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References
- ↑ Edward A. Shanken, Art and Electronic Media. London: Phaidon Press, forthcoming january 2009. The Themes and Movements series.
- ↑ Wands, Bruce, Art of the Digital Age,
- ↑ Frank Popper, From Technological to Virtual Art, MIT Press
- ↑ Anker, Suzanne and Nelson, Dorothy The Molecular Gaze: Art in the Genetic Age (Cold Spring Harbor Laboratory Press Series on Genomics, Bio- technology)
- ↑ Christiane Paul, Digital Art, Penguin Press.
- ↑ Anne Morgan Spalter, The Computer in the Visual Arts, Addison Wesley Press.
- ↑ Wilson, Stephen, Information Arts: Intersections of Art, Science, and Technology, Wilson is Professor, Conceptual/Information Arts, Art Department, San Francisco State University, MIT Press/Leonard Books.
- ↑ Fifield, George, "Michael Rees, A Diagram of Forces", vol. 23, no. 7 cover story, Sculpture Magazine, September. 2004
- ↑ Ganis, William, "Ars Ex Machina", Sculpture Magazine, vol. 23, no. 7, September 2004.
- ↑ Fifield, George, The Digital Sculptor, Communication Arts.
- ↑ Rinder, Lawrence, catalogue for the BitStreams exhibition, Whitney Museum of American Art, New York, New York. 2001
- ↑ Kertiss, Klauss, Catalogue for The 1995 Whitney Biennial, The Whitney Museum of American Art, New York, New York. 1995
- ↑ Rees, Michael, “Silence and Presence at the Rothko Chapel: An Artist’s Response”, Image of the Not-Seen: Search for Understanding, The Rothko Chapel Art Series, Rothko Chapel, Houston, Texas. (with 3 figures from the Ajna Spine Series) pp. 100-111. 2007
- ↑ Rees, Michael, Yale Sculpture, vol. 26 no. 170 Flash Art, May/June 1993
