 | This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these template messages)
|
Michael Sidney Timpson (born February 26, 1970 in Mountain View, California) is an American composer of contemporary classical music.
Timpson was born and grew up in Silicon Valley, California at the height of the computer age.[ when? ] Although still regularly frequenting that area, he has also lived in Los Angeles, Upstate New York, Michigan, Kansas, Memphis, England, and Taiwan. Most recently he resided in Tampa, Florida before moving to Seoul, Korea in August 2010.[ citation needed ]
A child of the multicultural era in Northern California, he was intrigued with Japanese, Korean, Southeast Asian, and Oceanic traditional music in his formative years; seeds that would eventually bear a lasting impact on his musical style.[ citation needed ] In recent years,[ when? ] with his research on Chinese instruments, he has become a doubler/improviser on various Chinese wind instruments, such as suona, guanzi, yamudi, dizi, xiao, chiba, xun, koudi, bawu, hulusi, sheng, hulusheng and other related instruments from Asia and the Middle East.
He earned a BM at the University of Southern California, an MA at the Eastman School of Music, and a DMA at the University of Michigan; his notable teachers include Samuel Adler, William Albright, William Bolcom, Morten Lauridsen and Joseph Schwantner.
Although clearly a composer of the concert art-music genre,[ citation needed ] his definitive style combines elements of European, American, and Asian musical sources. His music is written for nearly every medium, including orchestral, chamber, band, percussion, electronic, vocal, and even non-western instruments. His two most well-known and performed compositions are Chasin’ Bill for Chinese silk and bamboo ensemble and CRUSH for soprano saxophone and Chinese Guzheng.
The nature of his music is eclectic, stemming from maximalism to minimalism, modernism to postmodernism, and fluidly combines tonality and atonality.
His musical beginnings were borne out of playing baritone saxophone and bass clarinet, often manipulating the latter instrument with guitar pedals; he was also co-founder of the group Jazz on the line with fellow saxophonists Rent Romus (Aaron Repke) and Dan Magay. This led to a strong interest in American improvisational forms, especially Cool Jazz, Progressive Bebop, Free Jazz, and non-commercially oriented Jazz Fusion. He would later evolve incorporations and influences of funk, new wave, heavy metal, new jack swing, electronica, trip hop, and shibuya-kei into his music.
He has recently[ when? ] been appointed as Associate Professor of Music Composition at Ewha Womans University in Seoul, Korea. He is a former faculty member in the same fields at University of South Florida, University of Kansas and Rhodes College and in 2009, was a Senior Fulbright Research Scholar (Humanities) in Taipei, Taiwan to write a book on orchestration for Chinese instruments. A musical style that merges American jazz and pop, Asian traditions and the European avant-garde, his compositions have been featured throughout the United States, France, Czech, Ukraine, Canada, Japan, and Taiwan. Timpson won the ASCAP Grant for Young Composers, the BMI Student Composers Award, the DownBeat Magazine award for extended composition, and was twice nominated for the American Academy of Arts and Letters composition award. He also won the Brian M. Israel Prize (The Society for New Music and the New York Federation of Music Clubs), the Lee Ettelson Composer’s Award, National Federation of Music Club’s Youse competition, second places at the Music From China International Competition and in NACUSA (National Association of Composers of The United States of America)’s composition competition, very highly commended in England’s Kathryn Thomas Flute Competition, and honorable mention at the National Federation of Music Club’s Beyer competition. His compositions appear on Albany/Capstone, CRS, NACUSA, and ERM recording labels, and have been published by World-Wide-Music. Three of his works were recorded by the Kiev Philharmonic and a fourth by the Chinese National Film Orchestra. His works were premiered in Carnegie Hall, Merkin Hall, and Taiwan National Concert Hall, and his orchestral compositions were premiered by The Florida Orchestra and the Jacksonville Symphony Orchestra. Timpson’s works have also appeared on radio shows throughout the U.S., Asia, and Europe. His music is published by HoneyRock Music and American Composers Editions.
Tan Dun is a Chinese-born American composer and conductor. A leading figure of contemporary classical music, he draws from a variety of Western and Chinese influences, a dichotomy which has shaped much of his life and music. Having collaborated with leading orchestras around the world, Tan is the recipient of numerous awards, including a Grawemeyer Award for his opera Marco Polo (1996) and both an Academy Award and Grammy Award for his film score in Ang Lee's Crouching Tiger, Hidden Dragon (2000). His oeuvre as a whole includes operas, orchestral, vocal, chamber, solo and film scores, as well as genres that Tan terms "organic music" and "music ritual."
Isang Yun, also spelled Yun I-sang, was a Korean-born composer who made his later career in West Germany.
Henry Eichheim was an American composer, conductor, violinist, organologist, and ethnomusicologist. He is best known as one of the first American composers to combine the sound of indigenous Asian instruments with western orchestral colors.
The following outline is provided as an overview of and topical guide to music:
Bright Sheng is a Chinese-born American composer, pianist and conductor. Sheng has earned many honors for his music and compositions, including a MacArthur Fellowship in 2001; he also was a two-time Pulitzer Prize finalist. His music has been commissioned and performed by virtually every major American symphony orchestra, in addition to the Orchestre de Paris, Royal Concertgebouw Orchestra, Toronto Symphony Orchestra, BBC Symphony Orchestra, London Sinfonietta, St. Petersburg Philharmonic Orchestra, Russian National Orchestra, Finnish Radio Symphony Orchestra, Sydney Symphony Orchestra, National Symphony Orchestra of Taiwan, Shanghai Philharmonic Orchestra, Tokyo Philharmonic Orchestra, and the Seoul Philharmonic Orchestra among numerous others. His music has been performed by such musicians as the conductors Leonard Bernstein, Kurt Masur, Christoph Eschenbach, Charles Dutoit, Michael Tilson Thomas, Leonard Slatkin, Gerard Schwarz, David Robertson, David Zinman, Neeme Järvi, Robert Spano, Hugh Wolff; the cellists Yo-Yo Ma, Lynn Harrell, and Alisa Weilerstein; the pianists Emanuel Ax, Yefim Bronfman, and Peter Serkin; the violinists Gil Shaham and Cho-Liang Lin; and the percussionist Evelyn Glennie.
Liang Tsai-Ping was a master of the guzheng, a Chinese traditional zither. He is considered one of the 20th century's most important players and scholars of the instrument. He also played and taught the guqin.
Andrew William Thomas is an American composer.
Malaysian contemporary music is an artistic phenomenon within Malaysia that has its roots in the 1980s with pioneer composers like Valerie Ross. However, little information about that period exists in written sources. The genre gained visibility and momentum only in the new millennium due to the internet phenomenon, and in 2002 in particular, when the Malaysian Philharmonic Orchestra (MPO) programmed several works by Malaysian composers, namely Chong Kee Yong's Echoed Dream (2002), Sunetra Fernando's 'Wayang' (2002) and Tazul Izan Tajuddin's Sebuah Tenunan III (2003). They represent the first local commissions by a professional symphony orchestra in the country. Interest in orchestral music by Malaysian composers grew and when the orchestra held its first Forum For Malaysian Composers in 2003 the event was a triumph for the local music scene.
Tyzen Hsiao was a Taiwanese composer of the neo-Romantic school. Many of his vocal works set poems written in Taiwanese Hokkien, the mother tongue of the majority of the island's residents at the time. His compositions stand as a musical manifestation of the Taiwanese literature movement that revitalized the island's literary and performing arts in the 1970s and 1980s. Hsiao's career in music included additional success as a pianist and conductor.
Rocco Di Pietro is composer, pianist, author, teacher, and habilitationist whose work crosses multiple disciplinary boundaries. "His work has a literary and visual component linking him with the romantic tradition." He is based in Columbus, Ohio, United States.
Chihchun Chi-sun Lee is a composer of contemporary classical music. Dr. Lee is originally from Kaohsiung, Taiwan, and is currently an invited professor of composition at Ewha Womans University, in Seoul, Korea, She received a doctoral degree from the University of Michigan, two master's degrees from Ohio University, and a bachelor’s degree from Soochow University in Taiwan. Her teachers included William Albright, William Bolcom, Bright Sheng, and Loong-Hsing Wen. She has previously taught music at Johnson County Community College, Washburn University, Rhodes College, and the University of Michigan, and is currently on the faculty of the University of South Florida.
Donald Reid Womack is a composer of contemporary classical music. He was born in Virginia, raised in East Tennessee and studied at Furman University and Northwestern University, receiving degrees in philosophy, music theory, and music composition.
Dr. Philip Jameson graduated from Wooster High School in 1959 and attended Baldwin Wallace College for one year.
Roger Joseph Zare is an American composer and pianist. Currently based in Chicago, he is known primarily for his orchestral and wind ensemble works, several of which have received significant recognition in the contemporary music community.
Enrico Chapela is a Mexican contemporary classical composer, whose works have been played by multiple major orchestras and has been commissioned to compose for institutions such as the Los Angeles Philharmonic, the National Center for the Performing Arts (Beijing) and the Festival Internacional Cervantino. His work is influenced by modern popular musical styles such as rock and electronic, as well as Mexican popular culture.
Huang Ruo is a Chinese-born composer, pianist and vocalist who now lives in the United States.
Kelly Tang is a Singaporean composer known internationally for his wind band, chamber and orchestral works. For his contributions to the local music scene, Tang was conferred the Cultural Medallion in 2011.
Tomasz Skweres is a Polish composer who lives and works in Vienna.
Narong Prangcharoen is a Thai composer of contemporary music. His compositions have won him the Guggenheim Fellowship, the Barlow Prize, and the Alexander Zemlinsky International Composition Competition Prize. He is the founder of Thailand International Composition Festival (TICF). Currently, he serves as Dean of the College of Music, Mahidol University in Thailand, as well as composer-in-residence for Thailand Philharmonic Orchestra and Pacific Symphony in Orange County, California. His scores for orchestra and wind ensemble are published exclusively by Theodore Presser Company.
Conductor Murilo Barbieri was born September 25, 1995 in Brazil, Araras, São Paulo to optician Ermelindo Barbieri FIlho and Eliene Barbieri (Manley) Barnett..
| General | |
|---|---|
| National libraries | |
| Other | |
