"Pretty Baby" is a song written by Tony Jackson during the Ragtime era. The song was remembered as being prominent in Jackson's repertory before he left New Orleans in 1912, but was not published until 1916.
Instant Replay is the seventh studio album by the Monkees. Issued 11 months after the cancellation of the group's NBC television series, it is also the first album released after Peter Tork left the group and the only album of the original nine studio albums that does not include any songs featured in the TV show.
Live at the London Palladium is a live double album by soul musician Marvin Gaye, released March 15, 1977, on Tamla Records. Recording sessions took place live at several concerts at the London Palladium in London, England, in October 1976, with the exception of the hit single "Got to Give It Up", which was recorded at Gaye's Los Angeles studio Marvin's Room on January 31, 1977. Live at the London Palladium features intimate performances by Gaye of many of his career highlights, including early hits for Motown and recent material from his previous three studio albums. As with his previous live album, Marvin Gaye Live!, production of the record was handled entirely by Gaye, except for the studio portion, "Got to Give It Up", which was managed by Art Stewart.
Mildred Virginia Jackson is an American R&B and soul recording artist. Beginning her career in the early 1960s, three of Jackson's albums have been certified gold by the RIAA for over 500,000 copies sold. Jackson's songs often include long spoken sections, sometimes humorous, sometimes sexually explicit. She recorded songs in an R&B, disco, or dance-music style and occasionally in a country style.
An Evening with Diana Ross is a 1977 live double album released by American singer Diana Ross on the Motown label. It was recorded live at the Ahmanson Theatre in Los Angeles in December 1976 during the international tour of Ross' one-woman show, for which she was awarded a special Tony Award after the show's run at Broadway's Palace Theater, followed by an Emmy-nominated TV special of the same name. It marked the first time in history a solo female headlined a 90-minute TV special. The album reached #29 in the USA . The album showcased her live performances for the second time as a solo performer, following 1974's Live At Caesars Palace. It was the last live album Ross released until 1989's Greatest Hits Live.
The Master (1961–1984) is a chronological box set album looking back at American R&B/soul Marvin Gaye's 23-year recording career. Spanning four discs, the box set goes over all portions of Gaye's career with a repertoire that spanned doo-wop, R&B, soul, psychedelic soul and funk with a mixture of themes including dance songs, love ballads, duets, socially conscious material, sensual material and autobiographical revelations. The set includes rarities such as a recorded 1981 live track of Gaye and Gladys Knight & the Pips each singing their seminal hit "I Heard It Through the Grapevine", Gaye's famed 1983 performance of "The Star-Spangled Banner" at an NBA All-Star game and an a cappella performance of "The Lord's Prayer" taped during Gaye's exile in Belgium.
Caught Up is the fourth album by R&B musician Millie Jackson. It includes the hit singles, "(If Loving You Is Wrong) I Don't Want to Be Right", "The Rap" and "I'm Through Trying to Prove My Love to You." A concept album, Caught Up follows the story of a woman having an affair with a married man. Side A features Jackson singing from the mistress' point of view and Side B is told from the wife's point of view.
All Killer, No Filler: The Anthology is a 1993 box set collecting 42 songs by rock and roll and rockabilly pioneer Jerry Lee Lewis from the mid-1950s to the 1980s, including 27 charting hits. The album has been critically well received. In 2003, Rolling Stone listed the album at #245 in its list of "Rolling Stone's 500 Greatest Albums of All Time", maintaining its rating in a 2012 revised list, and dropping to #325 in the 2020 update. Country Music: The Rough Guide indicated that "[t]his is the kind of full-bodied, decades-spanning treatment that Lewis's long, diverse career more than well deserves."
Live & Uncensored is a live album by Millie Jackson recorded in concert at The Roxy Theatre in Los Angeles, California. The album shows what her shows were like, from tender romantic ballads to explicit recreations of classical pieces. The dialogue during and between songs were often considered a highlight, with topics ranging from soap operas on television to shady men in her life. While not on stage with her, she singles out The Pointer Sisters in the crowd, casually talking with them as if they were all at a party. "Phuck U Symphony" is one of the best-known tracks on this album, and Jackson continues to include it in her live shows to this day.
Common Sense is the fourth album by American folk singer and songwriter John Prine, released in 1975.
Anthology, also known as Anthology: The Best of The Supremes, first released in May 1974, is a series of same or similarly titled compilation albums by The Supremes. Motown released revised versions in 1986, 1995 and 2001. In its initial version, a 35-track triple record collection of hits and rare material, the album charted at No. 24 on Billboard's "Black Albums" and No. 66 on "Pop Albums".
Chuck Berry's Golden Decade is a compilation of music by Chuck Berry, released in three volumes in 1967, 1973, and 1974. Covering the decade from 1955 to 1964, each volume consists of a two-LP set of 24 songs recorded by Berry. The first volume reached number 72 on Billboard's Pop Albums chart. The second volume peaked at number 110. The third volume, which included only two hit singles among its tracks, did not chart.
Let Me Tell You About a Song is the fourteenth studio album by American country singer Merle Haggard and The Strangers, released in 1972. It reached No. 7 on the Billboard Country album chart and #166 on the Pop album chart. The lead-off singles were "Grandma Harp" and "Daddy Frank " — both reached No. 1.
William Lee Nichols is an American guitarist and soul songwriter from Carrollton, Mississippi.
Let Yourself Go, the follow-up box set to This Is the Story: The '70s Albums, Vol. 1 – 1970–1973: The Jean Terrell Years, comprises The Supremes' albums from 1974 to 1977, featuring original member Mary Wilson, longtime member Cindy Birdsong, newest member Scherrie Payne, and final Supreme Susaye Greene. Included in this set are The Supremes' final three studio albums released in their entirety on CD for the first time. Also included are several unreleased and alternate takes.
Motherlode is a 1988 James Brown compilation album. Created as a follow-up to the successful 1986 compilation In the Jungle Groove, it similarly focuses on Brown's funk recordings of the late 1960s and early 1970s. It includes live performances and remixes as well as studio recordings, most of them previously unissued. Writing in 2007, critic Robert Christgau called it "the finest of the classic [James Brown] comps". Highlights include a live "Say It Loud – I'm Black and I'm Proud", the first album release of "I Got Ants in My Pants ", the latter-day UK chart hit "She's the One", and a nine-minute-long remix of "People Get Up and Drive Your Funky Soul" from the Slaughter's Big Rip-Off soundtrack.
Get It Out'cha System is a 1978 album by singer-songwriter Millie Jackson. David Van DePitte was responsible for the string and horn arrangements.
It Hurts So Good is the second album by American singer-songwriter Millie Jackson.
The Michael Jackson Mix is a compilation album by American singer and recording artist Michael Jackson, released in 1987. Available as a double LP, double cassette and double CD, the album contains 40 songs from Jackson's Motown career – solo and with The Jackson 5 – edited together in four separate megamixes: "Love Mix 1" and "Love Mix 2" on the first LP, cassette and CD, and "Dance Mix 1" and "Dance Mix 2" on the second LP, cassette and CD.
"Letter Full of Tears" is a song written by American singer-songwriter Don Covay and released by Gladys Knight & the Pips as a single in November 1961. It became their second top-20 hit, peaking at number 19 on the Billboard Hot 100. The song was covered the following year by English singer Billy Fury who had a minor hit with it in the UK.
[1] 