Michael Meyersfeld | |
---|---|
Born | Johannesburg, South Africa | June 5, 1940
Nationality | South African |
Spouse(s) | Saranne Meyersfeld |
Website | meyersfeld |
Michael Meyersfeld is a fine art photographer living and working in Johannesburg, South Africa. Meyersfeld works with both fine art and advertising photography.
Born to a South African mother and French-German father, Meyersfeld's interest in photography began at a very early age when he made his first contact prints from a Baby Brownie camera at his family home in Johannesburg. He was schooled at King Edward Vll, and attained a B.Com. in 1961, from the University of the Witwatersrand, after which he joined the family steel merchandising business.
At 47, he left the family business and for the next twenty years worked as an advertising photographer, all the while exhibiting his fine art work. Most of Meyersfeld's photographs require a level of ‘staging'. As examples, Life Staged, a series consisting of four bodies of work, 12 Naked Men (2007), Woman Undone, Guests at the Troyeville Hotel and Urban Disquiet. Gradually the representational has made way for pictures that happen without planning. [1]
David Goldblatt HonFRPS was a South African photographer noted for his portrayal of South Africa during the period of apartheid. After apartheid had ended he concentrated more on the country's landscapes. What differentiates Goldblatt's body of work from those of other anti-apartheid artists is that he photographed issues that went beyond the violent events of apartheid and reflected the conditions that led up to them. His forms of protest have a subtlety that traditional documentary photographs may lack: "[M]y dispassion was an attitude in which I tried to avoid easy judgments. . . . This resulted in a photography that appeared to be disengaged and apolitical, but which was in fact the opposite." He has numerous publications to his name.
Samuel Joseph Haskins, was a British photographer, born and raised in South Africa. He started his career in Johannesburg and moved to London in 1968. Haskins is best known for his contribution to in-camera image montage, Haskins Posters (1973) and the 1960's figure photography trilogy Five Girls (book) (1962), Cowboy Kate & Other Stories (1964) and November Girl (book) (1967), plus an ode to sub-saharan tribal Africa "African Image (book) (1967).
Judith Mason born Judith Seelander Menge was a South African artist who worked in oil, pencil, printmaking and mixed media. Her work is rich in symbolism and mythology, displaying a rare technical virtuosity.
Ernest Levi Tsoloane Cole was a South African photographer. In the early 1960s, he started to freelance for clients such as Drum magazine, the Rand Daily Mail, and the Sunday Express. This made him South Africa's first black freelance photographer.
Guy Tillim is a South African photographer known for his work focusing on troubled regions of Sub-Saharan Africa. A member of the country's white minority, Tillim was born in Johannesburg in 1962. He graduated from the University of Cape Town in 1983, and he also spent time at the Market Photo Workshop in Johannesburg. His photographs and projects have been exhibited internationally and form the basis of several of Tillim's published books.
Pablo Bartholomew is an Indian photojournalist and an independent photographer based in New Delhi, India. He is noted for his photography, as an educator running photography workshops, and as manager of MediaWeb, a software company specialising in photo database solutions and server-based digital archiving systems.
Hermann Niebuhr is a South African artist who lives in De Rust. He utilizes oils on canvas in a classical painterly style to document urban decay as well as rural landscapes.
Christof Plümacher is a German fine art photographer.
Zanele Muholi is a South African artist and visual activist working in photography, video, and installation. Muholi's work focuses on race, gender and sexuality with a body of work that dates back to the early 2000's, documenting and celebrating the lives of South Africa's Black lesbian, gay, transgender, and intersex communities. Muholi is non-binary and uses they/them pronouns, explaining that "I'm just human".
Irakly Shanidze is a creative director and an advertising, fashion, and portrait photographer.
Sanell Aggenbach is a South African artist living and working in Woodstock, Cape Town. Using painting, printmaking, and sculpture, her work addresses the relationship between history and private narratives, with a sense of ambiguity. Her work also explores the processes of nostalgia and historical myth-making, often incorporating the playful, disarming, and absurd to draw the viewer into discussions of darker subjects. She has a unique style of combining traditional painting techniques with sculptural elements, as well as typically feminine crafts such as sewing and tapestry.
Jacki McInnes is a South African artist living and working in Johannesburg. Her art tends towards a style of binary interrogation: migrancy versus xenophobia, material aspirations versus poverty, the survival strategies of newly urbanised populations, and the complexities associated with the lived realities of late-capitalism. Current work, in particular, explores the contradictions inherent in present-day human thought and behaviour, especially regarding the disconnect between material aspiration, rampant consumerism, wasteful practices, and their disastrous effect on our planet and ultimate future.
Pamela Stretton is a South African artist whose work deals predominantly with the female body and its commodification, beautification, and role in popular culture. Most of her works are digital ink jet prints that combine photographic images and text; they are composites of barcodes, labels, and advertisements that create a larger image of the female form. The pieces are largely autobiographical, but also carry general themes about popular culture, fashion, health, and food. The painstaking and meticulous creation of each piece references obsessive eating disorders. Similarly, the grid mechanism portrays the pressures of conformity. Her style has been called a female version of Chuck Close.
Kathryn Smith is a South African artist, curator, and researcher. She works on curatorial projects, scholarly research, and studio practices, while her art deals with uncertainty, risk, and experimentation. She works in Cape Town and Stellenbosch. Her works have been exhibited and collected in South Africa and elsewhere. In 2006, she was appointed senior lecturer in the Department of Visual Arts at the University of Stellenbosch and head of the Fine Arts Studio Practice program. She took a break in 2012/2013 to read for an MSc at the University of Dundee.
James Barnor HonFRPS is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolis. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Steven Bosch is a South African artist and creative consultant in Johannesburg. He was also a trend analyst and presenter on the Afrikaans TV program Sieners on ViaTV, a South African lifestyle channel.
Kathryn Taylor Reynolds is an American fine art photographer and artist.
Wayne Barker, South African visual artist. Barker is based in Johannesburg. He rose to prominence in the late 80s, at the height of political unrest under the Apartheid regime. His work has featured in several global biennales, art fairs and important retrospective exhibitions. He works in various mediums, including but not limited to painting, printmaking, sculpture, video, performance and installation. In addition to collaborations with other artists, Barker has collaborated with the Qubeka Beadwork Studio based in Cape Town, to realise large scale glass beadworks.
Senzeni Marasela is a South African visual artist born in Thokoza who works across different media, combining performance, photography, video, prints, textiles and embroidery in mixed-medium installations. She obtained a BA in Fine Arts at the Wits School of Arts, University of the Witwatersrand, Johannesburg in 1998. Her work is exhibited in South Africa, Europe and the United States, and part of local and international collections, including Museum of Modern Art or the Newark Museum and is referenced in numerous academic papers, theses journal and book publications.
Robert A. Hamblin is a South African born visual artist, working mainly in photography and paint on paper. The work deals with tensions on the gender and sexuality spectrums of the contemporary human condition. InterseXion, a multidisciplinary exhibition and seven year collaboration with the Sistaaz Hood, a group of South African transgender sex workers, was staged at Iziko South African National Gallery in 2017. His autobiography Robert. A Queer and Crooked Memoir (ISBN 9781928420972), was published in June 2021.
{{cite web}}
: CS1 maint: archived copy as title (link){{cite web}}
: CS1 maint: archived copy as title (link)