most successful and best-known version was recorded by R&B singer Chaka Khan and appeared on her 1984 album of the same name. It became the recipient of two Grammy Awards for Best R&B Song and Best Female R&B Vocal Performance for Khan.
Hip hop dance is a range of street dance styles primarily performed to hip hop music or that have evolved as part of hip hop culture. It is influenced by a wide range of styles that were created in the 1970s and made popular by dance crews in the United States. The television show Soul Train and the 1980s films Breakin', Beat Street, and Wild Style showcased these crews and dance styles in their early stages; therefore, giving hip-hop dance mainstream exposure.
Breakin' is a 1984 American breakdancing-themed musical film directed by Joel Silberg and written by Charles Parker and Allen DeBevoise based on a story by Parker, DeBevoise and Gerald Scaife.
Breakin' 2: Electric Boogaloo is a 1984 American dance musical film directed by Sam Firstenberg. It is a sequel to the 1984 breakdancing film Breakin'. Electric Boogaloo was released seven months after its predecessor by TriStar Pictures. In some international locations the film was released under the title Breakdance 2: Electric Boogaloo. Another sequel, Rappin' was made but had an unconnected plot and different lead characters – only Ice-T features in all three films.
Lucinda Dickey is an American former dancer and actress. She is best known for her leading roles in the film Breakin' (1984) and its sequel Breakin' 2: Electric Boogaloo (1984).
Adolfo Gutierrez Quiñones or Adolfo Gordon Quiñones(sources differ), known professionally as Shabba Doo, was an American actor, break dancer, and choreographer of African American and Puerto Rican descent.
Lela Rochon Fuqua, is an American actress. She is best known for her starring role as Robin Stokes in the 1995 romantic drama film Waiting to Exhale. Rochon also had roles in the films Harlem Nights (1989), Boomerang (1992), The Chamber (1996), Gang Related (1997), Knock Off (1998), Why Do Fools Fall in Love (1998), and Any Given Sunday (1999).
L'Trimm was a Miami bass hip-hop duo composed of Bunny D and Lady Tigra. Originally from Coconut Grove, Florida, they recorded three albums for Atlantic Records: Grab It! in 1988, Drop That Bottom in 1989, and Groovy in 1991.
The Electric Boogaloos are a street dance crew responsible for the spread of popping and electric boogaloo. The name "Boogaloo" came from a song called "Do a Boogaloo" by James Brown, which was also adapted as a Boogaloo street dance done from Oakland, CA. They were founded by Boogaloo Sam in Fresno, California in 1977. Their original name was the Electric Boogaloo Lockers but "Lockers" was dropped the following year.
The Lockers was a dance group formed by Toni Basil and Don "Campbellock" Campbell in 1971. Active throughout the 1970s, they were pioneers of street dance. Don Campbell is the founder of the locking dance style, and originally, Locking was called The Campbellock—a style that was based on the dance and song that Don Campbell created. Toni Basil met Campbell at a club in 1971 and together they formed The Lockers as a dance group. Toni Basil, who became Campbell's girlfriend, also served as The Lockers' manager, and was responsible for staging the act. All the dancers contributed steps and choreography with their unique and individual styles. By 1975 they were "Dancing their way to stardom" on their own. Individual members' contributions to the dance style and group image coupled with their unique presentation in staging and concept broke down many barriers. It has been said on the reality dance competition So You Think You Can Dance that "The Lockers' emergence on the dance scene changed the face of dance not only for street dancers but for dance in general and has made street dance a true American art form."
Jeffrey Glen Daniel is an American dancer, singer-songwriter, and choreographer, most notable for being a founding member of the R&B vocal group Shalamar. In Nigeria, he is best known as a judge on the first three seasons of Nigerian Idol.
Steve da Silva', better known as Suga Pop, is an American "street dance" practitioner and choreographer based in the United States. He is known for his work in "popping" and "locking", styles of dance collectively grouped under the umbrella term "funk styles". These styles are associated with the U.S. West Coast, particularly California. He has been affiliated with the performance groups Electric Boogaloos and Rock Steady Crew.
The history of hip-hop dances encompasses the people and events since the late 1960s that have contributed to the development of early hip-hop dance styles, such as uprock, breaking, locking, roboting, boogaloo, and popping. African Americans created uprock and breaking in New York City. African Americans in California created locking, roboting, boogaloo, and popping—collectively referred to as the funk styles. All of these dance styles are different stylistically. They share common ground in their street origins and in their improvisational nature of hip hop.
Ollie E. Brown is an American drummer, percussionist, record producer, and high-school basketball coach. A prolific session musician, Brown has performed on over a hundred albums in the 1970s, 1980s and 1990s. Brown was also half of the American dance-pop duo Ollie & Jerry, which had a Top 10 hit with "Breakin'... There's No Stopping Us" in 1984.
Timothy Earl Solomon, known as Popin' Pete, is an American dancer and choreographer who popularized the "popping" dance style and member of the Electric Boogaloos. Pete’s career has spanned over forty years since the emergence of popping dance.
Punking is a street dance from the underground gay community of Los Angeles that was developed in the early 1970s.
Boogaloo is a freestyle, improvisational street dance movement of soulful steps and robotic movements which make up the foundations of popping dance and turfing; boogaloo can incorporate illusions, restriction of muscles, stops, robot and/or wiggling. The style also incorporates foundational popping techniques, which were initially referred to as "Posing Hard". It is related to the later electric boogaloo dance.
