Arsenio Rodríguez was a Cuban musician, composer and bandleader. He played the tres, as well as the tumbadora, and he specialized in son, rumba and other Afro-Cuban music styles. In the 1940s and 1950s Rodríguez established the conjunto format and contributed to the development of the son montuno, the basic template of modern-day salsa. He claimed to be the true creator of the mambo and was an important as well as a prolific composer who wrote nearly two hundred songs.
Callen Radcliffe Tjader Jr. was an American Latin Jazz musician, known as the most successful non-Latino Latin musician. He explored other jazz idioms, even as he continued to perform music of Afro-Jazz, the Caribbean, México and Latin America.
Jesús Valdés Rodríguez, better known as Chucho Valdés, is a Cuban pianist, bandleader, composer and arranger whose career spans over 50 years. An original member of the Orquesta Cubana de Música Moderna, in 1973 he founded the group Irakere, one of Cuba's best-known Latin jazz bands.
Omara Portuondo Peláez is a Cuban singer and dancer. A founding member of the popular vocal group Cuarteto d'Aida, Portuondo has collaborated with many important Cuban musicians during her long career, including Julio Gutiérrez, Juanito Márquez and Chucho Valdés. Although primarily known for her rendition of boleros, she has recorded in a wide range of styles from jazz to son cubano. Since 1996, she has been part of the Buena Vista Social Club project, touring extensively and recording several albums with the ensemble. She won a Latin Grammy Award for Best Contemporary Tropical Album in 2009 and a Latin Grammy Lifetime Achievement Award in 2019, and she received three Grammy Award nominations.
Afro-Cuban jazz is the earliest form of Latin jazz. It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban music has deep roots in African ritual and rhythm. Afro-Cuban jazz emerged in the early 1940s with the Cuban musicians Mario Bauzá and Frank Grillo "Machito" in the band Machito and his Afro-Cubans in New York City. In 1947, the collaborations of bebop trumpeter Dizzy Gillespie and percussionist Chano Pozo brought Afro-Cuban rhythms and instruments, such as the tumbadora and the bongo, into the East Coast jazz scene. Early combinations of jazz with Cuban music, such as "Manteca" and "Mangó Mangüé", were commonly referred to as "Cubop" for Cuban bebop.
A descarga is an improvised jam session consisting of variations on Cuban music themes, primarily son montuno, but also guajira, bolero, guaracha and rumba. The genre is strongly influenced by jazz and it was developed in Havana during the 1950s. Important figures in the emergence of the genre were Cachao, Julio Gutiérrez, Bebo Valdés, Peruchín and Niño Rivera in Cuba, and Tito Puente, Machito and Mario Bauzá in New York. Originally, descargas were promoted by record companies such as Panart, Maype and Gema under the label Cuban jam sessions. From the 1960s, the descarga format was usually adapted by large salsa ensembles, most notably the Fania All-Stars.
Cándido Camero Guerra, known simply as Cándido, was a Cuban conga and bongo player. He is considered a pioneer of Afro-Cuban jazz and an innovator in conga drumming. He was responsible for the development of tuneable conga sets, as well as the combination of congas and bongos, and other instruments such as the foot-operated cowbell.
Dionisio Ramón Emilio Valdés Amaro, better known as Bebo Valdés, was a Cuban pianist, bandleader, composer and arranger. He was a central figure in the golden age of Cuban music, especially due to his big band arrangements and compositions of mambo, chachachá and batanga, a genre he created in 1952.
Daptone Records is a funk and soul independent record label based in Brooklyn, New York. Best known as the home of Sharon Jones & The Dap-Kings and Charles Bradley, the label boasts a roster which includes Menahan Street Band, The Budos Band, The Sugarman 3, and Antibalas, and runs the recording studio Daptone's House of Soul.
Israel López Valdés, better known as Cachao, was a Cuban double bassist and composer. Cachao is widely known as the co-creator of the mambo and a master of the descarga. Throughout his career he also performed and recorded in a variety of music styles ranging from classical music to salsa. An exile in the United States since the 1960s, he only achieved international fame following a career revival in the 1990s.
Armando Peraza was a Latin jazz percussionist and a member of the rock band Santana. Peraza played congas, bongos, and timbales.
Ron McClure is an American jazz bassist.
Sonny Bravo, born Elio Osacar, is an Afro-Cuban jazz and Latin jazz pianist. He was once a very good baseball player with many prospects born in New York, New York, though due to an injury in 1956 he sought out a career in music. It was then he started performing with Many Campo, El Casino de Miami, José Fajardo and many others. He also recorded with Tito Puente and Bobby Paunetto.
Israel Tanenbaum-Rivera is an American pianist, music producer, composer, arranger and audio engineer who has produced more than 50 albums and participated in over 100 recordings.
Andrés Echevarría Callava, better known as Niño Rivera, was a renowned Cuban tres player, songwriter and arranger. Early in his career he played with the Sexteto Boloña and Sexteto Bolero, before forming his own conjunto in the 1940s. His music was based on popular Cuban forms such as the son montuno and the chachachá, often with notable jazz influences.
A Toda Cuba le Gusta is the first studio album by the Afro-Cuban All Stars, produced by Cuban bandleader and musician Juan de Marcos González and Nick Gold, and released on April 9, 1997 on World Circuit Records.
Francisco Jose Mela is a Cuban drummer and percussionist who has performed with a wide array of prominent international Latin and jazz artists including Kenny Barron, Gary Bartz, JoAnne Brackeen, Jane Bunnett, Regina Carter, Anat Cohen, Paquito D'Rivera, George Garzone, Larry Grenadier, Stefon Harris, Lionel Loueke, Joe Lovano, Jason Moran, John Patitucci, John Scofield, Esperanza Spalding, Mark Turner, McCoy Tyner, Chucho Valdés, Kenny Werner, and many others.
Rachel Eckroth is a Grammy nominated American singer-songwriter and keyboardist from Phoenix, Arizona. She is currently the keyboardist for alternative musician St. Vincent and singer-songwriter Rufus Wainwright after being the keyboardist for jazz trumpeter Chris Botti, singer-songwriter KT Tunstall, and The Meredith Vieira Show. Her latest album The Garden was released by Rainy Days Records in 2021.
Cuban Dance Party is a 1959 album by Bebo Valdés and his orchestra. It is an entirely instrumental album, including big band renditions of chachachás, mambos, afros, etc. It was released in the United States by Everest Records in stereo, which makes the sound quality particularly good compared to other Cuban albums of the time. It features Humberto Suárez, long-time pianist of the Orquesta Cosmopolita, on organ on two tracks.
Orquesta Akokán is a Latin jazz ensemble formed by musicians from Cuba and New York, United States. It takes inspiration from mid-twentieth century mambo musicians such as Perez Prado, Beny Moré, and Machito.
