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Michael Wright is an artist and painter and working in both traditional and electronic media. He holds a BFA in Painting and Drawing and a BA in European History from the University of Washington, Seattle. He began his career as a painter, but began to explore Digital Media in the mid 1980s on an Amiga computer. He exhibited his first Digital Prints in 1989 and continues to work in both traditional and electronic media.
His work has exhibited included in exhibitions, articles, and books including The Computer in the Visual Arts by Anne Morgan Spalter and Cyberarts: Exploring Art & Technology by Linda Jacobs. He and his work have been featured on Agent X, Television Tokyo, at "ACM 1:Beyond Cyberspace" in San Jose in March 2001. He was also featured at "CyberArts X" and "The Impact of YLEM: 20 Years of Art, Science and Technology" both in San Francisco 2001, and "Computer Graphics World" 25th Anniversary Retrospective" in January 2002. Howard Fox, curator of modern art for the Los Angeles County Museum of Art has called Wright's digital work, "Down and dirty, with underlying tension. "Elizabeth A. T. Smith, former curator at the Los Angeles Museum of Modern Art, called Wright's work, "powerful, evocative, an equally charged carrier of meaning about memory, time and transformation." Wright's digital work is represented by the Spectra Digital Arts Gallery in New York City.
Wright is a professor in the Digital Media and Liberal Studies Programs at Otis College of Art and Design in Los Angeles. He has also taught at California State University Los Angeles. He formally served on the Siggraph Education Committee and the Siggraph Traveling Exhibition Committee. Wright also instructs on a regular basis for the Los Angeles County Museum of Art. In 1990, he was awarded a grant from the Cultural Affairs Department of the city of Los Angeles.
SIGGRAPH is an annual conference on computer graphics (CG) organized by the ACM SIGGRAPH, starting in 1974. The main conference is held in North America; SIGGRAPH Asia, a second yearly conference, has been held since 2008 in countries throughout Asia.
Digital art is an artistic work or practice that uses digital technology as part of the creative or presentation process. Since the 1970s, various names have been used to describe the process, including computer art and multimedia art. Digital art is itself placed under the larger umbrella term new media art.
Manfred Mohr is a German artist considered to be a pioneer in the field of digital art. He has lived and worked in New York since 1981.
Lynn Hershman Leeson is an American artist and filmmaker. Her work combines art with social commentary, particularly on the relationship between people and technology. Leeson's work in media-based technology helped legitimize digital art forms.
Rebecca Allen is an American designer, artist, pioneer, researcher, and educator, known for her research in the field of digital art. Starting in the 1970's, Allen started to compose works for computer imaging. This included still graphics, animation, television logos, music videos, video games, large-scale performance work, artificial life systems, and interactive installations. Her work addresses humanizing technology.
EZTV is a production company and exhibition venue founded in Los Angeles in 1979 by film scholar, writer and video producer John Dorr, along with several filmmakers, actors, writers, musicians and artists.
David Em is an American artist.
Walter "Chico" Hopps was an American museum director and curator of contemporary art. His obituary in The Washington Post described him as a "sort of a gonzo museum director—elusive, unpredictable, outlandish in his range, jagged in his vision, heedless of rules."
Kathy Smith is an Australian independent filmmaker, painter, photographer, and Associate Professor with the John C. Hench Division of Animation and Digital Arts (DADA), USC School of Cinematic Arts. She has been the Chair of DADA since 2004.
The Los Angeles Municipal Art Gallery is located in the Barnsdall Art Park in Los Angeles, California. It focuses on the arts and artists of Southern California.
Sachiko Kodama is a Japanese artist. She is best known for her artwork using ferrofluid, a dark colloidal suspension of magnetic nano-particles dispersed in solution which remains strongly magnetic in its fluid. By controlling the fluid with a magnetic field, it is formed to create complex 3-dimensional shapes as a "liquid sculpture".
Nickson Fong is a Singaporean Computer Graphics Artist and the first local to receive an Academy Award.
James Duesing is an American animator and educator. He has worked in many forms of animation, from traditional hand drawn and early digital work to 3D and motion capture projects. His 1990 animation Maxwell’s Demon is considered one of the earliest examples of creative use of desktop computing for animation production. Duesing has taught at The University of Cincinnati, College of Design, Architecture, Art and Planning and is a professor at Carnegie Mellon University.
Jody Zellen is a Los Angeles-based artist whose practice involves digital art, painting, video art and drawing. Zellen is known for her interactive installations, public art, curated exhibitions and art criticism. She employs media-generated representations as raw material for aesthetic and social investigations that combine text and image. Zellen's artistic practice ranges from mobile apps, net art and digital animation to drawing, painting, photography and artists' books. Her fourth curated exhibition "Poetic Codings" was the nation's first touring exhibition of artists' apps.
Jane Veeder is an artist-programmer, filmmaker, and professor at San Francisco State University in the Department of Design and Industry, at which she held the position of chair between 2012 and 2015. She has an MFA from the School of the Art Institute of Chicago (SAIC) where she studied Video and Filmmaking. Veeder is best known for her pioneering work in early computer graphics, however she has also worked extensively with traditional art forms such as painting, ceramics, theatre, and Photography.
Kathy Rae Huffman is an American curator, writer, producer, researcher, lecturer and expert for video and media art. Since the early 1980s, Huffman is said to have helped establish video and new media art, online and interactive art, installation and performance art in the visual arts world. She has curated, written about, and coordinated events for numerous international art institutes, consulted and juried for festivals and alternative arts organisations. Huffman not only introduced video and digital computer art to museum exhibitions, she also pioneered tirelessly to bring television channels and video artists together, in order to show video artworks on TV. From the early 1990s until 2014, Huffman was based in Europe, and embraced early net art and interactive online environments, a curatorial practice that continues. In 1997, she co-founded the Faces mailing list and online community for women working with art, gender and technology. Till today, Huffman is working in the US, in Canada and in Europe.
Andy Lomas is a British artist with a mathematical background, formerly a television and film CG supervisor and more recently a contemporary digital artist, with a special interest in morphogenesis using mathematical morphology.
Barbara Sykes is a Chicago based experimental video artist who explores themes of spirituality, ritual and indigeneity from a feminist perspective. Sykes is known for her pioneering experimentation with computer graphics in her video work, utilizing the Electronic Visualization Laboratory at the University of Illinois, Chicago, at a time when this technology was just emerging. Her work has been exhibited internationally, at institutions such as Moderna Museet (Stockholm), Ny Carlsberg Glyptotek (Copenhagen), Musée d'Art Moderne de la Ville de Paris, Museum of Contemporary Art San Diego, and The Metropolitan Museum of Art, as well as being the first female video artist to present her work in China.
Colette Stuebe Bangert is an American artist and New media artist who has created both computer-generated and traditional artworks. Her computer-generated artworks are the product of a decades-long collaboration with her husband, Charles Jeffries "Jeff" Bangert (1938–2019), a mathematician and computer graphics programmer. Her work in traditional media includes painting, drawing, watercolor and textile.
Monika Fleischmann,, is a pioneering German research artist, digital media scientist, and curator of new media art. She is one of the most relevant European women artist working in art, science, and technology. She founded and co-founded departments for interactive media art such as ART+COM in Berlin, the MARS – Exploratory Media Lab and the eCulture Factory within the largest German research institutions such as GMD and Fraunhofer Society. In 1992, together with her partner Wolfgang Strauss, she received the Golden Nica of the Prix Ars Electronica in Linz, Austria for Home of the Brain (1990/1992), the first artistic Virtual Reality installation. She is the recipient of the 2018 ACM SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art and was elected to the SIGGRAPH Academy as a research artist that has contributed to the field of interactive media art since the 1980s to the present day. Since the mid-1980s she has been working collaboratively with the architect Wolfgang Strauss as an artist couple. As part of their research in New Media Art, Architecture, Interface Design and Art Theory, they focus on the concept of Mixed Reality, which connects the physical with the virtual world. In 2008 she was appointed Honorary Professor of Media Theory and Interactive Media Art for the cross-university course of studies for digital media at Bremen University of Applied Sciences, Academy of Fine Arts and University of Bremen. Monika is Member of the MIMA ART Board at MIMA University | Munich Institute of Media and Musical Arts.