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Antonio Lucio Vivaldi was an Italian Baroque composer, virtuoso violinist, teacher, impresario, and Roman Catholic priest. Born in Venice, the capital of the Venetian Republic, Vivaldi is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe, being paramount in the development of Johann Sebastian Bach's instrumental music. He composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as sacred choral works and more than fifty operas. His best-known work is a series of violin concertos known as the Four Seasons.
Tomaso Giovanni Albinoni was an Italian Baroque composer. His output includes operas, concertos, sonatas for one to six instruments, sinfonias, and solo cantatas. While famous in his day as an opera composer, he is known today for his instrumental music, especially his concertos. He is also remembered today for a work called "Adagio in G minor", attributed to him but said to be written by Remo Giazotto, a 20th century musicologist and composer, who was a cataloger of the works of Albinoni.
Hendrik "Henk" Bouman is a Dutch harpsichordist, fortepianist, conductor and composer of music written in the baroque and classical idioms of the 17th and 18th century.
Matthias Maute is a virtuoso recorder player and composer.
Federico Maria Sardelli is an Italian conductor, historicist, composer, musicologist, comic artist, and flautist. He founded the medieval ensemble Modo Antiquo in 1984. In 1987, Modo Antiquo also became a baroque orchestra, debuting with the performance of Jean-Baptiste Lully's Ballet des Saisons in front of an audience of about five thousand.
Motezuma, RV 723, is an opera in three acts by Antonio Vivaldi with an Italian libretto by Alvise Giusti. The libretto is very loosely based on the life of the Aztec ruler Montezuma who died in 1520. The first performance was given in the Teatro Sant'Angelo in Venice on 14 November 1733. The music was thought to have been lost, but was discovered in 2002 in the archive of the music library of the Sing-Akademie zu Berlin. Its first fully staged performance in modern times took place in Düsseldorf, Germany, on 21 September 2005.
L'estro armonico, Op. 3, is a set of 12 concertos for stringed instruments by Italian composer Antonio Vivaldi, first published in Amsterdam in 1711. Vivaldi's Twelve Trio Sonatas, Op. 1, and Twelve Violin Sonatas, Op. 2, only contained sonatas, thus L'estro armonico was his first collection of concertos appearing in print. It was also the first time he chose a foreign publisher, Estienne Roger, instead of an Italian. Each concerto was printed in eight parts: four violins, two violas, cello and continuo. The continuo part was printed as a figured bass for violone and harpsichord.
Farnace is an opera by Italian composer Antonio Vivaldi, set to a libretto by Antonio Maria Lucchini initially set by Leonardo Vinci during 1724. Vivaldi's setting received its first performance in 1727 at the Teatro Sant'Angelo in Venice. Popular at the time, and revived with great success at the Sporck theater in Prague in 1730, Vivaldi's Farnace slipped into oblivion until the last quarter of the 20th century when it emerged from obscurity.
Vox Sæculorum is an international society of contemporary composers writing in the Baroque style established in 2006. Vox Sæculorum was the primary focus of a feature-length article on period baroque composition written by Grant Colburn and published in the Summer issue of Early Music America Magazine.
An introduzione is a motet for solo voice intended to be sung before certain choral settings of liturgical texts. Eight introduzioni by Antonio Vivaldi survive, each in three or four movements. The texts of introduzioni are non-liturgical, but sometimes paraphrases of liturgical texts. In the Ryom Verzeichnis, Vivaldi's introduzioni are numbered from RV 635–642.
Argippo is an opera libretto by Domenico Lalli, which in Giovanni Porta's setting premiered in Venice in 1717. Claudio Nicola Stampa's reworked version of the libretto was set as L'Argippo by Andrea Stefano Fiorè. This opera was performed in Milan in 1722.
Modo Antiquo is an Italian instrumental ensemble dedicated to the performance of Baroque, Renaissance, and Medieval music. It was founded in 1984 by Federico Maria Sardelli. Twice nominated for a Grammy award, the ensemble has an extensive discography, primarily on the Naïve, Brilliant Classics, and Tactus labels and have given the first performances in modern times of several works by Vivaldi. Modo Antiquo's larger ensemble is its Baroque orchestra led by Sardelli. It also has a smaller ensemble devoted to Medieval and Renaissance music led by Bettina Hoffmann.
Antonio Vivaldi made several versions of his G minor setting of the Magnificat canticle. He scored his best known version, RV 610, for vocal soloists, four-part choir, oboes and string orchestra, which also exists in a version for two groups of performers. He based these versions on an earlier setting for voices and strings only (RV 610b). His ultimate version, in which some choral and ensemble movements are replaced by five arias, to be sung a cappella by girls from the Ospedale della Pietà orphanage, was catalogued as RV 611. The concise work is well suited for use in vesper services.
Sebastiano Biancardi, known by the pseudonym Domenico Lalli, was an Italian poet and librettist. Amongst the many libretti he produced, largely for the opera houses of Venice, were those for Vivaldi's Ottone in villa and Alessandro Scarlatti's Tigrane. A member of the Accademia degli Arcadi, he also wrote under his arcadian name "Ortanio". Lalli was born and raised in Naples as the adopted son of Fulvio Caracciolo but fled the city after being implicated in a bank fraud. After two years wandering about Italy in the company of Emanuele d'Astorga, he settled in Venice in 1710 and worked as the "house poet" of the Grimani family's theatres for the rest of his career. In addition to his stage works, Lalli published several volumes of poetry and a collection of biographies of the kings of Naples. He died in Venice at the age of 62.
The Concerto for Strings in G major, RV 151, commonly referred to as the Concerto alla rustica, is a concerto for orchestra without soloists by Antonio Vivaldi. It was written between mid-1720 and 1730, and is one of the composer's best-known concertos.
La tempesta di mare, a flute concerto in F Major, is the first of Six Flute Concertos, Op. 10 by Antonio Vivaldi, published in the late 1720s. La tempesta di mare may also refer to two earlier versions of the same concerto, RV 98, a concerto da camera featuring the flute, from which Vivaldi derived the concerto grosso RV 570.
The concerto transcriptions of Johann Sebastian Bach date from his second period at the court in Weimar (1708–1717). Bach transcribed for organ and harpsichord a number of Italian and Italianate concertos, mainly by Antonio Vivaldi, but with others by Alessandro Marcello, Benedetto Marcello, Georg Philipp Telemann and the musically talented Prince Johann Ernst of Saxe-Weimar. It is thought that most of the transcriptions were probably made in 1713–1714. Their publication by C.F. Peters in the 1850s and by Breitkopf & Härtel in the 1890s played a decisive role in the Vivaldi revival of the twentieth century.
The British Academy presents 18 awards and medals to recognise achievement in the humanities and social sciences.
Grosso mogul, also Il grosso mogul, or capitalised [Il] Grosso Mogul, RV 208, is a violin concerto in D major by Antonio Vivaldi. The concerto, in three movements, is an early work by the Venetian composer. Around the mid-1710s Johann Sebastian Bach transcribed the concerto for organ, BWV 594, in C major. A simplified version of the violin concerto, RV 208a, without the elaborated cadenzas that appear in manuscript versions of RV 208, and with a different middle movement, was published around 1720 in Amsterdam as concerto #11 of Vivaldi's Op. 7.
The James and Constance Alsop Professorship of Music at the University of Liverpool was established in 1946; prior to that time, music teaching had been confined to the Department of Education but the new chair marked an attempt to "coordinate the study of music within the University and stimulate interest by lectures and other appropriate instruction". The first holder was Gerald Abraham, who had been director of the BBC's Gramophone Department. The chair was named for Alderman James W. Alsop, OBE, a major figure in the university's establishment and early administration.
References
- ↑ Curriculum Vitae of Emeritus Professor Michael Talbot, FBA
- ↑ "Talbot, Prof. Michael Owen", Who's Who (online edition, Oxford University Press, December 2017). Retrieved 19 June 2018.
- ↑ "The knives are out over the authenticity of an opera..." London: The Daily Telegraph. 23 November 2004. Retrieved 8 September 2009.
- ↑ "Lost Handel set for modern debut". BBC. 12 March 2001. Retrieved 8 September 2009.
- ↑ Vox Saeculorum roster
- ↑ White, Michael (21 November 2004). "The Vivaldi Hunters". The New York Times . Retrieved 8 September 2009.
